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Photo © President and Fellows of Harvard College
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Identification and Creation

Object Number
1942.251
People
George Inness, American (Newburgh, NY 1825 - 1894 Bridge of Allan, Scotland)
Title
The Woodland Bank, Hastings
Classification
Drawings
Work Type
drawing
Date
c. 1877-1885
Culture
American
Persistent Link
https://hvrd.art/o/307807

Physical Descriptions

Medium
Graphite with touches of white pigment on buff wove paper
Dimensions
27.6 x 38 cm (10 7/8 x 14 15/16 in.)
Inscriptions and Marks
  • Signed: Graphite, l.l.c.: G. Inness
  • inscription: verso, graphite: [entirely crossed out:] 10 1/2 x 14 3/4; 14 1/2 x 18 3/4
  • inscription: verso, graphite: No. 13
  • label: verso, one at center of each edge, paper, printed: [partial label; upper and lower edges:] size [left and right edges illegible]
  • inscription: verso, l.l., graphite: 25
  • stamp: verso of mount, now encapsulated in curatorial file, stamped: George Inness / sold by order of his daughter / Mrs. J. C. Hartley / Sale March 1927 / American Art Ass'n
  • label: removed from old mount, now in curatorial file, paper, printed and typed
  • exhibition label: removed from old mount, now in curatorial file, paper, typed and printed: catalogue no. 31
  • gallery label: removed from old mount, now in curatorial file, paper, printed and typed: no. 7692, titled "Woodland Bank."

Provenance

Recorded Ownership History
Mrs. Jonathan Scott Hartley (1894-1927), sold; [through American Art Galleries, American Art Association, New York, March 24, 1927, lot 31]; to Vose Galleries, Boston (1927-1942), sold; to Fogg Art Museum, 1942.

Notes:
Mrs. Jonathan Scott Hartley (Helen Innes Hartley) was the artist’s daughter and she inherited the drawing upon his death in 1894.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Louise E. Bettens Fund
Accession Year
1942
Object Number
1942.251
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Charles E. Slatkin and Regina Shoolman Slatkin, Treasury of American Drawings, Oxford University Press (NY) (New York, NY, 1947), p. 20, no. 66 p. xiv., repr. as pl. 66
  • LeRoy Ireland, The Works of George Inness: An Illustrated Catalogue Raisonné, University of Tennessee Press (Austin, TX, 1965), no. 993
  • George Inness: Works on Paper, exh. cat., Davis & Long Company (New York, NY, 1978), no. 31, ill.
  • Eric M. Rosenberg and Miriam Stewart, The Harvest of 1830: The Barbizon Legacy, exh. cat., Harvard University Art Museums (Cambridge, MA, 1990), p. 19
  • Kate Smith, "A Study of George Inness's Underdrawing Technique" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, 2002), Unpublished, pp. 1-14 passim
  • Michael Quick, George Inness: A Catalogue Raisonné, Rutgers University Press (New Brunswick, NJ and London, 2007), vol. 2, p. 90, no. 756, ill., p. 90

Exhibition History

  • American Drawings, 17th through 20th Centuries, Detroit Institute of Arts, Detroit, 04/03/1948 - 05/30/1948
  • George Inness: Works on Paper, Davis & Long Company, New York, 02/28/1978 - 03/25/1978
  • The Harvest of 1830: the Barbizon Legacy, Harvard University Art Museums, Cambridge, 08/25/1990 - 10/21/1990

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu