Incorrect Username, Email, or Password
This object does not yet have a description.

Identification and Creation

Object Number
1992.256.101
Title
Schematic Votive Statuette
Classification
Sculpture
Work Type
sculpture, statuette
Date
late 5th-2nd century BCE
Places
Creation Place: Ancient & Byzantine World, Europe, Hispania
Period
Iron Age
Culture
Iberian
Persistent Link
https://hvrd.art/o/304547

Physical Descriptions

Medium
Leaded bronze
Technique
Cast, lost-wax process
Dimensions
5.8 x 0.7 cm (2 5/16 x 1/4 in.)
Technical Details

Chemical Composition: ICP-MS/AAA data from sample, Leaded Bronze:
Cu, 71.73; Sn, 6.63; Pb, 20.19; Zn, 0.037; Fe, 0.09; Ni, 0.04; Ag, 0.17; Sb, 0.61; As, 0.5; Bi, less than 0.025; Co, 0.012; Au, less than 0.01; Cd, less than 0.001

J. Riederer

Chemical Composition: XRF data from Tracer
Alloy: Leaded Bronze
Alloying Elements: copper, tin, lead
Other Elements: iron, silver, antimony

K. Eremin, January 2014

Technical Observations: The patina consists of a reddish brown crust with green showing through in a few places. 1992.256.103 is more pitted than 1992.256.101 or 1992.256.102 and has more green corrosion. The figures are intact and were cast solid. 1992.256.103 is quite flat and may have been formed by hammering. It was possibly hot worked. The figures have few surface details.


Carol Snow (submitted 2002)

Provenance

Recorded Ownership History
Louise M. and George E. Bates, Camden, ME (by 1971-1992), gift; to the Harvard University Art Museums, 1992.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Gift of Louise M. and George E. Bates
Accession Year
1992
Object Number
1992.256.101
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Descriptions

Published Catalogue Text: Ancient Mediterranean and Near Eastern Bronzes at the Harvard Art Museums
The highly abstract head and face of a male figure surmounts a flat rectangular shaft representing the figure’s body (1). The face has a prominent angular nose, and the lips were made by a horizontal cut in the bronze. The area of the eyes is indicated by pronounced ridges above a smooth plane on both sides of the nose. The base of the rectangular body protrudes at a right angle to form the feet.

Thousands of small, anthropomorphic copper alloy statuettes and anatomical votives have been recovered from remote sanctuary sites in south-central Spain, particularly Collado de los Jardines and Castellar de Santisteban, but it is not certain to which god or gods they were dedicated (2). Many of the statuettes depict individuals, some of whom are represented in poses of prayer or offering (3). Some are very abstract and schematically rendered, while others wear identifiable contemporary clothing (4). Abstract votive figures like this example begin to be produced in the fourth century BCE to supply an ever-increasing number of worshippers with relatively inexpensive offerings. Although hundreds of such figures have been found, each has individual workmanship, and no two are identical.

NOTES:

1. For similar votive figures, see V. Hibbs, Iberian Antiquities from the Collection of Leon Levy and Shelby White, exh. cat., The Spanish Institute (New York, 1993) 66-67, no. 22; G. Zahlhaas, Idole: Frühe Götterbilder und Opfergaben (Mainz, 1985) 135, nos. 61-62; L. Prados Torreira, Exvotos ibericos de bronce del Museo Arqueologico Nacional (Madrid, 1992) 241, no. 841; and F. Álvarez-Ossorio, Catalogo de los exvotos de bronce, ibericos, Museo Arqueologico Nacional (Madrid, 1941) nos. 922-23, pl. 85. Compare also R. Lantier, Bronzes votifs ibériques (Paris, 1935) no. 159, pl. 13.

2. See F. Álvarez-Ossorio, Bronces ibéricos o hispánicos del Museo Arqueológico Nacional (Madrid, 1935) 20-27; id. 1941 (supra 1); L. Prados Torreira, “Los exvotos anatomicos del santuario iberico de Collado de los Jardines (Sta. Elena, Jaén),” Trabajos de prehistoria 48 (1991): 313-32; ead. 1992 (supra 1); ead., “Los santuarios ibéricos: Apuntes para el desarrollo de una arqueología del culto,” Trabajos de prehistoria 51.1 (1994): 127-40; and G. Nicolini et al., El santuario ibérico de Castellar, Jaén: Intervenciones arqueológicas 1966-1991 (Seville, 2004) 160-64.

3. For discussions of the statuettes’ poses and gestures, see G. Nicolini, “Gestes et attitudes cultuels des figurines de bronze ibériques,” Mélanges de la Casa de Velázquez 4 (1968): 27-50; and C. Rueda Galán, “La mujer sacralizada: La presencia de las mujeres en los santuarios (lectura desde los exvotos de bronce iberos),” Complutum 18 (2007): 227-35.

4. See, for example, 1933.134.

Aaron Paul and Lisa M. Anderson

Subjects and Contexts

  • Ancient Bronzes

Related Works

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu