Harvard Art Museums > 1960.243.B: Etruscan Fresco Palette Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Etruscan Fresco Palette (Prentice Duell) , 1960.243.B,” Harvard Art Museums collections online, Nov 17, 2024, https://hvrd.art/o/308536. This object does not yet have a description. Identification and Creation Object Number 1960.243.B People Prentice Duell, American (New Albany, IN 1894 - 1960 Boston, MA) Title Etruscan Fresco Palette Classification Drawings Work Type drawing Date 20th century Culture American Persistent Link https://hvrd.art/o/308536 Physical Descriptions Medium Painted out pigment samples, typewriter ink off-white wove paper, mounted to heavy off-white wove paper Dimensions 34.7 x 24.3 cm (13 11/16 x 9 9/16 in.) Inscriptions and Marks Signed: brown watercolor, l.r.: Prentice Duell legend: black ink, typewritten: ETRUSCAN PALETTE / FROM THE PAINTINGS IN THE TOMBA DEL TRICLINIO (480-470 B.C.) AND IN THE TOMBA DEL / LETTO FUNEBRE (470-460 B.C.) AT TARQUINIA / The paintings are done in a thin coat of lime plaster about one eighth to one quarter / of an inch in thickness. The plaster is half lime carbonate (made from the limestone / in which the tombs were cut) and half sand. When the plaster was dry a thin coat of / fine whitewash (lime carbonate) was first applied to the walls and ceilings. Its / purpose was, presumably, to provide a whiter, smoother, and more satisfactory surface than the more porous plaster. legend: black ink, typewritten: YELLOW: a naturally occurring ochre or clay which owes / its color to a hydrated form of iron oxide / (Fe2O3 - H2O) legend: black ink, typewritten: GOLDEN YELLOW. One of the several yellows in the paintings which / have a golden and sometimes reddish hue. These / colors could be various naturally occurring ochres, / but their varying hues could, however, have been / obtained by gently heating or calcining the natural/ ochre to various degrees. legend: black ink, typewritten: LIGHT RED: A naturally occurring ochre or clay which owes / its color to an anhydrous iron oxide (Fe2O3) legend: black ink, typewritten: DARK RED: a naturally occurring ochre or clay which owes / its color to an anhydrous iron oxide (Fe2O3). This color, however, could have been obtained / by gently heating or calcining the light red / color. legend: black ink, typewritten: BLUE: An artificial pigment (CuO-CaO-4SiO2) made by / fusing together copper, calcium, and silica into / a glass which was then ground into a powder. / This pigment was probably imported from Egypt. legend: black ink, typewritten: GREEN: A mixture of malachite, a naturally occurring / basic copper carbonate (CuCO3-Cu(OH)2) and / Egyptian blue. legend: black ink, typewritten: BLACK: Apparently soot or lamp-black-- nearly pure / amphorous carbon. Provenance Recorded Ownership History Prentice Duell; his bequest to the Fogg Art Museum, 1960. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Duell Collection Accession Year 1960 Object Number 1960.243.B Division Modern and Contemporary Art Contact am_moderncontemporary@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description Each section of text is typewritten and adhered to backing; each color sample is painted on a separate piece of paper and then adhered to backing. Pinholes at all corners of sheet. Sheet is taped to backing mat; verso cannot be examined 12/01. Exhibition History 32Q: 2220 18th-19th Century, Harvard Art Museums, Cambridge, 09/20/2018 - 02/05/2019 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu