Add to Collection

Add this item to an existing or new collection.
Harvard Art Museums
Incorrect Username, Email, or Password
This object does not yet have a description.

Identification and Creation

Object Number
1936.129
People
Unidentified Artist
Title
Section of a Cassone Panel depicting Beasts in Roundels
Classification
Furniture
Work Type
chest
Date
13th century
Places
Creation Place: Europe, Italy, Central Italy
Culture
Italian
Persistent Link
https://hvrd.art/o/310626

Physical Descriptions

Medium
Wood
Technique
Carved
Dimensions
sight: 41.3 x 125.1 cm (16 1/4 x 49 1/4 in.)

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Alpheus Hyatt Purchasing Fund
Accession Year
1936
Object Number
1936.129
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Publication History

  • W. R. Tyler, "An Early Italian Wooden Panel", Bulletin of the Fogg Museum of Art, vol. 9, no. 3, pp. 49-55, pp. 49-55, figs. 1, 4 (detail)
  • Linda Seidel, "Romanesque Sculpture in American Collections: X: The Fogg Art Museum: III: Spain, Italy, the Low Countries, and Addenda", GESTA (1973), vol. XII, no. 1/2, no. 9, repr.
  • Walter Cahn and Linda Seidel, Romanesque Sculpture in American Collections, volume 1: New England Museums, Burt Franklin & Co., Inc. (New York, NY, 1979), no. 42, fig. 200
  • Christine Verzár Bornstein and Priscilla Soucek, The Meeting of Two Worlds: The Crusades and the Mediterranean Context, exh. cat., University of Michigan Museum of Art (Ann Arbor, MI, 1981), cat. no. 47, repr.
  • Elizabeth Bradford Smith, Medieval Art in America: Patterns of Collecting 1800-1940, exh. cat., Palmer Museum of Art (University Park, PA, 1996), repr. in b/w p. 214-215, catalogue no. 52
  • Monique Rey-Delque, Le Crociate: L'oriente e L'occidente da Urbano II a San Luigi, 1096-1270, exh. cat., Electa (Milan, Italy, 1997), repr. p. 296, p. 399, no. 182
  • Mary Margaret (Molly) Fulghum, "Under Wraps: Byzantine Textiles as Major and Minor Arts", Studies in the Decorative Arts (Fall 2001-Winter 2002), vol. 9, no. 1, pp. 13-33, p. 22, repr. as fig. 6
  • Amanda Luyster, ed., Bringing the Holy Land Home: The Crusades, Chertsey Abbey, and the Reconstruction of a Medieval Masterpiece, exh. cat., Harvey Miller Publishers (London, 2023), pp. 312-313, repr. p. 310

Exhibition History

  • The Meeting of Two Worlds: The Crusades and the Mediterranean Context, University of Michigan Museum of Art, 05/09/1981 - 09/27/1981
  • Medieval Art in America: Patterns of Collecting, 1800-1940, Palmer Museum of Art, University Park, 01/09/1996 - 03/03/1996; Frick Art Museum, Pittsburgh, 04/01/1996 - 05/26/1996
  • Le Crociate: l'oriente e l'occidente da Urbano II a San Luigi (1096-1270), Palazzo di Venezia, Rome, 02/14/1997 - 04/30/1997; Couvent des Jacobins de Toulouse, 05/16/1997 - 08/01/1997

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu