Harvard Art Museums > 1926.33.110: Oak Leaf Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Oak Leaf (Martin Mower) , 1926.33.110,” Harvard Art Museums collections online, Dec 18, 2024, https://hvrd.art/o/306360. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1926.33.110 People Martin Mower, American (Lynn, MA 1870 - 1960 Vancouver, British Columbia) Title Oak Leaf Classification Drawings Work Type drawing Date 1895 Culture American Persistent Link https://hvrd.art/o/306360 Physical Descriptions Medium Watercolor over graphite on heavy off-white wove paper Dimensions 28.6 x 21.5 cm (11 1/4 x 8 7/16 in.) Inscriptions and Marks inscription: verso, u.l., graphite, signed, in artist's hand: [upside down:] Martin Mower / 1895 Provenance Recorded Ownership History Fine Arts Department, Harvard University, transfer; to Fogg Art Museum, 1926. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Transfer from the Fine Arts Department, Harvard University Accession Year 1926 Object Number 1926.33.110 Division Modern and Contemporary Art Contact am_moderncontemporary@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Theodore E. Stebbins, Jr. and Susan C. Ricci, "The Last Ruskinians", American Art Review (March -April 2007), XIX, no. 2, pp. 80-89, repr. p. 88 Theodore E. Stebbins, Jr., Virginia Anderson, Melissa Renn, and Susan C. Ricci, The Last Ruskinians: Charles Eliot Norton, Charles Herbert Moore, and Their Circle, exh. cat., Harvard University Art Museums (Cambridge, MA, 2007), pp. 75, 94, pl. 31 Melissa Renn, "Deep Seers: John Ruskin, Charles Herbert Moore and the Teaching of Art at Harvard", Persistent Ruskin: Studies in Influence, Assimilation and Effect, ed. Keith Hanley and Brian Maidment, Ashgate Publishing (Surrey, England, 2013), pp. 137-155, pp. 151-153, fig. 9.3 Exhibition History Exhibition of Martin Mower Paintings, Berkshire Museum, Pittsfield, 08/01/1940 - 08/31/1940 The Last Ruskinians: Charles Eliot Norton, Charles Herbert Moore, and Their Circle, Harvard University Art Museums, Fogg Art Museum, Cambridge, 04/07/2007 - 07/08/2007 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu