Harvard Art Museums > 1936.10.16: What We Saw at the Opera; verso: Nine Figure Studies Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"What We Saw at the Opera; verso: Nine Figure Studies (William Rimmer) , 1936.10.16,” Harvard Art Museums collections online, Nov 22, 2024, https://hvrd.art/o/306838. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1936.10.16 People William Rimmer, American (Liverpool, England 1816 - 1879 S. Milford, MA) Title What We Saw at the Opera; verso: Nine Figure Studies Classification Drawings Work Type drawing Date 1867 - 1869 Culture American Persistent Link https://hvrd.art/o/306838 Physical Descriptions Medium Graphite on off-white wove paper Dimensions 14.3 x 21.6 cm (5 5/8 x 8 1/2 in.) Inscriptions and Marks Signed: graphite, l.r.: WR inscription: lower edge, graphite: What we saw at the opera inscription: l.r., graphite: Caricature inscription: verso, graphite: [Each head study labeled:] 26. / Platform / [ ] /28. / Two friends / shoulder [ ] / 28. / longwood [ ] / 5/25 [ ] / down front inscription: verso, upper edge, graphite, signed: From drawing book. / CHR Provenance Recorded Ownership History From the artist to his daughter Caroline Hunt Rimmer, at his death, 1879; to her niece Edith Rimmer Durham Simonds, 1918; purchased by the Fogg Art Museum, 1936. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Louise E. Bettens Fund Accession Year 1936 Object Number 1936.10.16 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Jeffrey Weidman, "William Rimmer: Critical Catalogue Raisonné" (Thesis, Indiana University, 1981), Indiana University, no. 127, pp. 905-906, illus. 200; verso: no. 128, pp. 906-907, illus. 201 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu