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Identification and Creation

Object Number
1987.135.27
Title
Razor
Classification
Tools and Equipment
Work Type
razor
Date
9th-8th century BCE
Places
Creation Place: Ancient & Byzantine World, Europe
Period
Iron Age
Culture
Italic
Persistent Link
https://hvrd.art/o/303886

Physical Descriptions

Medium
Bronze
Technique
Cast and hammered
Dimensions
11.6 x 6 x 0.3 cm (4 9/16 x 2 3/8 x 1/8 in.)
Technical Details

Chemical Composition: XRF data from Tracer
Alloy: Bronze
Alloying Elements: copper, tin
Other Elements: lead, iron, silver, antimony, arsenic

K. Eremin, January 2014

Technical Observations: The patina is smooth brown and green with some exposed areas of cuprite. The blade is missing a portion of the ring on the handle and has suffered losses along what would have been the cutting edge.

The razor was probably rough cast and then hot worked to hammer out the flat shape of the blade, which has a slightly beveled upper edge. The handle was also shaped by some hammering.


Carol Snow (submitted 2002)

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Gift of Dr. and Mrs. Jerry Nagler
Accession Year
1987
Object Number
1987.135.27
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Descriptions

Published Catalogue Text: Ancient Mediterranean and Near Eastern Bronzes at the Harvard Art Museums
This lunate razor has a small ring handle, broken at the end. There are no traces of decorative spurs on the remaining section of the handle. The blade is of uniform thickness, and there are no surviving indications of decoration. A large section of the blade, just beyond the midpoint, was broken off and reattached. The edge of the blade is heavily chipped. The surface patina is pale olive green with some areas of light brown encrustation.

The razor is an example of V. Bianco Peroni’s type “Quattro Fontanili,” dated from the ninth to eighth centuries BCE and typically found within Villanovan areas (e.g., Tarquinia, Vulci, and Veii) (1).

It is difficult to understand the use and symbolism of the bronze objects from Iron Age Italy that are classified as razors. Possibly used for trimming hair or beards, these razors seem to have had some symbolic value. They are typically found in male burials, and their inclusion in grave goods may indicate that the deceased was a man of mature age; or, in cases where they are found in female burials, they may be indicative of the owner’s elevated social status (2). Some razors have been found with fibulae fastened through the handle, demonstrating that they could be worn (3). Many examples have repaired handles, showing that the razors were important enough to fix if broken (4).

Razors are typically plain or covered with incised decoration, most frequently lines, bands of interlocking triangles, meanders, lines of dots hatched swastikas, and Maltese crosses. The two-edged examples, like 1987.135.28, more often bear incised concentric circles or have decorative perforations on the blade. Often there are decorative spurs, crescents, or volutes on the handles, depending on the type.

NOTES:

1. V. Bianco Peroni, I rasoi nell’Italia continentale, Prähistorische Bronzefunde 7.2 (Munich, 1979) 80-83, nos. 456-83, esp. nos 456-59 and 467-70.

2. See ibid., 178-82.

3. Compare ibid., nos. 156, 244, and 1042.

4. D. A. Caccioli, The Villanovan, Etruscan, and Hellenistic collections in the Detroit Institute of Arts (Leiden, 2009) 114; compare Bianco Peroni 1979 (supra 1) nos. 417 and 849.


Lisa M. Anderson

Publication History

  • Julie Wolfe, "Analysis of Iron Age Bronze Fibulae from Southern Italy in the Collection of the Harvard University Art Museums" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, June 1998), Unpublished, p. 1-14 passim.
  • Lisa Anderson, "Approaches to the Identification and Classification of Ancient Bronzes in Museum Collections", Ancient Bronzes through a Modern Lens: Introductory Essays on the Study of Ancient Mediterranean and Near Eastern Bronzes, ed. Susanne Ebbinghaus, Harvard Art Museums (Cambridge, MA, 2014), 92-111, pp. 100-103, fig. 4.3.b.
  • Susanne Ebbinghaus, ed., Ancient Bronzes through a Modern Lens: Introductory Essays on the Study of Ancient Mediterranean and Near Eastern Bronzes, Harvard Art Museum and Yale University Press (Cambridge, MA, 2014), pp. 100-102, fig. 4.3b

Subjects and Contexts

  • Ancient Bronzes

Related Works

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu