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Identification and Creation

Object Number
1982.37
People
Edward Hopper, American (Nyack NY 1882 - 1967 New York NY)
Title
Jenness House, Truro
Classification
Drawings
Work Type
drawing
Date
1934
Culture
American
Persistent Link
https://hvrd.art/o/309238

Physical Descriptions

Medium
Transparent and opaque watercolor over graphite on white wove paper
Dimensions
35.6 × 50.9 cm (14 × 20 1/16 in.)
frame: 59.7 × 75.1 × 1.9 cm (23 1/2 × 29 9/16 × 3/4 in.)
Inscriptions and Marks
  • Signed: graphite, l.r.: To Harriet R. Jenness/Edward Hopper
  • inscription: graphite, lower right: To Harriet R. Jenness / Edward Hopper.

Provenance

Recorded Ownership History
Edward Hopper, gift; to Harriet R. Jenness, 1934, by descent; to Virginia Jenness, Cambridge Massachusetts, bequest; to Harvard University Art Museums, 1982.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Bequest of Virginia Jenness
Accession Year
1982
Object Number
1982.37
Division
Modern and Contemporary Art
Contact
am_moderncontemporary@harvard.edu
Permissions

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Publication History

  • Gail Levin, Edward Hopper: A Catalogue Raisonné, Whitney Museum of American Art (New York, NY and London, England, 1995), vol. II, p. 266, no. W-297, reproduced in color
  • Virginia M. Mecklenburg, Edward Hopper: The Watercolors, exh. cat., National Museum of American Art and W. W. Norton & Company (Washington, D.C and New York, NY, 1999), fig. 128 (color), p. 127 ( as "Jenness House IV")
  • Gail Levin, The Complete Watercolors of Edward Hopper, Whitney Museum of American Art (New York, 2001), W-297, repr.
  • Theodore E. Stebbins, Jr., American Watercolors and Pastels 1875-1950 at the Fogg Art Museum, brochure, Harvard University Art Museums (Cambridge, MA, 2006), checklist
  • Murray Whyte, "A Century of Watercolors at Harvard Display the Form's Unruly Pleasures", Boston Globe (Boston, July 2, 2023), p. N4
  • Joachim Homann, Margaret Morgan Grasselli, and Miriam Stewart, ed., American Watercolors, 1880–1990: Into the Light, exh. cat., Harvard Art Museums (Cambridge, 2023), repr. as fig. 2 on p. 49
  • Penley Knipe and Miriam Stewart, Material Matters (A Watercolor Treasury, Support, Reserve, Opacity, Intervention, Resist, Impermanence), American Watercolors, 1880–1990: Into the Light, ed. Joachim Homann, Margaret Morgan Grasselli, and Miriam Stewart, Yale University Press (Cambridge, MA, 2023), Pages 40-67, Figure 2, Page 49

Exhibition History

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu