Harvard Art Museums > 1919.506: Fragment of the Alps Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Fragment of the Alps (John Ruskin) , 1919.506,” Harvard Art Museums collections online, Oct 07, 2024, https://hvrd.art/o/303730. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1919.506 People John Ruskin, British (London, England 1819 - 1900 Brantwood, England) Title Fragment of the Alps Other Titles Former Title: Boulder at Chamonix Classification Drawings Work Type drawing Date c. 1854-1856 Culture British Persistent Link https://hvrd.art/o/303730 Physical Descriptions Medium Watercolor and gouache over graphite on cream wove paper Dimensions 33.5 x 49.3 cm (13 3/16 x 19 7/16 in.) Provenance Recorded Ownership History The artist, sold; to Charles Eliot Norton c. 1858, by descent; to Sara, Margaret, and Elizabeth Norton (daughters of Charles Eliot Norton), sold; to Fogg Art Museum, 1919 [1]. [1] Samuel Sachs provided the funds to purchase the drawing, however, it was never in his collection. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Gift of Samuel Sachs Accession Year 1919 Object Number 1919.506 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History John Ruskin - Biography and Legacy, website, The Art Story Foundation, accessed January 7, 2022 Catalogue of the American Exhibition of British Art at the Pennsylvania Academy of Fine Arts, exh. cat., Collins (Philadelphia, 1858), no. 88 Catalogue of the American Exhibition of British Art, at the Athenaeum Gallery, Boston, exh. cat., J. H. Eastburn (Boston, 1858), no. 67 William James Stillman, "Naturalism and Genius", New Path (October 1863), vol. 1, no. 6, pp. 64-70, p. 66 John Ruskin and Professor Charles Eliot Norton, Notes on Drawings by Mr. Ruskin, placed on exhibition by Professor Norton..., exh. cat., John Wilson and Son (Cambridge, 1879), no. 86 John Ruskin and Professor Charles Eliot Norton, Notes on Drawings by Mr. Ruskin, placed on exhibition by Professor Norton..., exh. cat., John Wilson and Son (Boston, 1880), no. 86 "The Loan Collection of Watercolors at the St. Botolph Club--First Article", Boston Evening Transcript (December 9, 1891), p. 8 Catalogue of a Loan Collection of Watercolors, exh. cat., St. Botolph Club (Boston, 1891), no. 17(?) E. T. Cook and Alexander Wedderburn, The Works of John Ruskin, G. Allen (London, England, 1903 -1912), vol. 38, no. 422, vol. 36, pl. 17 Arthur Pope, Catalogue of Ruskin Exhibition in Memory of Charles Eliot Norton, exh. cat., Fogg Art Museum (Cambridge, 1909), no. 3 Highlights from the Collections of the Fogg Museum and Harvard Alumni of St. Louis, exh. cat., City Art Museum of St. Louis (St. Louis, 1964), cat. 16 Paintings, Drawings, and Sculpture from the Fogg Art Museum, Harvard University, exh. cat., Yale University Art Gallery (New Haven, 1967) Paul Walton, The Drawings of John Ruskin, Oxford University Press (UK) (London, 1972), p. 81, 84, pl. 60 Klaus Gallwitz, Gerhard Köhler, and Günter Metken, ed., Präraffaeliten, exh. cat., Staatliche Kunsthalle Baden-Baden (Baden-Baden, 1973), no. 7, repr. Rowland Elzea and Betty Elzea, The Pre-Raphaelite Era 1848-1914, exh. cat., Delaware Art Museum (Wilmington, DE, 1976), no. 1-8, ill. Marjorie B. Cohn, Wash and Gouache: A Study of the Development of the Materials of Watercolor, exh. cat., Fogg Art Museum (Cambridge, 1977), pp. 9, 52, 53, cat. no. 53 pp. 107-108, frontispiece Gail S. Weinberg, Drawings of John Ruskin (1819 - 1900), exh. cat., Fogg Art Museum (Cambridge, MA, 1979), no. 33 Konrad Oberhuber, European Master Drawings of Six Centuries from the Collection of the Fogg Art Museum, exh. cat., National Museum of Western Art (Tokyo, 1979), cat. no. 97, n.p., pl. 97, repr. Linda S. Ferber and William H. Gerdts, The New Path: Ruskin and the American Pre-Raphaelites, exh. cat., Brooklyn Museum (Brooklyn, NY, 1985), cat. 125, ill p. 108, pl. 5, ill. p. 284 Marjorie Shelley, "'Splendid Mountain,' a Sketchbook by the Young John Singer Sargent", Metropolitan Museum Journal (New York, NY, 1993), vol. 28, pp. 185-205, p. 205, note 33 Marjorie B. Cohn, "Turner, Ruskin, Norton, Winthrop", Harvard University Art Museums Bulletin (Cambridge, MA, Fall 1993), vol. II, p. 17 Royal W. Leith, A Quiet Devotion: The Life and Work of Henry Roderick Newman, exh. cat., Jordan-Volpe Gallery, Inc. (New York, NY, 1996), p. 54, fig. 55 James Cuno, Alvin L. Clark, Jr., Ivan Gaskell, and William W. Robinson, Harvard's Art Museums: 100 Years of Collecting, ed. James Cuno, Harvard University Art Museums and Harry N. Abrams, Inc. (Cambridge, MA, 1996), p. 230, ill. p. 231 Masterpieces of world art : Fogg Art Museum, Arthur M. Sackler Museum, Busch-Reisinger Museum, 1997 Franklin Kelly, American Masters from Bingham to Eakins: The John Wilmderding Collection, exh. cat., National Gallery of Art (Washington, DC, 2004), no. 33, fig. 1 Teresa A. Carbone, American Paintings in the Brooklyn Museum: Artists Born by 1876, Brooklyn Museum (New York, 2006), p. 940, fig. 112 Theodore E. Stebbins, Jr. and Susan C. Ricci, "The Last Ruskinians", American Art Review (March -April 2007), XIX, no. 2, pp. 80-89, ill. p. 82 Theodore E. Stebbins, Jr., Virginia Anderson, Melissa Renn, and Susan C. Ricci, The Last Ruskinians: Charles Eliot Norton, Charles Herbert Moore, and Their Circle, exh. cat., Harvard University Art Museums (Cambridge, MA, 2007), pp. 12-13, 17, 32, 87, 96, pl. 48 Alec Mishory, Still Life: From Represented Objects to Real Objects, Open University of Israel (Israel, 2008), p. 182, fig 153 Heather Birchall, Pre-Raphaelites, ed. Norbert Wolf, Taschen GmbH (Cologne, Germany, 2010), p. 48, ill. p. 49 Hina Hirayama, "With Éclat" The Boston Athenæum and the Origin of the Museum of Fine Arts, Boston, Boston Athenaeum (Boston, MA, 2013), p. 67, ill. Theodore E. Stebbins, Jr. and Melissa Renn, American Paintings at Harvard, Volume One: Paintings, Watercolors, and Pastels by Artists Born before 1826, Yale University Press (U.S.) and Harvard Art Museums (Cambridge and New Haven, 2014), p. 524, fn 4. Uta Hassler, ed., Felsengärten, Gartengrotten, Kunstberge: Motive der Natur in Architektur und Garten, Hirmer (Munich, 2014), p. 67, fig. 5 Christopher Newall, John Ruskin: Artist and Observer, exh. cat., National Gallery of Canada (Ottawa, Canada, 2014), p. 231, fig. 6.1 Ken Jacobson and Jenny Jacobson, Carrying Off the Palaces: John Ruskin's Lost Daguerreotypes, Bernard Quaritch Ltd. (London, 2015), pp. 93, 302, 322, fig. 131 Christopher Lloyd, Paul Cézanne: Drawings and Watercolors, J. Paul Getty Museum and Thames & Hudson (Los Angeles, 2015), p.216; repr. as fig.147 on p.217 Kathleen A. Foster, American Watercolor in the Age of Homer and Sargent, exh. cat., Philadelphia Museum of Art (Philadelphia, 2017), pp. 45, 52, fig. 36 Patricia Phagan, Past Time: Geology in European and American Art, exh. cat., Frances Lehman Loeb Art Center at Vassar College (Poughkeepsie, NY, 2018), p. 56 Linda S. Ferber and Nancy K. Anderson, The American Pre-Raphaelites: Radical Realists, exh. cat., National Gallery of Art (Washington, DC, 2019), pl. 84, pp. 3, 71, 74, 81, 95, 119, 232, detail repr. p. 18 Tim Barringer, Tara Contractor, Victoria Hepburn, Judith Stapleton, and Courtney Skipton Long, Unto This Last: Two Hundred Years of John Ruskin, exh. cat., Yale University Press (New Haven, 2019), p. 79, fig. 46, detail repr. p. 68 Sophie Lynford, Painting Dissent: Art, Ethics, and the American Pre-Raphaelites, Princeton University Press (Princeton/Oxford, 2022), p. 126, fig. 45 Exhibition History American Exhibition of British Art, National Academy of Design, New York, 10/20/1857 - 12/15/1857 American Exhibition of British Art, Pennsylvania Academy of the Fine Arts, Philadelphia, 02/03/1858 - 03/20/1858 American Exhibition of British Art, Boston Athenaeum, Boston, 04/05/1858 - 06/19/1858 Drawings by Mr. Ruskin, Noyes & Blakeslee, Boston, 10/01/1879 - 10/31/1879 Drawings by Mr. Ruskin, Museum of Fine Arts, Boston, 02/01/1880 - 02/28/1880 Loan Collection of Watercolors, St. Botolph Club, 12/01/1891 - 12/31/1891 Ruskin Exhibition, Fogg Art Museum, Cambridge, 11/01/1909 - 02/28/1910 [John Ruskin exhibition], Smith College Museum of Art, 12/01/1949 - 12/21/1949; Yale University Art Gallery, 01/01/1950 - 01/31/1950 Unidentified Exhibition, Wesleyan University, 1959, Davison Art Center, Middletown, 07/01/1959 - 08/31/1959 Paintings, Drawings, Sculpture from the Fogg Art Museum, Harvard University, Yale University Art Gallery, New Haven, 10/12/1967 - 12/03/1967 Präraffaelliten, Staatliche Kunsthalle Baden-Baden, 11/23/1973 - 02/24/1974 The Pre-Raphaelite Era 1848 - 1914, Delaware Art Museum, Wilmington, 04/12/1976 - 06/06/1976 Wash and Gouache: A Study of the Development of the Materials of Watercolor, Fogg Art Museum, Cambridge, 05/12/1977 - 06/22/1977 Drawings of John Ruskin, 1819 - 1900, Fogg Art Museum, Cambridge, 01/19/1979 - 03/04/1979 European Master Drawing of Six Centuries from the Collection of the Fogg Art Museum, National Museum of Western Art, Tokyo, 11/03/1979 - 12/16/1979 The Age of Romanticism, Busch-Reisinger Museum, Cambridge, 03/15/1986 - 05/18/1986 The Last Ruskinians: Charles Eliot Norton, Charles Herbert Moore, and Their Circle, Harvard University Art Museums, Fogg Art Museum, Cambridge, 04/07/2007 - 07/08/2007 The American Pre-Raphaelites: Radical Realists, National Gallery of Art, Washington, 04/14/2019 - 07/21/2019 Related Articles The Fogg at 125: An American Pre-Raphaelite Legacy February 11, 2021 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. 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