Harvard Art Museums > 1926.33.23: Reduced Study of a Distant Effect of a Portion of the "Procession and Miraculous Cure in the Piazza di San Marco," by Gentile Bellini, in the Academy, Venice, 1876-1877 Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Reduced Study of a Distant Effect of a Portion of the "Procession and Miraculous Cure in the Piazza di San Marco," by Gentile Bellini, in the Academy, Venice, 1876-1877 (Charles Herbert Moore)(After Gentile Bellini) , 1926.33.23,” Harvard Art Museums collections online, Nov 02, 2024, https://hvrd.art/o/306365. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1926.33.23 People Charles Herbert Moore, American (New York, NY 1840 - 1930 Harley Witney, Hampshire, England) After Gentile Bellini, Italian (Venice, Italy 1429 - 1507 Venice, Italy) Title Reduced Study of a Distant Effect of a Portion of the "Procession and Miraculous Cure in the Piazza di San Marco," by Gentile Bellini, in the Academy, Venice, 1876-1877 Classification Drawings Work Type drawing Date 1876-1877 Culture American Persistent Link https://hvrd.art/o/306365 Physical Descriptions Medium Watercolor, gouache and gold paint over graphite on heavy off-white wove paper Dimensions 28.5 x 36.5 cm (11 1/4 x 14 3/8 in.) Inscriptions and Marks inscription: center right, brown watercolor: OVATA Provenance Recorded Ownership History Fine Arts Department, Harvard University, Cambridge, MA; transferred to Fogg Art Museum, 1926. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Transfer from the Fine Arts Department, Harvard University Accession Year 1926 Object Number 1926.33.23 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description Copy after the "Procession and Miraculous Cure in the Piazza di San Marco" in the Academy, Florence. Publication History Charles Herbert Moore, Catalogue, with Notes, of Studies and Fac-similes from Examples of the Works of Florence and Venice; and of Fac-similes and Original Works to be Used as Exercises in Drawing, Belonging to the Fine Arts Department of Harvard University, exh. cat. (Cambridge, MA, 1878), p. 11, cat. 7 Theodore E. Stebbins, Jr., Virginia Anderson, and Kimberly Orcutt, ed., American Paintings at Harvard, Volume Two, Paintings, Drawings, Pastels and Stained Glass by Artists Born 1826-1856, Harvard Art Museums and Yale University Press (U.S.) (Cambridge, MA and New Haven, CT, 2008), p. 248, cat. 229 Paul Tucker, ed., Guide to the Principal Pictures in the Academy of Fine Arts at Venice: A Critical Edition, with Other Texts on Carpaccio and Venetian Painting, Edizioni Ca'Foscari and Venice University Press (Venice, 2023), pp. 88-89, repr. as fig. 31 Exhibition History Studies and Fac-similes from Examples of the Works of Florence and Venice..., Harvard Art Club, Cambridge, 12/01/1878 - 12/31/1878 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu
