Harvard Art Museums > 1998.278: Seated Female Nude Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Seated Female Nude (Manuel Martinez Hugué, called Manolo) , 1998.278,” Harvard Art Museums collections online, Jan 05, 2025, https://hvrd.art/o/312325. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1998.278 People Manuel Martinez Hugué, called Manolo, Spanish (Barcelona 1872 - 1945 Caldas de Montbuy) Title Seated Female Nude Classification Drawings Work Type drawing Date 19th-20th century Culture Spanish Persistent Link https://hvrd.art/o/312325 Physical Descriptions Medium Black ink over graphite on cream wove paper Dimensions actual: 18.1 x 26.1 cm (7 1/8 x 10 1/4 in.) Inscriptions and Marks inscription: on mount, lower right, graphite: S ox inscription: on mount, lower center, graphite: 16 stamp: verso, center, blue ink and graphite: Galerie Kahnweiler / 28, Rue Vignon, PARIS / 1768 stamp: upper left, black ink inscription: upper left, graphite: 7758 Provenance Recorded Ownership History Lois Orswell, Pomfret Center, CT, 1952, Bequest to Harvard University Art Museums, 1998. Orswell placed work on deposit at the Fogg Art Museum from 1953 to 1955. See Orswell catalogue p. 372 and p. 375. Orswell placed work on long-term loan from 1971 to 1998. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, The Lois Orswell Collection Accession Year 1998 Object Number 1998.278 Division Modern and Contemporary Art Contact am_moderncontemporary@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Marjorie B. Cohn and Sarah Kianovsky, Lois Orswell, David Smith, and Modern Art, exh. cat., Harvard University Art Museums (Cambridge, MA, 2002), cat. no. 162, p. 375 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu