1950.48: Landscape; verso: Seascape
DrawingsThis watercolor drawing of a seascape features abstracted strokes of color in shades of blue, green, yellow, red, pink, and gray, layered over a white background.
Identification and Creation
- Object Number
- 1950.48
- People
-
John Marin, American (Rutherford, NJ 1870 - 1953 Addison, Cape Split, ME)
- Title
- Landscape; verso: Seascape
- Classification
- Drawings
- Work Type
- drawing
- Date
- 1914
- Culture
- American
- Persistent Link
- https://hvrd.art/o/308320
Physical Descriptions
- Medium
- Watercolor over graphite on heavy white wove paper; verso: watercolor over graphite; some color applied and worked with a tool and fingers
- Dimensions
-
36.5 × 41.9 cm (14 3/8 × 16 1/2 in.)
frame: 64.8 × 59.4 × 2.1 cm (25 1/2 × 23 3/8 × 13/16 in.) - Inscriptions and Marks
-
- Signed: blue watercolor, l.r.: Marin 14
- inscription: verso, l.r., blue/black ink, in artist's hand: [signature:] Marin 14
- inscription: recto, u.c., graphite, in artist's hand: writing and drawing has been erased
Provenance
- Recorded Ownership History
- James Naumberg Rosenberg, New York, New York, gift; to Fogg Art Museum, 1950.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Gift of James N. Rosenberg
- Copyright
- © Estate of John Marin / Artists Rights Society (ARS), New York.
- Accession Year
- 1950
- Object Number
- 1950.48
- Division
- Modern and Contemporary Art
- Contact
- am_moderncontemporary@harvard.edu
- Permissions
-
The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Publication History
- Sheldon Reich, John Marin: A Stylistic Analysis and Catalogue Raisonné, University of Arizona Press (Tucson, AZ, 1970), vol. II, no. 14.29, reproduced in b/w
- Sue Welsh Reed and Carol Troyen, Awash in Color: Homer, Sargent, and the Great American Watercolor, exh. cat., Museum of Fine Arts, Boston (Boston, MA, 1993), reproduced in b/w p. xliv, fig. 7
- Theodore E. Stebbins, Jr., American Watercolors and Pastels 1875-1950 at the Fogg Art Museum, brochure, Harvard University Art Museums (Cambridge, MA, 2006), checklist
- Murray Whyte, "A Century of Watercolors at Harvard Display the Form's Unruly Pleasures", Boston Globe (Boston, July 2, 2023), p. N4, repr.
- Brian T. Allen, "Harvard's Fogg Museum Comes Back to Life with a Glorious Watercolor Show", National Review (August 10, 2023), discussed and repr.
- Timothy Standring, [Review] "American Watercolors, 1880-1990: Into the Light", The Burlington Magazine (August 2023), 165, pp. 908-911, p. 909
- Joachim Homann, Margaret Morgan Grasselli, and Miriam Stewart, ed., American Watercolors, 1880–1990: Into the Light, exh. cat., Harvard Art Museums (Cambridge, 2023), pp. 58, 95, repr. as fig. 4 on p. 58 [detail], pl. 26 on p. 95, cover [detail] (verso)
- Penley Knipe and Miriam Stewart, Material Matters (A Watercolor Treasury, Support, Reserve, Opacity, Intervention, Resist, Impermanence), American Watercolors, 1880–1990: Into the Light, ed. Joachim Homann, Margaret Morgan Grasselli, and Miriam Stewart, Yale University Press (Cambridge, MA, 2023), Pages 40-67, Figure 4, Page 58
Exhibition History
- [John Marin], Institute of Contemporary Art, Boston, Boston, 05/01/1951 - 05/31/1951
- Rivers and Seas: Changing Attitudes toward Landscape, 1700-1962, Busch-Reisinger Museum, Cambridge, 04/26/1962 - 07/16/1962
- American Watercolors and Pastels, 1875-1950, at the Fogg Art Museum, Harvard University Art Museums, Fogg Art Museum, Cambridge, 04/08/2006 - 06/25/2006
- American Watercolors, 1880–1990: Into the Light, Harvard Art Museums, Cambridge, 05/20/2023 - 08/13/2023
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu