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Identification and Creation

Object Number
1917.165
People
Charles Herbert Moore, American (New York, NY 1840 - 1930 Harley Witney, Hampshire, England)
Title
San Barnaba, Venice
Classification
Drawings
Work Type
drawing
Date
c. 1876-1877
Culture
American
Persistent Link
https://hvrd.art/o/305982

Physical Descriptions

Medium
Watercolor and gouache over graphite on buff wove paper
Dimensions
27.3 x 19.1 cm (10 3/4 x 7 1/2 in.)
Inscriptions and Marks
  • inscription: l.r., graphite, in artist's hand: Tide at point of [ ... ]
  • inscription: verso, graphite: Rio St. Barnaba

Provenance

Recorded Ownership History
Denman W. Ross, Cambridge, MA, gift; to Fogg Art Museum, 1917

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Dr. Denman W. Ross
Accession Year
1917
Object Number
1917.165
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Margaretta M. Lovell, A Visitable Past: Views of Venice by American Artists, 1860-1915, University of Chicago Press (Chicago, IL and London, England, 1989), p. 59-60, fig. 65
  • Theodore E. Stebbins, Jr. and Susan C. Ricci, "The Last Ruskinians", American Art Review (March -April 2007), XIX, no. 2, pp. 80-89, repr. p. 81
  • Theodore E. Stebbins, Jr., Virginia Anderson, Melissa Renn, and Susan C. Ricci, The Last Ruskinians: Charles Eliot Norton, Charles Herbert Moore, and Their Circle, exh. cat., Harvard University Art Museums (Cambridge, MA, 2007), pp. 71, 94, pl. 26
  • Theodore E. Stebbins, Jr., Virginia Anderson, and Kimberly Orcutt, ed., American Paintings at Harvard, Volume Two, Paintings, Drawings, Pastels and Stained Glass by Artists Born 1826-1856, Harvard Art Museums and Yale University Press (U.S.) (Cambridge, MA and New Haven, CT, 2008), p. 241, cat. 198, ill.
  • Marie Frank, Denman Ross and American Design Theory, University Press of New England (Hanover, NH, 2011), p. 33, repr. p. 34 as fig. 1.3

Exhibition History

  • American Watercolor Society Fifteenth Annual Exhibition, National Academy of Design, New York, 01/01/1882 - 01/01/1882
  • The Last Ruskinians: Charles Eliot Norton, Charles Herbert Moore, and Their Circle, Harvard University Art Museums, Fogg Art Museum, Cambridge, 04/07/2007 - 07/08/2007

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu