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Identification and Creation

Object Number
1920.44.154
Title
Coiled Snake
Classification
Sculpture
Work Type
sculpture, statuette
Date
second half 7th-6th century BCE
Places
Creation Place: Ancient & Byzantine World, Europe
Period
Orientalizing period to Archaic
Culture
Greek
Persistent Link
https://hvrd.art/o/303662

Physical Descriptions

Medium
Bronze
Technique
Cast, lost-wax process
Dimensions
3.5 x 5.1 cm (1 3/8 x 2 in.)
Technical Details

Chemical Composition: ICP-MS/AAA data from sample,Bronze:
Cu, 91.19; Sn, 7.74; Pb, 0.35; Zn, 0.027; Fe, 0.28; Ni, less than 0.005; Ag, 0.01; Sb, less than 0.02; As, 0.38; Bi, less than 0.025; Co, 0.024; Au, less than 0.01; Cd, less than 0.001

J. Riederer

Technical Observations: The patina is poorly preserved, with a lumpy green brown crust with inclusions of silicates over a crystalline cuprite layer with a few exposed areas of brown substrate. The object is cracked where the neck joins the coiled body. The snake is a solid cast. Its poor state of preservation prevents further observations on fabrication techniques.


Carol Snow (submitted 2002)

Provenance

Recorded Ownership History
Miss Elizabeth Gaskell Norton, Boston, MA and Miss Margaret Norton, Cambridge, MA (by 1920), gift; to the Fogg Art Museum, 1920.

Note: The Misses Norton were daughters of Charles Elliot Norton (1827-1908).

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Gift of the Misses Norton
Accession Year
1920
Object Number
1920.44.154
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Descriptions

Published Catalogue Text: Ancient Mediterranean and Near Eastern Bronzes at the Harvard Art Museums
With its head extended horizontally away from its body, this solid-cast coiled snake may have served as a decorative attachment for some larger object, perhaps the handle of a large bronze vase. Its eyes are round, raised protrusions on the outside of its head. The underside of the head is flat. Its coiled body appears to be smooth, with no surface modeling or incision. The shallow volute formed by the coiled body brings to mind other coiled plant and mulluscan forms that occur at the bases of cast attachments for Greek bronze vessels from the Late Archaic through the Late Classical periods. On the rear of the attachment is a shallow rounded depression (1.86 cm in diameter).

While the original use of this snake remains unclear, a plausible suggestion is that it, and perhaps a symmetrical counterpart that coiled to the left instead of the right, were attached to the handles of a small bronze volute krater (1). The bodies of the huge gorgons that form the base plates for the handles of volute kraters such as the Vix Krater, sometimes divide into snake-headed legs (2). On later volute kraters, such as the Derveni Krater of the late fourth century BCE, snakes climb up the vertical edges of the volute handles, with their heads modeled fully in the round (3). The modeling of this snake suggests a date somewhere in the second half of the sixth century BCE. Closer attribution to a workshop within the greater Greek world is not currently possible.

NOTES:

1. W. Gauer, Die Bronzegefässe von Olympia: Mit Ausnahme der geometrischen Dreifüsse und der Kessel des orientalisierenden Stils, Olympische Forschungen 20 (Berlin, 1991) 153-54, 240, and 253; nos. M15-16 and P28; fig. 1, esp. 15-17 and 22; pls. 76.2 and 76.4. See also C. M. Stibbe, The Sons of Hephaistos: Aspects of the Archaic Greek Bronze Industry (Rome, 2000) 147-49.

2. For the Vix Krater, see id., Trebenishte: The Fortunes of an Unusual Excavation (Rome, 2003) 33, 77-78, and 85-86, figs. 36-37 and 48-49; and C. Rolley, ed., La tombe princière de Vix 1 (Paris, 2003) 97-98, 101, 102 n. 83, and 103; figs. 54-55, 58, and 61; pls. 77, 80-81, and 96-99.

3. For the Derveni Krater, see P. Themelis and I. Touratsoglou, Οι τάφοι του Δερβενίου = Hoi taphoi tou Derveniou (Athens, 1997) 70-72, no. B1, pls. 13-17 (esp. pl. 17) and 73-75 [in Greek]; and E. Gioure, Ο κρατήρας του Δερβενίου = Ho krat­ēras tou Derveniou (Athens, 1978) 3, fig. 1, pls. 1-2, 57-58, and 95 [in Greek].


David G. Mitten

Subjects and Contexts

  • Ancient Bronzes

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu