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Identification and Creation

Object Number
H83
People
Giovanni Battista Cipriani, Italian (Florence, Italy 1727 - 1785 London, England)
Thomas Hollis III (1659 - 1731)
Copy of Unidentified Artist
Title
Thomas Hollis (1659-1731), copy after an original dated 1723
Classification
Paintings
Work Type
painting
Date
1764
Places
Creation Place: Europe, Italy
Culture
Italian
Persistent Link
https://hvrd.art/o/304938

Physical Descriptions

Medium
Oil on canvas
Dimensions
75.9 x 63.5 cm (29 7/8 x 25 in.)
framed: 92.7 x 79.7 x 6.4 cm (36 1/2 x 31 3/8 x 2 1/2 in.)
Inscriptions and Marks
  • Signed: (l.r.): Thomas Hollis/ OF London Merchant/MDCCXXIII

Provenance

Recorded Ownership History
Gift of Thomas Hollis V to Harvard College, 1765. [Thomas Hollis III was the great-uncle of Thomas Hollis V.]

Acquisition and Rights

Credit Line
Harvard University Portrait Collection, Gift of Thomas Hollis V to Harvard College, 1765
Object Number
H83
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Descriptions

Description
This portrait by Cipriani was used by John Singleton Copley to paint his portrait of Thomas Hollis in 1765-66. See H25.

Publication History

  • Benjamin Peirce, A History of Harvard University, From its Foundation, in the Year 1636 to the Period of the American Revolution, Brown, Shattuck and Company (Cambridge, MA, 1833), p. 157
  • "Thomas Hollis", The Harvard Graduates' Magazine, Harvard University Press (Cambridge, MA, March 1895), p. 342, ill.
  • William Garrott Brown, A List of Portraits in the Various Buildings of Harvard University, Harvard University Library (Cambridge, MA, 1898), p. 23
  • Laura M. Huntsinger, Harvard Portraits: A Catalogue of Portrait Paintings at Harvard University, ed. Alan Burroughs, Harvard University Press (Cambridge, MA, 1936), p. 75
  • Louise Todd Ambler, Early Science at Harvard: Innovators and Their Instruments, 1765 - 1865, exh. cat., Fogg Art Museum (Cambridge, MA, December 1969-January 1970), p. 1
  • Sandra Grindlay, "Harvard's Portraits: An American Treasure", Harvard University Art Museums Review (Fall 1992), vol. II, no. 1, pp. 6-7, p. 6
  • Theodore E. Stebbins, Jr. and Melissa Renn, American Paintings at Harvard, Volume One: Paintings, Watercolors, and Pastels by Artists Born before 1826, Yale University Press (U.S.) and Harvard Art Museums (Cambridge and New Haven, 2014), pp. 135-136, fig. 23
  • Ethan Lasser, ed., The Philosophy Chamber: Art and Science in Harvard’s Teaching Cabinet, 1766–1820, exh. cat., Harvard Art Museums (Cambridge, MA, 2017), p. 181, Fig. 11 on p. 183 in Aleksandr Bierig's "Transposition"

Related Works

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu