- Gallery Text
In 1794, Gilbert Stuart moved from New York to the capital, Philadelphia, to take advantage of America’s demand for portraits of the first president. This work is one of nearly one hundred portraits of Washington that Stuart painted in his career. In keeping with the democratic ideals of the new nation, Stuart eschewed the elaborate costumes and grand settings common to representations of European rulers to focus on the president’s face. Washington’s ruddy skin tones indicate a man of energy and action, while his concentrated gaze and taut lips suggest the discipline and self-control for which he was famous.
Stuart’s portraits of Washington caused a sensation when they were first exhibited, and their fame has endured to the present. Reproduced on everything from dollar bills to album covers, these portraits have seared the image of the “father of the country” into the national consciousness, and have helped shape America’s vision of its past.
- Identification and Creation
- Object Number
Gilbert Stuart, American (North Kingstown, RI 1755 - 1828 Boston, MA)
George Washington (1732 - 1799)
- George Washington (1732-1799)
- Other Titles
Former Title: George Washington-- "Vaughan" type
Former Title: The Fisher Family Portrait
Former Title: The Fisher-Tyler Portrait
- Work Type
- c. 1795
- Creation Place: North America, United States
- Persistent Link
Level 2, Room 2200, European and American Art, 17th–19th century, The Emergence of Romanticism in Early Nineteenth-Century France
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- Physical Descriptions
- Oil on canvas
- 73.7 x 61 cm (29 x 24 in.)
framed: 92.7 x 79.4 x 7.6 cm (36 1/2 x 31 1/4 x 3 in.)
- Fisher Family, Philadelphia, 1796, sold; to Mrs. George F. Tyler, Philadelphia, 1921, by descent; to Sydney F. Tyler, Carbondale, CO, gift; to Harvard University, 1969.
- Acquisition and Rights
- Credit Line
- Harvard University Portrait Collection, Gift of Sidney F. Tyler to the University, 1969
- Object Number
- European and American Art
- The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
- Vaughan Type
- Publication History
Mantle Fielding, Gilbert Stuart's Portraits of Washington (1923), no. 6, ill. opp. p. 39
Lawrence Park, Gilbert Stuart: An lllustrated Descriptive List of His Works, vol. I - IV, W. E. Rudge (New York, NY, 1926), vol. II, pp. 848-49, no. 6
John Hill Morgan and Mantle Fielding, The Life Portraits of Washington and their Replicas, Lancaster Press, Inc. (Lancaster, PA, 1931), p. 253, no. 6, ill. opp. p. 256
Charles Merrill Mount, Gilbert Stuart: A Biography, W. W. Norton & Company (New York, NY, 1964), p. 378
The Frick Collection: An Illustrated Catalogue. Volume I: Paintings: American, British, Dutch, Flemish, and German, The Frick Collection (New York, 1968), p. 4
Kenyon Castle Bolton, III, Peter G. Huenink, Earl A. Powell III, Harry Z. Rand, and Nanette C. Sexton, American Art at Harvard, exh. cat., Fogg Art Museum (Cambridge, MA, 1972), cat. 23, ill.
Dorinda Evans, Philadelphia: Three Centuries of American Art, Bicentennial Exhibition, exh. cat., Philadelphia Museum of Art (Philadelphia, 1976), pp. 170-171
Timothy Anglin Burgard, American Art at Harvard: Cultures and Contexts, brochure, Harvard University Art Museums (Cambridge, MA, 1994), pp. 2, 10, cat. 2
Carrie Rebora Barratt and Ellen G. Miles, Gilbert Stuart, exh. cat., Metropolitan Museum of Art / Yale University Press (New York, 2004), pp. 141-142, ill. p. 142, fig. 86
Theodore E. Stebbins, Jr. and Melissa Renn, American Paintings at Harvard, Volume One: Paintings, Watercolors, and Pastels by Artists Born before 1826, Yale University Press (U.S.) and Harvard Art Museums (Cambridge and New Haven, 2014), pp. 33, 398, 448-50, cat. 415, ill.
- Exhibition History
American Art at Harvard, Fogg Art Museum, Cambridge, 04/19/1972 - 06/18/1972
Philadelphia: Three Centuries of American Art, Bicentennial Exhibition, Philadelphia Museum of Art, Philadelphia, 04/09/1976 - 10/10/1976
American Art at Harvard: Cultures and Contexts, Harvard University Art Museums, Cambridge, 10/01/1994 - 12/30/1994
32Q: 2200 19th Century, Harvard Art Museums, Cambridge, 11/16/2014 - 01/01/2050
- Related Works
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