1965.444: Studies of a Hippopotamus
Drawings
This object does not yet have a description.
Identification and Creation
- Object Number
- 1965.444
- People
-
Alexander Calder, American (Philadelphia, PA 1898 - 1976 New York, NY)
- Title
- Studies of a Hippopotamus
- Classification
- Drawings
- Work Type
- drawing
- Date
- c. 1925
- Culture
- American
- Persistent Link
- https://hvrd.art/o/308839
Physical Descriptions
- Medium
- Watercolor and black ink on off-white wove paper
- Dimensions
- actual: 33.7 x 27.4 cm (13 1/4 x 10 13/16 in.)
- Inscriptions and Marks
-
- Signed: graphite, l.r.: A. Calder
- watermark: Left edge, twice, incomplete: INTERNATIONAL / BOND / MADE IN (W monogram) USA
Provenance
- Recorded Ownership History
-
Meta and Paul J. Sachs (L. 2091), Cambridge Massachusetts, by 1945, bequeathed; to Fogg Art Museum, 1965.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Bequest of Meta and Paul J. Sachs
- Copyright
- © Calder Foundation, New York / Artists Rights Society (ARS), New York
- Accession Year
- 1965
- Object Number
- 1965.444
- Division
- Modern and Contemporary Art
- Contact
- am_moderncontemporary@harvard.edu
- Permissions
-
The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Publication History
- Jean Lipman, Calder's Universe, Whitney Museum of American Art and Viking Press (New York, 1976), pp. 81 - 82
- Marjorie B. Cohn, Wash and Gouache: A Study of the Development of the Materials of Watercolor, exh. cat., Fogg Art Museum (Cambridge, 1977), pp. 23, 39, 91, 94, cat. 10, fig. 4 (detail)
- Joachim Homann, Margaret Morgan Grasselli, and Miriam Stewart, ed., American Watercolors, 1880–1990: Into the Light, exh. cat., Harvard Art Museums (Cambridge, 2023), pp. 42, 44-45, 110, repr. as fig. 1 on p. 44, pl. 41 on p. 110
- Penley Knipe and Miriam Stewart, Material Matters (A Watercolor Treasury, Support, Reserve, Opacity, Intervention, Resist, Impermanence), American Watercolors, 1880–1990: Into the Light, ed. Joachim Homann, Margaret Morgan Grasselli, and Miriam Stewart, Yale University Press (Cambridge, MA, 2023), Pages 40-67, Figure 1, Page 44
Exhibition History
- Three Centuries of the Comic Spirit, Rose Art Museum, Brandeis University, Waltham, 05/01/1953 - 05/30/1953
- Contemporary American Drawings, Currier Museum of Art, Manchester, 01/11/1956 - 02/26/1956
- Unidentified Exhibition, Lincoln Laboratory, 1975, Lincoln Laboratory, Massachusetts Institute of Technology, Lexington, 04/01/1975 - 08/31/1975
- Wash and Gouache: A Study of the Development of the Materials of Watercolor, Fogg Art Museum, Cambridge, 05/12/1977 - 06/22/1977
- The Heavenly Twins: Edward W. Forbes, Paul J. Sachs and the Building of a Collection, Harvard University Art Museums, Cambridge, 09/23/1995 - 12/17/1995
- American Watercolors, 1880–1990: Into the Light, Harvard Art Museums, Cambridge, 05/20/2023 - 08/13/2023
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu