1978.495.52: Rhombic Enameled Seal Box Lid
JewelryIdentification and Creation
- Object Number
- 1978.495.52
- Title
- Rhombic Enameled Seal Box Lid
- Other Titles
- Former Title: Diamond-Shaped Pendant with Polychrome
- Classification
- Jewelry
- Work Type
- pendant
- Date
- 1st-3rd century CE
- Places
- Creation Place: Ancient & Byzantine World
- Period
- Roman Imperial period
- Culture
- Roman
- Persistent Link
- https://hvrd.art/o/311886
Physical Descriptions
- Medium
- Copper alloy
- Technique
- Cast, lost-wax process
- Dimensions
- 2.9 x 1.95 cm (1 1/8 x 3/4 in.)
- Technical Details
-
Technical Observations: The patina is green and light brown. Most of the inlayed area is lost. File marks are preserved on the back around the loop and in the circular terminal.
This object was cast in one piece with the hinge loop and the circular terminal. The shallow impressions contain the remains of colorful inlays. The corner inlays are white, the central one was aquamarine, and the rest were dark brownish black with bright red spots in their center. The circular terminal at the bottom also contained red inlay.
Francesca G. Bewer (submitted 2002)
Provenance
- Recorded Ownership History
- Formerly in the collection of the Peabody Museum of Harvard University, no. E-2355.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Transfer from the Peabody Museum of Archaeology and Ethnology, Harvard University.
- Accession Year
- 1978
- Object Number
- 1978.495.52
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
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Descriptions
Published Catalogue Text: Ancient Mediterranean and Near Eastern Bronzes at the Harvard Art Museums
The diamond-shape of this seal box lid is truncated at the top corner to make room for the loop, and slightly rounded at the bottom, to allow for the flat circular terminal knob at the bottom. Around the top edge of the main field and the circular knob, there is a raised bronze border. Some red enamel remains in the circular terminal. The main field is decorated with a checkerboard pattern of four millefiori dark blue squares with a white and red central motif (perhaps representing an animal or a flower) and five millefiori white squares with a dark blue central motif. The upper portion of the hinge survives, and the back is flat and featureless except for a slight protrusion at the area of the circular terminal knob.
Seal boxes are small, often elaborately decorated containers made up of a lid and base joined together by a hinge. Seal boxes were usually circular or leaf-shaped, although square and rhombic boxes also appear. There were three to four small holes in the base of seal boxes and occasionally one on the lid (2). From the second century CE, the lids frequently bore colored enamel decoration. The Romans used seal boxes to protect the wax or lead seals that they put on documents or other important items prior to transport. When an object was prepared for transport, it would be wrapped in string or twine. The ends of the string would then be put through the seal box, which had a small notch cut into each side to accommodate the string. The string would then be tied and covered with wax or lead, which would then be imprinted with the impression from a signet ring to make a seal. The small box would then protect the seal while the object travelled to show that it had not been tampered with, and the only way to open the object would be to cut the string or break the seal. Seal boxes have often been found at military sites and may have been used more frequently by Roman soldiers than others (3). The use of seal boxes ended in the late third century CE.
NOTES:
1. Compare J. Bagnall Smith, “Votive Objects and Objects of Votive Significance from Great Walsingham,” Britannia 30 (1999): 21-56, esp. 40-47, nos. 50-52 and 66-67, figs. 4-5; and A. R. Furger, M. Wartmann, and E. Riha, Die römischen Siegelkapseln aus Augusta Raurica, Forschungen in Augst 44 (Augst, 2009) 62-64, fig. 35.8, color pl. 6.
2. For general information about the use, variety, distribution, and dating of seal boxes, see Furger, Wartmann, and Riha 2009 (supra 1).
3. See T. Derks and N. Roymans, “Seal-Boxes and the Spread of Latin Literacy in the Rhine Delta,” in Becoming Roman, Writing Latin? Literacy and Epigraphy in the Roman West, ed. A. E. Cooley, JRA Suppl. 48 (Portsmouth, RI, 2002) 87-135.
Lisa M. Anderson
Subjects and Contexts
- Ancient Bronzes
Related Objects
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu