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Identification and Creation

Object Number
1932.56.21
Title
Bridle Trapping
Other Titles
Alternate Title: Double Ring
Classification
Riding Equipment
Work Type
horse trapping
Date
6th-3rd century BCE or modern
Places
Creation Place: Ancient & Byzantine World, Europe
Period
Iron Age
Culture
Italic
Persistent Link
https://hvrd.art/o/303740

Physical Descriptions

Medium
Leaded bronze
Technique
Cast, lost-wax process
Dimensions
6.35 x 4.45 cm (2 1/2 x 1 3/4 in.)
Technical Details

Chemical Composition: ICP-MS/AAA data from sample, Leaded Bronze:
Cu, 74.89; Sn, 5.93; Pb, 18.76; Zn, 0.038; Fe, 0.05; Ni, 0.04; Ag, 0.06; Sb, 0.11; As, 0.11; Bi, less than 0.025; Co, 0.008; Au, less than 0.01; Cd, less than 0.001

J. Riederer

Technical Observations: The patina is a thin brown with light green in the better-protected areas, and coppery metal shows through the patina in some places. There is no evidence of deep corrosion or cuprite. A fragment is missing adjacent to a minor distortion on the edge of one of the rings.

The object was cast in one piece, with the shape formed in wax. The spikes are solid but porous. The flat rings were modeled in the wax, as were the relief features on top. The crude chasing left some file marks, although some of these could be from post-excavation cleaning if the object is actually ancient. There are some chisel marks on top, perhaps also from cleaning. Some sizable porosity pits from casting are visible in the center of the inside and on the underside.


Francesca G. Bewer (submitted 2011)

Provenance

Recorded Ownership History
Dr. Harris Kennedy, Milton, MA (by 1932), gift; to the William Hayes Fogg Art Museum, 1932.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Gift of Dr. Harris Kennedy, Class of 1894
Accession Year
1932
Object Number
1932.56.21
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Descriptions

Published Catalogue Text: Ancient Mediterranean and Near Eastern Bronzes at the Harvard Art Museums
This object is made up of two rings of similar size joined by an area with three triangular spikes. Two parallel spikes are below one wide centered spike, with a deep cleft between the top and bottom prongs. The sides of the hoops are thin, with modeled decoration on top of the hoops—possibly phalluses with testicles—and particularly on top of the location where the loops join, which looks like an animal head (lion or dog) facing away from the points; the ears, shape of the head, and nose are all discernable. The underside of the join is not as deeply concave as 1920.44.215, but the joining of the two bottom prongs is visible. This piece may be an aftercast, modeled on a genuine artifact.

Ringed objects with spikes are relatively common in museum collections, and most tend to come from central Italy, although some are known to have been found in France and Greece (1). They are all very similar in form, and almost all have triangular prongs. It is difficult to determine how these ringed objects were used. They have been interpreted as bow-pullers, equipment for handling the reins of horses or wagons, a type of brass-knuckle, a tool for tooth extraction, protective amulets for horses, or possibly as snaffles on horse-harnesses (2). It is currently generally agreed that they are in some way a part of early European horse equipment.

NOTES:

1. For example, see A.-M. Adam, Bronzes étrusques et italiques (Paris, 1984) 105-106, nos. 119-28; M. Garsson, ed., Une histoire d’alliage: Les bronzes antiques des réserves du Musée d’archéologie méditerranéenne, exh. cat. (Marseille, 2004) 32, no. 18; F. Jurgeit, Die etruskischen und italischen Bronzen sowie Gegenstände aus Eisen, Blei, und Leder im Badischen Landesmuseum Karlsruhe, Terra Italia 5 (Pisa, 1999) 178-80, nos. 256-59, pl. 89; A. Naso, I bronzi etruschi e italici del Römisch-Germanisches Zentralmuseum, Kataloge vor- und frühgeschichtlicher Altertümer 33 (Mainz, 2003) 175-76, nos. 254-59; and M. Sannibale, Le armi della collezione Gorga al Museo Nazionale Romano, Studia archaeologica 92 (Rome, 1998) 222-53, nos. 269-309.

2. For varying opinions, see W. B. McDaniel, “The So-Called Bow-Puller of Antiquity,” American Journal of Archaeology 22.1 (1918): 25-43, esp. 25; Adam 1984 (supra 1) 105; Jurgeit 1999 (supra 1) 178-79; Naso 2003 (supra 1) 175-76; and Sannibale 1998 (supra 1) 239-46.


Lisa M. Anderson

Subjects and Contexts

  • Ancient Bronzes

Related Works

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu