- Identification and Creation
-
- Object Number
- 1943.316
- People
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John Singer Sargent, American (Florence, Italy 1856 - 1925 London, England)
- Title
- Madame Gautreau (Madame X)
- Classification
- Drawings
- Work Type
- drawing
- Date
- c. 1883
- Culture
- American
- Persistent Link
- https://hvrd.art/o/307929
- Physical Descriptions
-
- Medium
- Watercolor and graphite on white wove paper
- Dimensions
- 35.5 x 25.2 cm (14 x 9 15/16 in.)
- Provenance
- Madame Ernest Duez; Sortais, Paris; M. Knoedler and Co., New York; purchased from them by Grenville L. Winthrop through Martin Birnbaum, 1933; his bequest to the Fogg Art Museum, 1943.
- Acquisition and Rights
-
- Credit Line
- Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop
- Accession Year
- 1943
- Object Number
- 1943.316
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS.
- The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
- Publication History
-
[Reproduction only], Bulletin of the Columbus Gallery of Fine Arts, Columbus Gallery of Fine Arts (Columbus, OH, October 1933)., repr. on cover
Martin Birnbaum, John Singer Sargent, January 12, 1856-April 15, 1925: A Conversation, William E. Rudge's Sons (New York, NY, 1941), p. 62, repr.
Doreen Bolger Burke, American Paintings in the Metropolitan Museum of Art, Volume III: A Catalogue of Works by Artists Born between 1846 and 1864, ed. Kathleen Luhrs, The Metropolitan Museum of Art and Princeton University Press (New York, 1980), pp. 229, 232
John Singer Sargent, His Own Work, exh. cat., Coe Kerr Gallery, Inc. (New York, NY, 1980), in checklist, unpaginated
Annette Blaugrund, "'Sunshine Captured': The Development and Dispersement of Sargent's Watercolors", exh. cat., ed. Patricia Hills, Whitney Museum of American Art (New York, NY, 1986), p. 215
Heather McPherson, Fin-de-Siècle Faces: Portraiture in the Age of Proust, Visual Arts Gallery (Birmingham, AL, 1988), fig. 22
Trevor J. Fairbrother, John Singer Sargent, Harry N. Abrams, Inc. (New York, NY, 1994), pp. 51; repr. in color, p. 50
Elaine Kilmurray and Richard Ormond, John Singer Sargent, exh. cat., Tate Gallery Publishing Limited (London, England, 1998), p. 101, under no. 26
Richard Ormond and Elaine Kilmurray, John Singer Sargent: The Early Portraits, Yale University Press (New Haven, CT and London, England, 1998), pp. 113 - 118, repr. in color p. 118, fig. 117
Carl Little, The Watercolors of John Singer Sargent, University of California Press (Berkeley, CA, 1998), repr. in color, p. 113
Michael Kilian, "It's the Summer of Sargent in Boston", Chicago Tribune (Chicago, IL, August 1, 1999), repr.
Christine Temin, "Sargent Season", The Boston Globe Sunday Magazine (Boston, MA, June 27, 1999), ill. on cover, p. 2
Ken Gewertz, "Sargent: Portrait of the Artist in his Workshop", Harvard University Gazette (June 10, 1999), pp. 31, ill. p. 31
Shawn Hill, "Sargent's Sketchy Characters", Bay Windows (Boston, MA, June 17, 1999), reproduced in b/w, Arts section, p. 9
Deborah Davis and Elizabeth Oustinoff, "Madame X Speaks", The Magazine Antiques (November 2003), CLXIV, no. 5, pp. 116-125, pl. VI, detail on cover
Deborah Davis, Strapless: John Singer Sargent and the Fall of Madame X, Jeremy P. Tarcher/Penguin (New York, 2003), repr. (color) between pp. 152 and 153
Theodore E. Stebbins, Jr., Virginia Anderson, and Kimberly Orcutt, ed., American Paintings at Harvard, Volume Two, Paintings, Drawings, Pastels and Stained Glass by Artists Born 1826-1856, Harvard Art Museums and Yale University Press (U.S.) (Cambridge, MA and New Haven, CT, 2008), p. 301, cat. no. 317, reproduced in color, p. 301
Richard Ormond and Elaine Kilmurray, John Singer Sargent: Figures and Landscapes, 1900-1907, Yale University Press (U.S.) (New Haven and London, 2012), p. 98 (note 6)
Richard Ormond and Elaine Kilmurray, John Singer Sargent: Figures and Landscapes, 1908-1913, Yale University Press (U.S.) (New Haven and London, 2014), p. 103 n. 6
Richard Ormond and Elaine Kilmurray, Sargent: The Watercolors, exh. cat., Dulwich Picture Gallery (London, 2017), pp. 16-17, repr. p. 17 as fig. 4
- Exhibition History
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Exhibition of Water Colors by John Singer Sargent, Columbus Gallery of Fine Arts, Columbus, 10/01/1933 - 10/31/1933
Sargent in the Studio: Drawings, Sketchbooks, and Oil Sketches, Harvard University Art Museums, Cambridge, 06/10/1999 - 09/26/1999
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This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu