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Identification and Creation

Object Number
L108
People
John Singer Sargent, American (Florence, Italy 1856 - 1925 London, England)
Title
Death and Victory
Classification
Paintings
Work Type
painting
Date
1922
Culture
American
Persistent Link
https://hvrd.art/o/305207

Physical Descriptions

Medium
Oil on canvas
Dimensions
439.4 x 186.7 cm (173 x 73 1/2 in.)
Inscriptions and Marks
  • Signed: l.l.: JOHN S. SARGENT ©

Acquisition and Rights

Credit Line
Harvard University Portrait Collection, Anonymous gift to Harvard University
Object Number
L108
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • M.F. B., "Harvard's Heroic War Dead Immortalized by John Singer Sargent", Boston Evening Transcript (Boston, MA, November 3, 1922), p. 20, p. 20, repr.
  • Frederick W. Coburn, "In the World of Art", Boston Sunday Herald (Boston, MA, November 5, 1922)
  • George Harold Edgell, "Mr. Sargent's Paintings in the Widener Library", Harvard Alumni Bulletin (Cambridge, MA, November 9, 1922), XXV, no. 7, pp. 171-173, p. 171, ill. p. 172
  • Margaret E. Gilman, "The Sargent Panels in the Widener Library", The Harvard Graduates' Magazine (Cambridge, MA, December 1922), vol. 31, no 122, pp. 215-216, pp. 215-216
  • "The Sargent War Panels", Harvard Alumni Bulletin, Harvard University (Cambridge, MA, November 9, 1922), XXV, no. 7, p. 161, p. 161
  • Sidney Woodward, "Unveil Sargent's Panels at Harvard", American Art News (November 11, 1922), vol. XXI, p. 5, p. 5
  • "Murals", Art News (February 9, 1929), vol. XXVII, no. 19, p. 12
  • "Sargent Murals Well Received at First Appearance", The Harvard Crimson (Cambridge, MA, June 8, 1929), p. 1
  • "The Writing on the Wall", The Harvard Crimson (Cambridge, MA, May 31, 1929), vol. XCV, #84, p. 2
  • John Walker III, "To the Editor of the Crimson", The Harvard Crimson (Cambridge, MA, June 7, 1929), vol. XCV, no. 90, p. 5, p. 2
  • Alan Burroughs, Limners and Likenesses: Three Centuries of American Painting, Harvard University Press (Cambridge, MA, 1936), p. 205
  • Richard Ormond, John Singer Sargent: Paintings, Drawings, Watercolors, Harper & Row (New York, NY and London, England, 1970), p. 94
  • Carter Ratcliff, John Singer Sargent, Abbeville Press (New York, 1982), pp. 203-209, repr.
  • "Sargent Paintings Honor Harvard Doughboys", Arts Spectrum, Office for the Arts at Harvard and Radcliffe (Cambridge, MA, February 1992), ill. n.p.
  • Trevor J. Fairbrother, John Singer Sargent, Harry N. Abrams, Inc. (New York, NY, 1994), p. 121
  • Elaine Kilmurray and Richard Ormond, John Singer Sargent, exh. cat., Tate Gallery Publishing Limited (London, England, 1998), p. 48-50, repr.in b/w fig. 48
  • Jane Dini, "The Art of Selling War: Sargent's World War I Murals for Harvard University", Harvard University Art Museums Bulletin (Cambridge, MA, Fall 1999 - Winter 2000), vol. 7, no. 1, pp. 67-84, p. 67, fig. 1
  • Stephanie Herdrich and Helen Barbara Weinberg, American Drawings and Watercolors in the Metropolitan Museum of Art: John Singer Sargent, The Metropolitan Museum of Art (New York, NY, 2000), pp. 219-221, fig. 89, repr.; p. 266, under no. 234
  • Joshua Goldstein, War and Gender: How Gender Shapes the War System and Vice Versa, Cambridge University Press (Cambridge, England, 2001), p. 301; repr. p. 302
  • Bruce Robertson, ed., Sargent and Italy, exh. cat., Los Angeles County Museum of Art/Princeton University Press (Los Angeles, CA and Princeton, NJ, 2002), p. 111; p. 184, repr. in b/w
  • Matthew Battles, Widener: Biography of a Library, Harvard University Press (Cambridge, MA and London, England, 2004), pp. 63-67, repr. in color
  • Theodore E. Stebbins, Jr., Virginia Anderson, and Kimberly Orcutt, ed., American Paintings at Harvard, Volume Two, Paintings, Drawings, Pastels and Stained Glass by Artists Born 1826-1856, Harvard Art Museums and Yale University Press (U.S.) (Cambridge, MA and New Haven, CT, 2008), pp.343-344, cat. 362, ill. p. 344
  • Sally Webster, "The Art of the Americas Wing, Museum of Fine Arts, Boston" [review], Nineteenth-Century Art Worldwide (Autumn 2011), 10, issue 2 [electronic journal]
  • John Thomas, Redemption Achieved: John Singer Sargent's "Crucifixion of Christ with Adam & Eve" and Its Place in His Work, Twin Books (Wolverhampton, 2017), p. 7
  • Nathaniel Silver, Boston's Apollo: Thomas McKeller and John Singer Sargent, exh. cat., Isabella Stewart Gardner Museum (Boston, 2020), pp. 28-29, 50, 111, fig. 15
  • Paul Fisher, The Grand Affair: John Singer Sargent in His World, Farrar, Straus & Giroux (New York, 2022), pp. 369-370

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Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu