Incorrect Username, Email, or Password
This object does not yet have a description.

Identification and Creation

Object Number
1986.577
Title
Horse Standing on an Eight-Spoked Wheel
Other Titles
Alternate Title: Horse Standing on Openwork Ring
Classification
Sculpture
Work Type
sculpture
Date
second half 8th century BCE
Places
Creation Place: Ancient & Byzantine World, Europe, Thessaly
Period
Geometric period, Late
Culture
Greek
Persistent Link
https://hvrd.art/o/304126

Physical Descriptions

Medium
Copper alloy
Technique
Cast, lost-wax process
Dimensions
8.5 x 4.9 x 4.9 cm (3 3/8 x 1 15/16 x 1 15/16 in.)
Technical Details

Technical Observations: The patina is a smooth pale green. The figure is missing a portion of the wheel and the horse’s tail. There is also evidence of numerous repaired breaks.

The object was probably made by lost-wax casting. The circular designs were probably applied in the wax model prior to casting, since there is no deformation of the metal apparent surrounding those designs.


Carol Snow (submitted 2002)

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Gift of Dr. and Mrs. Jerry Nagler
Accession Year
1986
Object Number
1986.577
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Descriptions

Published Catalogue Text: Ancient Mediterranean and Near Eastern Bronzes at the Harvard Art Museums
A horse stands atop an eight-spoked wheel that has triangular openings between the spokes. The piece is solid cast. It has suffered considerable damage; one entire spoke and most of another have been lost from the lower part of the wheel, along with the section of the rim joining the two wheels. The horse’s tail and most of both ears are also missing. The wheel, broken or cracked in fifteen places, has been reassembled in a way that has left it somewhat skewed.

This piece was probably a pendant worn as personal jewelry suspended by a cord or light chain passed around the body of the horse. The horse and the wheel are decorated on both sides with stamped double concentric circles that have points in their centers, nine on the wheel and six on each side of the horse. A knob and disc project from the lower terminal opposite the horse.

The horse has the characteristics of the Thessalian workshop style as defined by J.-L. Zimmermann (1). The muzzle ends in a bulb. A line of modeling begins at the ears and continues along the side of the head to form cheek muscles. The entire composition is rendered in silhouette. A dynamic tension is imparted to the wheel by placing the stamped circles off-center between the spokes, so that the eye is drawn continuously around the rim.

I. Kilian-Dirlmeier notes the presence of bronze wheels with four, six, or eight spokes, with triangular spaces between the spokes and similarly stamped with circles as decorations, at Thessalian sanctuaries, from a grave in the Chalkidike, and from an unknown site on Ithaka (2). She also reports an eight-spoked wheel stamped with circles and surmounted by a bird from a grave in Thebes (3).

NOTES:

1. On the Thessalian style of Geometric horses, see J.-L. Zimmermann, Les chevaux de bronze dans l’art géométrique grec (Mainz, 1989) 242-60, esp. 257-58, pls. 55-60.

2. For eight-spoked wheels with stamped circle decoration and loops for suspension, see I. Kilian-Dirlmeier, Anhänger in Griechenland von der mykenischen bis zur spätgeometrischen Zeit, Prähistorische Bronzefunde 11.2 (Munich, 1979) 26-27, nos. 133-34, pl. 9. For small four-spoked bronze wheels surmounted by quadrupeds, see ibid., nos. 79-80, pl. 5 (“Chalkidike” and “Thessalian,” respectively). For horses perched atop groups of six adjoining four-spoked circles, see ibid., nos. 121-22, pl. 8 (“Pherai” and unknown provenience).

3. See ibid., 27, no. 139, pl. 9.


Tamsey Andrews and David G. Mitten

Subjects and Contexts

  • Ancient Bronzes

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu