Harvard Art Museums > 1940.88: The Dawn Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"The Dawn (John La Farge) , 1940.88,” Harvard Art Museums collections online, Dec 22, 2024, https://hvrd.art/o/307629. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1940.88 People John La Farge, American (New York, NY 1835 - 1910 Providence, RI) Title The Dawn Other Titles Alternate Title: Dawn Comes on the Edge of Night Classification Drawings Work Type drawing Date 1880 Culture American Persistent Link https://hvrd.art/o/307629 Physical Descriptions Medium Black crayon on darkened tan paper Dimensions sheet: 40.3 × 33.5 cm (15 7/8 × 13 3/16 in.) mount: 44.6 × 42.7 × 0.6 cm (17 9/16 × 16 13/16 × 1/4 in.) frame: 49.4 × 47.5 × 2.2 cm (19 7/16 × 18 11/16 × 7/8 in.) Inscriptions and Marks Signed: black crayon, l.r.: La Farge 80 inscription: l.l., black ink: Copyright by John La Farge 1903 exhibition label: [1990], verso of backing board, paper: #52 exhibition label: [1976], verso of backing board, paper: no. 76.1.158 inscription: verso of mount, black ink: The Dawn / Vanderbilt [noted in Yarnall catalogue] label: verso of mount, paper: The Dawn / Vanderbilt [noted in Yarnall catalogue] exhibition label: [1987], verso of mount, paper: no. 93 label: verso of mount, paper: AAG / 144 Provenance Recorded Ownership History [Doll and Richards, Boston MA, 1899, 1901]. [William Macbeth Gallery, New York NY, 1909], sold; to Mrs. George Theodore Bliss (Jeannette Dwight), New York, NY, 1909; to her nephew, Frederick A. Dwight, Rumson, NJ, 1917. Gift of Mr. Dwight's family to the Fogg Art Museum, 1940. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Gift of the Family of the late Frederick A. Dwight of Rumson, New Jersey Accession Year 1940 Object Number 1940.88 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Henry A. La Farge, Catalogue Raisonné of the Works of John La Farge, Unpublished (n.d.), card 916 "La Farge Art Studies An Interesting Exhibit", Boston Daily Advertiser (Boston, MA, March 20, 1909), p. 5 Frederick Stymetz Lamb, "John La Farge", Stained Glass (May 1913), no. 1, pp. i - vii Josephine L. Allen, "Exhibition of the Work of John La Farge", The Bulletin of the Metropolitan Museum of Art, The Metropolitan Museum of Art (New York, NY, April 1936), vol. XXXI, no. 4, pp. 74-78 Joan C. Siegfried, American Allegorical Paintings, Drawings and Prints, exh. cat., Skidmore College (Saratoga Springs, NY, 1968), no. 13, p. 21, reproduced as fig. 8 Theodore E. Stebbins, Jr., American Master Drawings and Watercolors: A History of Works on Paper from Colonial Times to the Present, Harper & Row (New York, NY, 1976), p. 210, fig. 171 Helen Barbara Weinberg, "The Decorative Work of John La Farge" (Thesis, Columbia University, 1977), Garland Press, pp. 416, 418; reproduced fig. 326 Henry A. La Farge, "John La Farge's Work in the Vanderbilt Houses", The American Art Journal (Autumn 1984), vol. XVI, fig. 38, pp. 54 - 56 Martha Banta, Imaging American Women: Idea and Ideals in Cultural History, Columbia University Press (New York, NY, 1987), p. 397, fig. 19.20 Henry B. Adams et al., John La Farge: Essays, exh. cat., Abbeville Press (New York, NY, 1987), plate 161, pp. 219 - 220, checklist, no. 93 D. Dodge Thompson, "John La Farge's Masterpieces in Stained Glass", The Magazine Antiques (March 1989), vol. CXXXV, pp. 708 - 717, reproduced p. 711 James L. Yarnall, John La Farge: Watercolors and Drawings, exh. cat., Hudson River Museum (Yonkers, NY, 1990), no. 52, fig. 23, p. 37 Theodore E. Stebbins, Jr., Virginia Anderson, and Kimberly Orcutt, ed., American Paintings at Harvard, Volume Two, Paintings, Drawings, Pastels and Stained Glass by Artists Born 1826-1856, Harvard Art Museums and Yale University Press (U.S.) (Cambridge, MA and New Haven, CT, 2008), under cat. no. 158 Elisabeth Hodermarsky, John La Farge's Second Paradise: Voyages in the South Seas, 1890-1891, exh. cat., Yale University Art Gallery (New Haven, 2010), pp. 163-164, fig. 121 Dreaming in Glass: Masterworks by Tiffany and La Farge, auct. cat., Sotheby's, New York (New York, December 12, 2018), p. 65, repr. p. 64 Exhibition History Catalogue of Works by John La Farge, Montross Gallery, New York, 01/24/1901 - 02/23/1901; Carnegie Institute, Pittsburgh, 03/27/1901 - 04/10/1901 Paintings and Drawings by John La Farge, Seattle Fine Arts Association, Seattle, 01/04/1909 - 01/16/1909 Exhibition of Glass, Oil and Water Color Paintings and Sketches by John La Farge, Knoedler & Co. Inc., New York, 02/15/1909 - 02/28/1909 Catalogue of Oil and Water Color Paintings and Sketches by John La Farge, Doll and Richards Gallery, Boston, 03/18/1909 - 04/01/1909 John La Farge, Graham Gallery, New York, 05/04/1966 - 06/10/1966 American Allegorical Paintings, Drawings, and Prints, Hathorn Gallery, Saratoga Springs, 04/18/1968 - 05/05/1968 American Master Drawings and Watercolors: A History of Works on Paper from Colonial Times to the Present, Minneapolis Institute of Arts, Minneapolis, 09/01/1976 - 10/26/1976; Whitney Museum of American Art, New York, 11/23/1976 - 01/23/1977; California Palace of the Legion of Honor, San Francisco, 02/20/1977 - 04/17/1977 John La Farge, National Museum of American Art, Washington, 07/10/1987 - 10/12/1987; Carnegie Museum of Art, Pittsburgh, 11/07/1987 - 01/03/1988; Museum of Fine Arts, Boston, Boston, 02/24/1988 - 04/24/1988 John La Farge: Watercolors and Drawings, Hudson River Museum, Yonkers, 10/28/1990 - 01/06/1991; Munson-Williams-Proctor Arts Institute, Utica, 02/09/1991 - 04/21/1991 Related Works 1939.90 John La Farge The Dawn Paintings Verification Level This record has been reviewed by the curatorial staff but may be incomplete. 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