1962.64: Elongated Woman Wearing a Diadem
SculptureA woman with long skinny limbs wears a long dress indicated by wavy lines on her torso and legs. Her feet are pointed. Her arms wave away from her body and her left arm is broken off at her elbow. Her torso is elongated and she has small high breasts, a thick neck and small head. Her face is simple, with circular eyes and a barely visible nose and mouth. She wears a headband, and hair or a headdress rise over the headband. The surface is brown and green, and looks worn down or polished.
Identification and Creation
- Object Number
- 1962.64
- Title
- Elongated Woman Wearing a Diadem
- Classification
- Sculpture
- Work Type
- statuette, sculpture
- Date
- 5th century BCE
- Places
- Creation Place: Ancient & Byzantine World, Europe, Umbria
- Period
- Iron Age
- Culture
- Italic
- Persistent Link
- https://hvrd.art/o/311125
Location
- Location
-
Level 3, Room 3700, Ancient Mediterranean and Middle Eastern Art, Roman Art
Physical Descriptions
- Medium
- Leaded bronze
- Technique
- Cast, lost-wax process
- Dimensions
- 24.5 x 7 x 2 cm (9 5/8 x 2 3/4 x 13/16 in.)
- Technical Details
-
Chemical Composition: ICP-MS/AAA data from sample, Leaded Bronze:
Cu, 82.15; Sn, 9.51; Pb, 7.49; Zn, 0.016; Fe, 0.28; Ni, 0.05; Ag, 0.06; Sb, 0.1; As, 0.26; Bi, 0.048; Co, 0.021; Au, less than 0.01; Cd, less than 0.001
J. RiedererTechnical Observations: The figure is a solid cast, and some porosity and casting flaws are still visible. It is missing its proper left hand. The loss of patina behind the knees indicates the deformation of metal. Grooves in the surface were crudely cleaned with a sharp blade. The patina is dark green and brown.
Carol Snow and Nina Vinogradskaya (submitted 2002)
Provenance
- Recorded Ownership History
- Marian H. Phinney, Cambridge, MA, (by 1962), bequest; to Fogg Art Museum, 1962.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Marian H. Phinney
- Accession Year
- 1962
- Object Number
- 1962.64
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
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Descriptions
Published Catalogue Text: Ancient Mediterranean and Near Eastern Bronzes at the Harvard Art Museums
Advancing with her left leg, this elongated woman (kore) appears to stride forward unsteadily in her upturned shoes. This impression is reinforced by the placement of her arms: the right is bowed out to the side, as if for balance, while the left is swung forward, its hand missing. Dressed in a long, diaphanous tunic, the figure’s breasts, rendered as two knobs of bronze set high upon her chest, are visible beneath her costume. A pattern of long vertical waves creates the impression sheer fabric. The bottom of her tunic bears a leaf-like motif. The woman’s hair is combed back from her face and tucked into a cap of some type, perhaps a snood, and she wears a crown with a lightly incised pattern, possibly depicting rays. Identified as “female figures of worshippers or perhaps temple attendants,” late Archaic korai figures of this type are sometimes shown holding offerings or making gestures of prayer (1). Richardson places this piece within her group of provincial korai, which “imitate the costumes and gestures of the Ionian or Severe korai of the late Archaic period, but in an exaggerated way” (2).
NOTES:
1. E. Richardson, Etruscan Votive Bronzes: Geometric, Orientalizing, Archaic (Mainz, 1983) 249.
2. Ibid., 308. For the decoration of the dress, compare also a statuette of Minerva in the Villa Giulia in G. Colonna, Bronzi votivi umbro-sabellici a figura umana 1: Periodo “arcaico” (Florence, 1970) 37-38, no. 43, pl. 13.
Aimée F. Scorziello
Publication History
- Emeline H. Richardson, Etruscan Votive Bronzes: Geometric, Orientalizing, Archaic, Verlag Philipp von Zabern (Mainz, 1983), p. 331, Archaic Kore Series C, Group 6C, no. 6, figs. 797-98, pl. 238.
- Marion True, Suzannah F. Doeringer, and John J. Herrmann Jr., The Gods Delight: The Human Figure in Classical Bronze, exh. cat., Cleveland Museum of Art/Indiana University Press (Cleveland, OH, 1989), p. 181, fig. 13.
Exhibition History
- 32Q: 3700 Roman, Harvard Art Museums, 11/16/2014 - 01/01/2050
Subjects and Contexts
- Ancient Bronzes
- Google Art Project
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu