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Identification and Creation

Object Number
1995.844.9
Title
Phallic Amulet
Classification
Amulets
Work Type
amulet
Date
1st-3rd century CE
Places
Creation Place: Ancient & Byzantine World
Period
Roman Imperial period
Culture
Roman
Persistent Link
https://hvrd.art/o/304338

Physical Descriptions

Medium
Copper alloy
Technique
Cast, lost-wax process
Dimensions
3.1 x 1.3 x 0.8 x 0.2 cm (1 1/4 x 1/2 x 5/16 x 1/16 in.)
Technical Details

Technical Observations: The patina is green with red burial accretions. The amulet is slightly pitted, but the surface decoration is well preserved.

The amulet was cast from a model made directly in the wax. The penis was added as a separate component, as indicated by a small circle on the back in that location. The incised lines on the front appear to have been cold worked in the metal.


Henry Lie (submitted 2012)

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Gift of David and Genevieve Hendin
Accession Year
1995
Object Number
1995.844.9
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Descriptions

Published Catalogue Text: Ancient Mediterranean and Near Eastern Bronzes at the Harvard Art Museums
This amulet consists of a flat body that is curved at the bottom to indicate testicles and a small, stylized phallus in the center (1). At the top is an irregular loop. The front surface is decorated with incised diagonal lines perhaps meant to represent pubic hair. The back is flat and featureless except for a very slightly raised circular area where the separately made phallus was attached.

Phallic amulets could have decorated a variety of objects, from horse trappings to lamps (2). Their symbolism provided them with an apotropaic, protective function (3).

NOTES:

1. Compare British Museum, London, inv. nos. 1814,0704.1241 and 1814,0704.1264; Staatliche Museen zu Berlin, inv. no. Fr. 1340; Los bronces romanos en España, exh. cat., Museo Nacional Centro de Arte Reina Sofia, Palacio de Velazquez (Madrid, 1990) 248, no. 161; A. Kaufmann-Heinimann, Die römischen Bronzen der Schweiz 5: Neufunde und Nachträge (Mainz, 1994) nos. 332 and 335; N. Franken, “Die antiken Bronzen im Römisch-Germanischen Museum Köln: Die Fragmente von Grossbronzen und die figürlichen Bronzegeräte,” Kölner Jahrbuch 29 (1996): 7-203, esp. 109, no. 119, fig. 207 (for the rendering of the hair); and M. Garsson, ed., Une histoire d’alliage: Les bronzes antiques des réserves du Musée d’Archéologie Méditerranéenne, exh. cat. (Marseille, 2004) 60, no. 157.

2. P. M. Allison, The Insula of the Menander at Pompeii 3: The Finds (Oxford, 2006) 33. For lamps, see L. Pirzio Biroli Stefanelli, ed., Il bronzo dei Romani: Arredo e suppellettile (Rome, 1990) 190 and 270, no. 55, figs. 161-62, where a triple amulet is part of an elaborate hanging lamp, which also includes several bells and an ithyphallic figurine.

3. M. Kohlert-Németh, Römische Bronzen 1: Aus Nida-Heddernheim, Götter und Dämonen, Archäologische Reihe 11 (Frankfurt am Main, 1988) 66-67.


Lisa M. Anderson

Subjects and Contexts

  • Ancient Bronzes

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu