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Identification and Creation

Object Number
1969.177.16
Title
Lamp Stand
Classification
Lighting Devices
Work Type
lighting device
Date
1st century BCE-2nd century CE
Places
Creation Place: Ancient & Byzantine World, Europe
Period
Roman Imperial period
Culture
Roman
Persistent Link
https://hvrd.art/o/304118

Physical Descriptions

Medium
Mixed copper alloy
Technique
Cast, lost-wax process
Dimensions
27 cm (10 5/8 in.)
Technical Details

Chemical Composition: ICP-MS/AAA data from sample, Mixed Copper Alloy:
Point 1: Cu, 77.13; Sn, 6.02; Pb, 9.59; Zn, 6.63; Fe, 0.25; Ni, 0.03; Ag, 0.06; Sb, 0.15; As, 0.14; Bi, less than 0.025; Co, 0.006; Au, less than 0.01; Cd, less than 0.001
Point 2 (base): Cu, 80.25; Sn, 4.28; Pb, 6.89; Zn, 7.99; Fe, 0.29; Ni, 0.03; Ag, 0.05; Sb, 0.11; As, 0.11; Bi, less than 0.025; Co, less than 0.005; Au, less than 0.01; Cd, less than 0.001
J. Riederer

Technical Observations: The patina is dark green with areas of exposed red and small spots of modern black sulfides. The object suffered several ancient losses, including a pendant leaf from the base, three leaves from the trunk, the tips of the two extant leaves, two of the three prongs where the base meets the trunk, and the attachment at top of trunk for holding a lamp. The lowest projection on the trunk appears to be a bud rather than the remains of a broken leaf. Distortions to the base and the angles of its feet may be original rather than the result of damage. Two indentations near the top of the trunk have shattered the patina there and appear to be modern.

The trunk is joined to the base with a modern screw. The holes for this join are modern or reworked, and no solder residue is visible. The original means of attachment between the trunk and the base is therefore unclear. The patinas of both elements are a very good match, so it is likely that the two parts belonged together in antiquity. They were both cast using the lost-wax process. The incised lines on the feet were probably made in the wax model, but the crisp indentations in the pendant leaves were stamped into the cast metal. The peened stud on the top of the trunk once secured an attachment, which must have assisted in holding a lamp. A small amount of lead residue is also present on top of the stud, which may have assisted in securing the attachment.


Henry Lie (submitted 2002)

Provenance

Recorded Ownership History
Harry J. Denberg, New York, NY (by 1969), gift; to the Fogg Art Museum, 1969.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Gift of Harry J. Denberg
Accession Year
1969
Object Number
1969.177.16
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Descriptions

Published Catalogue Text: Ancient Mediterranean and Near Eastern Bronzes at the Harvard Art Museums
This lamp stand is in the form of a twisting, trunk-like stem with knobs and short branches that is attached to a tripod base with three zoomorphic legs. The stem (21.3 cm high, with a diameter varying between 8 and 11 mm) curves in a loose spiral. Three short stubs, two with sprouting leaves, represent branches. The topmost stem ends in a beveled section that was probably cut or prepared for a top to be attached.

The base is flat on top and deeply scalloped on the sides. Thin leaves are attached to the sides of the base (one is missing). The base is hollow on the underside. On the top of the base, where each leg is attached, the tops of the attachment rivets are visible as pinecone-shaped knobs. The S-shaped legs end in wide, flat hooves, perhaps to represent animal legs.

Lamp stands that mimic trees and branches are known from the region of Pompeii and Herculaneum (1).

NOTES:

1. Compare Piccoli bronzi del Real museo borbonico (Naples, 1858) pl. 3.2; L. Pirzio Biroli Stefanelli, ed., Il bronzo dei Romani: Arredo e suppellettile (Rome, 1990) 90, fig. 43; and L. Ambrosini, Thymiateria etruschi in bronzo: Di età tardo classica, alto e medio ellenistica, Studia archaeologica 113 (Rome, 2002) 188-89 and 286 (type TA1), no. 353, fig. 18, pl. 93.

Lisa M. Anderson

Publication History

  • Ruth Bielfeldt, "The Lure and Lore of Light: Roman Lamps in the Harvard Art Museums", Ancient Bronzes through a Modern Lens: Introductory Essays on the Study of Ancient Mediterranean and Near Eastern Bronzes, ed. Susanne Ebbinghaus, Harvard Art Museums (Cambridge, MA, 2014), 170-91, pp. 172-73, fig. 8.1.
  • Susanne Ebbinghaus, ed., Ancient Bronzes through a Modern Lens: Introductory Essays on the Study of Ancient Mediterranean and Near Eastern Bronzes, Harvard Art Museum and Yale University Press (Cambridge, MA, 2014), pp. 78, 172-173, fig. 8.1

Subjects and Contexts

  • Roman Domestic Art
  • Ancient Bronzes

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu