Harvard Art Museums > H5: Charles Chauncy (1705-1787) Paintings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Charles Chauncy (1705-1787) (MacKay)(Charles Chauncy) , H5,” Harvard Art Museums collections online, Nov 02, 2024, https://hvrd.art/o/304507. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number H5 People MacKay, American (active c. 1786-1791) Charles Chauncy (1705-1787) Title Charles Chauncy (1705-1787) Classification Paintings Work Type painting Date c. 1787 Places Creation Place: North America, United States Culture American Persistent Link https://hvrd.art/o/304507 Physical Descriptions Medium Oil on canvas Dimensions 87.5 x 72.1 cm (34 7/16 x 28 3/8 in.) framed: 101.6 x 86.4 x 7.6 cm (40 x 34 x 3 in.) Provenance Recorded Ownership History Unknown (at Harvard by 1898). Acquisition and Rights Credit Line Harvard University Portrait Collection Object Number H5 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History William Garrott Brown, A List of Portraits in the Various Buildings of Harvard University, Harvard University Library (Cambridge, MA, 1898), p. 12 Laura M. Huntsinger, Harvard Portraits: A Catalogue of Portrait Paintings at Harvard University, ed. Alan Burroughs, Harvard University Press (Cambridge, MA, 1936), pp. 38-39, ill. p. 41 Alan Burroughs, Limners and Likenesses: Three Centuries of American Painting, Harvard University Press (Cambridge, MA, 1936), p. 99 Historical Records Survey, Division of Professional and Service Projects, Works Progress Administration, American Portraits, 1620-1825, found in Massachusetts, Volumes 1 and 2, Historical Records Survey (Boston, MA, 1939), p. 77, cat. 404 Linda Ayres, Harvard Divided, exh. cat., Fogg Art Museum (Cambridge, MA, 1976), pp. 28-29, cat. 6, ill. Emory Elliott, ed., Dictionary of Literary Biography, vol. 24, American Colonial Writers, 1606-1734, Bruccoli Clark (Detroit, 1984), p. 54 Andrew Oliver, Ann Millspaugh Huff, and Edward W. Hanson, Portraits in the Massachusetts Historical Society: An Illustrated Catalogue with Descriptive Matter, Massachusetts Historical Society (Boston, MA, 1988), p. 23 Norman B. Gibbs and Lee W. Gibbs, "Charles Chauncy: A Theology in Two Portraits", The Harvard Theological Review (July 1990), pp. 259-270, pp. 259-270, ill. p. 270 Frank Lambert, "Pedlar in Divinity": George Whitefield and the Transatlantic Revivals, 1737-1770, Princeton University Press (Princeton, NJ, 1994), p. 181, fig. 9 Frank Lambert, Inventing the "Great Awakening", Princeton University Press (Princeton, NJ, 1999), p. 188, fig. 4 Robert W. Brockway, A Wonderful Work of God, Puritanism and the Great Awakening, Lehigh University Press (Bethlehem, PA, 2003), pp. 163- 165, ill. p. 164 Theodore E. Stebbins, Jr. and Melissa Renn, American Paintings at Harvard, Volume One: Paintings, Watercolors, and Pastels by Artists Born before 1826, Yale University Press (U.S.) and Harvard Art Museums (Cambridge and New Haven, 2014), pp. 341-42, cat. 304, ill. Exhibition History Harvard Divided, Fogg Art Museum, Cambridge, 06/03/1976 - 10/10/1976 Related Works Straus.6936 Artist of original: (?) John Mason Furnass X-radiograph(s) of "Charles Chauncy" Photographs Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu