Harvard Art Museums > 1996.15: Store Poster with Cake, Pie, and Bread; verso: Muffin and Cherry Pie Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Store Poster with Cake, Pie, and Bread; verso: Muffin and Cherry Pie (Claes Oldenburg) , 1996.15,” Harvard Art Museums collections online, Apr 16, 2024, https://hvrd.art/o/305402. This object does not yet have a description. Identification and Creation Object Number 1996.15 People Claes Oldenburg, American (Stockholm, Sweden 1929 - 2022 New York, New York) Title Store Poster with Cake, Pie, and Bread; verso: Muffin and Cherry Pie Classification Drawings Work Type drawing Date 1961 Culture American Persistent Link https://hvrd.art/o/305402 Physical Descriptions Medium Monotype on off-white wove paper; verso: watercolor, oil pastel(?), and graphite Technique Monotype Dimensions 50.6 × 65.9 cm (19 15/16 × 25 15/16 in.) Inscriptions and Marks Signed: on recto, l.r., in graphite: CO 61 inscription: "lettering" on recto: MY STORE; PIE $150; LOAF $125; cake; 107 E 2ND Provenance Recorded Ownership History Private Collector. [Paula Cooper Gallery, New York, New York]. [G. W. Einstein Company, Inc., New York, New York], sold; to Harvard University Art Museums, 1996. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Margaret Fisher Fund Copyright © Claes Oldenburg Accession Year 1996 Object Number 1996.15 Division Modern and Contemporary Art Contact am_moderncontemporary@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Harvard University Art Museums, Harvard University Art Museums Annual Report 1995-96, Harvard University Art Museums Bulletin (Cambridge, MA, Summer 1997), vol. V, no. 3, p. 16, ill. Modern Art at Harvard, exh. cat., Nihon Keizai Shimbun, Inc. (Tokyo, Japan, 1999), cat. no. 79, repr. (both sides in color) James Harper, Verso: The Flip Side of Master Drawings, exh. cat., Harvard University Art Museums (Cambridge, MA, 2001), cat. no. 30, repr. (recto and verso [verso in color]), p. 18 Susan Dackerman, ed., Corita Kent and the Language of Pop, exh. cat., Harvard Art Museums (Cambridge, MA, 2015), pp. 40-42, cat. 3, ill. (color) Joachim Homann, Margaret Morgan Grasselli, and Miriam Stewart, ed., American Watercolors, 1880–1990: Into the Light, exh. cat., Harvard Art Museums (Cambridge, 2023), repr. as pl. 67 on p. 138 (verso) Exhibition History Modern Art at Harvard, Bunkamura Museum of Art, Tokyo, 07/31/1999 - 09/26/1999; Takamatsu City Museum of Art, Kagawa, 10/09/1999 - 11/14/1999; Matsuzakaya Art Museum, Nagoya, 12/02/1999 - 12/27/1999; Oita City Museum, Oita, 01/06/2000 - 02/06/2000; Museum of Modern Art, Ibaraki, Ibaraki, 02/11/2000 - 03/26/2000 Verso: The Flip Side of Master Drawings, Harvard University Art Museums, Cambridge, 05/19/2001 - 08/12/2001 Re-View: S426A (Large Niche) HAA175w Pop Art, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 01/15/2010 - 03/14/2010 Corita Kent and the Language of Pop, Harvard Art Museums, Cambridge, 09/03/2015 - 01/03/2016; San Antonio Museum of Art, San Antonio, 02/13/2016 - 04/13/2016 American Watercolors, 1880–1990: Into the Light, Harvard Art Museums, Cambridge, 05/20/2023 - 08/13/2023 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu
