Incorrect Username, Email, or Password
This object does not yet have a description.

Identification and Creation

Object Number
1972.74
Title
A Nayika and Her Lover: Page from a Dispersed Rasamanjari Series (Blossom Cluster of Delight)
Classification
Paintings
Work Type
painting
Date
c. 1660-1670
Places
Creation Place: South Asia, India, Kashmir, Basohli
Culture
Indian
Persistent Link
https://hvrd.art/o/303829

Physical Descriptions

Medium
Opaque watercolor, gold, and beetle-wing cases on paper
Technique
Painted
Dimensions
actual: 23.4 x 33 cm (9 3/16 x 13 in.)

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Gift of John Kenneth Galbraith
Accession Year
1972
Object Number
1972.74
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Publication History

  • Stuart Cary Welch and Milo Cleveland Beach, Gods, Thrones, and Peacocks Northern Indian Painting from Two Traditions, exh. cat., Harry N. Abrams, Inc. (New York, NY, 1965), page 25/figure 21
  • Kristin A. Mortimer and William G. Klingelhofer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums and Abbeville Press (Cambridge and New York, 1986), page 93/figure 101
  • James Cuno, Alvin L. Clark, Jr., Ivan Gaskell, and William W. Robinson, Harvard's Art Museums: 100 Years of Collecting, ed. James Cuno, Harvard University Art Museums and Harry N. Abrams, Inc. (Cambridge, MA, 1996), page 148-149
  • Masterpieces of world art : Fogg Art Museum, Arthur M. Sackler Museum, Busch-Reisinger Museum, 1997
  • Harvard University Art Museums, Harvard University Art Museums Annual Report 1997-98 (Cambridge, MA, 1999), p. 33
  • Stephan Wolohojian and Alvin L. Clark, Jr., Harvard Art Museum/ Handbook, ed. Stephan Wolohojian, Harvard Art Museum (Cambridge, 2008), p. 104
  • Narayan Khandekar, Katherine Eremin, and Penley Knipe, The New Science and Technology Behind Art Conservation, Science and South Asia (Cambridge, MA, 2019), Pages 54-61, Figure 1a, 1b, 1c, Page 54

Exhibition History

  • India: From Tribe to Court, Fogg Art Museum, Cambridge, 07/23/1981 - 07/23/1981
  • The Arts of Krishna Bhakti, Fogg Art Museum, Cambridge, 03/09/1983 - 05/01/1983
  • Out of the Hills: Miniature Painting from Himalayan India, Harvard University Art Museums, Fogg Art Museum, Cambridge, 05/26/1984 - 07/08/1984
  • Ambassador's Choice: The Galbraith Collection of Indian Painting, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 02/15/1986 - 04/06/1986
  • Gods, Thrones, and Peacocks - Revisited: Northern Indian Miniatures from two Traditions, Fifteenth to Nineteenth Centuries, Harvard University Art Museums, Cambridge, 03/31/1990 - 06/10/1990
  • Hot as Curry - Subtle as Moonlight: Masterpieces of Rajput Painting, Harvard University Art Museums, Cambridge, 11/02/1991 - 12/20/1991
  • From India's Hills and Plains: Rajput Painting from the Punjab and Rajasthan, 17th through 19th Centuries, Harvard University Art Museums, Cambridge, 09/04/1993 - 10/31/1993
  • Rasika, the Discerning Connoisseur: Indian Paintings from the John Kenneth Galbraith Collection, Harvard University Art Museums, Cambridge, 01/31/1998 - 04/05/1998
  • The Sensuous and the Sublime: Representations of Love in the Arts of the Middle East and Southern Asia, Harvard University Art Museums, Cambridge, 07/07/2001 - 12/30/2001
  • Pavilions of Love: A Ritual Space in Indian Painting, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 05/10/2007 - 09/23/2007
  • A Colloquium in the Visual Arts, Harvard Art Museums, Cambridge, 09/02/2023 - 12/30/2023

Subjects and Contexts

  • Collection Highlights
  • Google Art Project

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu