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Identification and Creation

Object Number
1919.513
Title
Cupid
Other Titles
Alternate Title: Eros
Classification
Sculpture
Work Type
sculpture, statuette
Date
1st century BCE-first half 3rd century CE
Places
Creation Place: Ancient & Byzantine World, Africa, Egypt (Ancient)
Period
Roman period
Culture
Roman
Persistent Link
https://hvrd.art/o/303589

Physical Descriptions

Medium
Leaded bronze
Technique
Cast, lost-wax process
Dimensions
h. 11 cm (4 5/16 in.)
Technical Details

Chemical Composition: ICP-MS/AAA data from sample, Leaded Bronze:
Cu, 84.9; Sn, 8.35; Pb, 6.35; Zn, 0.118; Fe, 0.11; Ni, 0.04; Ag, 0.06; Sb, 0.06; As, less than 0.10; Bi, less than 0.025; Co, 0.012; Au, less than 0.01; Cd, less than 0.001

J. Riederer

Technical Observations: The patina is brown with spots of bright metal showing through at the proper left wrist and edge of the wings. The metal has been chemically stripped to remove corrosion; however, some green and red corrosion products remain. The surface is moderately pitted. The proper left hand is missing, as is approximately one-third of the disc held in the proper right hand. All of the toes except for the big toe on the proper right foot are lost. The bottom of the proper right foot has been filed to reveal bright metal, and a modern screw was added as a mount.

The statuette is a solid cast and was made in one piece. The details appear to have been made in the wax model; however, the condition of the surface does not permit a definitive assessment.


Nancy Lloyd (submitted 2001)

Provenance

Recorded Ownership History
Mr. and Mrs. William de Forest Thompson, gift; to the Fogg Art Museum, 1919.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Gift of Mr. and Mrs. William de Forest Thomson
Accession Year
1919
Object Number
1919.513
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Descriptions

Published Catalogue Text: Ancient Mediterranean and Near Eastern Bronzes at the Harvard Art Museums
The chubby, child-like figure of Cupid (Eros) stands with his weight on his left foot, which is turned out; the heel of the right foot is raised as he steps forward. The thighs are joined until the knees. His genitalia are only slightly indicated. His left arm is lowered to his waist and extended out; the left hand is missing. His right arm is raised and slightly bent at the elbow. Cupid looks up at his raised right hand, which holds a phiale, presumably to suggest a liquid offering. His childish face is round and framed by curls falling from the central part in his hair (1). Although the details are worn, it seems that his hair is drawn into a central plait on the back of his head, with a heavy roll of hair at the nape of his neck. Cupid’ torso is bent slightly backward, and small rounded wings sprout from his shoulder blades; the wings are featureless.

In contrast to the Greek Eros, who was often depicted as a nude youth with wings, Roman Cupid generally took on the appearance of a putto, a slightly chubby young child. Cupids are depicted participating in many activities in Roman art, from music and dancing (2) to harvesting and farming (3) to fighting and playing games (4). Cupids (erotes) often appear as attendants to other deities, especially Venus (Aphrodite), and Harvard’s copper alloy Cupid statuettes may have been part of larger statuette groups (5). Cupids are also depicted with ritual accoutrements, such as offering plates or garlands, or in ritual actions such as pouring libations and participating in animal sacrifice (6).

NOTES:

1. Compare D. G. Mitten, Classical Bronzes, Rhode Island School of Design Museum of Art (Providence, 1975) 184-85, no. 62, who has a jug in his raised right hand and patera in his lowered left hand.

2. See, for example, Lexicon Iconographicum Mythologiae Classicae Eros/Amor, Cupido nos. 449-88.

3. See, for example, LIMC Eros/Amor, Cupido nos. 489-527.

4. See, for example, LIMC Eros/Amor, Cupido nos. 230-66.

5. For all examples of cupids in service of deities, see LIMC Eros/Amor, Cupido nos. 589-631; for Venus specifically, see LIMC Eros/Amor, Cupido nos. 589-605. Compare also LIMC Eros (in per. or.) nos. 76-88. For additional examples of Cupid and Venus groups in bronze, see A. de Ridder, Catalogue de la collection de Clercq 3: Les bronzes (Paris, 1905) 52-53, 61-62, 80-81, 87, and 91-92; nos. 61, 80, 113, 124, and 133; pls. 10, 13, 24, 27, and 29.

6. See, for example, LIMC Eros/Amor, Cupido nos. 689-714.

Jane A. Scott and Lisa M. Anderson

Publication History

  • [Reproduction Only], Persephone, Vol. 11, No. 1, Spring 2011, p. 19.

Subjects and Contexts

  • Ancient Bronzes

Related Works

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu