1926.33.32: Much Reduced Study of the Dragon in Carpaccio's Picture of St. George and the Dragon, in the Chapel of S. Giorgio dei [sic] Schiavoni, Venice, 1876
Drawings
This object does not yet have a description.
Identification and Creation
- Object Number
- 1926.33.32
- People
-
Charles Herbert Moore, American (New York, NY 1840 - 1930 Harley Witney, Hampshire, England)
Copy after Vittore Carpaccio, Italian (Venice, Italy 1460 - 1526 Venice, Italy)
- Title
- Much Reduced Study of the Dragon in Carpaccio's Picture of St. George and the Dragon, in the Chapel of S. Giorgio dei [sic] Schiavoni, Venice, 1876
- Classification
- Drawings
- Work Type
- drawing
- Date
- 1875
- Culture
- American
- Persistent Link
- https://hvrd.art/o/306256
Physical Descriptions
- Medium
- Watercolor over graphite on off-white wove paper
- Dimensions
- 28.3 x 39.6 cm (11 1/8 x 15 9/16 in.)
- Inscriptions and Marks
-
- inscription: u.r., graphite, in artist's hand: In the original the creature is / about 4 feet long. It contains / details which in the dim light [at?] this distance, and on this [... ] / could not wholly follow.
Provenance
- Recorded Ownership History
-
Fine Arts Department, Harvard University, Cambridge, MA; transferred to Fogg Art Museum, 1926.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Transfer from the Fine Arts Department, Harvard University
- Accession Year
- 1926
- Object Number
- 1926.33.32
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Descriptions
- Description
- Carpaccio's original is at San Giorgio degli Schiavoni, Venice.
Publication History
- Charles Herbert Moore, Catalogue, with Notes, of Studies and Fac-similes from Examples of the Works of Florence and Venice; and of Fac-similes and Original Works to be Used as Exercises in Drawing, Belonging to the Fine Arts Department of Harvard University, exh. cat. (Cambridge, MA, 1878), p. 11, cat. 6
- Jeffrey L. Spear, Dreams of an English Eden: Ruskin and His Tradition in Social Criticism, Columbia University Press (New York, NY, 1984), ill. p. 83
- Theodore E. Stebbins, Jr., Virginia Anderson, and Kimberly Orcutt, ed., American Paintings at Harvard, Volume Two, Paintings, Drawings, Pastels and Stained Glass by Artists Born 1826-1856, Harvard Art Museums and Yale University Press (U.S.) (Cambridge, MA and New Haven, CT, 2008), p. 248, cat. 228
- Paul Tucker, ed., Guide to the Principal Pictures in the Academy of Fine Arts at Venice: A Critical Edition, with Other Texts on Carpaccio and Venetian Painting, Edizioni Ca'Foscari and Venice University Press (Venice, 2023), pp. 43-44, repr. as fig. 15
Exhibition History
- Studies and Fac-similes from Examples of the Works of Florence and Venice..., Harvard Art Club, Cambridge, 12/01/1878 - 12/31/1878
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu