Incorrect Username, Email, or Password
This object does not yet have a description.

Identification and Creation

Object Number
1994.123
Title
Hand from a Large Sculpture
Classification
Sculpture
Work Type
fragment
Date
2nd-3rd century CE
Places
Creation Place: Ancient & Byzantine World
Period
Roman Imperial period
Culture
Roman
Persistent Link
https://hvrd.art/o/301885

Physical Descriptions

Medium
Leaded bronze, traces of gilding
Technique
Cast, lost-wax process
Dimensions
17.1 x 10.8 cm (6 3/4 x 4 1/4 in.)
Technical Details

Chemical Composition: ICP-MS/AAA data from sample, Leaded Copper:
Cu, 74.74; Sn, 6.56; Pb, 18.51; Zn, 0.008; Fe, 0.01; Ni, 0.03; Ag, 0.05; Sb, 0.1; As, less than 0.10; Bi, less than 0.025; Co, less than 0.005; Au, less than 0.01; Cd, less than 0.001
J. Riederer

Technical Observations: The patina is dark green with areas of red. Fills and red and green paint are pitted in the fingers of the hand. A crack at the palm is reinforced at the interior with resin.

There are drip and brush marks at the interior from the application of wax to a mold. The break edge reveals that the thickness of the casting varies significantly, from 1.5 to 6 mm, due to uneven application of wax. Carbonized wood fragments up to 1.5 cm in length are also attached to the interior at several locations. It is not clear if these are related to burial or were temper added to the core material, which is otherwise lost. The fingers are hollow, probably all the way or most of the way to their tips. A core pinhole (4 x 4 mm) at the top of the hand has a lip at the interior showing that either a warmed pin was pushed through the wax or that the wax was soft. A patch (7 x 7 mm) covers the hole at the exterior. A threaded hole at the palm of the hand is modern and may be related to a modern mount. There is no indication of what the hand may have once held. The regular shapes modeled around the knuckles appear to represent some form of garment. Corrosion makes it difficult to be sure, but it appears that the modeling of the fingernails was done in the wax model. Small flecks of a thin layer of gilding are located at many areas and are imbedded in the ancient corrosion products.


Henry Lie (submitted 2001)

Provenance

Recorded Ownership History
Purchased from the Hurst Gallery, Cambridge, MA, in 1993, who purchased it from Mathias Komor in the 1950s.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, David M. Robinson Fund
Accession Year
1994
Object Number
1994.123
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Descriptions

Published Catalogue Text: Ancient Mediterranean and Near Eastern Bronzes at the Harvard Art Museums
This fragment represents a gently clenched left hand, broken at the wrist. The fingernails were neatly incised in the wax, and the veins and muscles were competently modeled with highly naturalistic results.


Carol Mattusch

Publication History

  • [Reproduction Only], Persephone, (Spring 2005)., p. 67.
  • Carol C. Mattusch, "Artists and Workshops: The Craft and the Product", Ancient Bronzes through a Modern Lens: Introductory Essays on the Study of Ancient Mediterranean and Near Eastern Bronzes, ed. Susanne Ebbinghaus, Harvard Art Museums (Cambridge, MA, 2014), 112-31, pp. 121-22, fig. 5.4.
  • Susanne Ebbinghaus, ed., Ancient Bronzes through a Modern Lens: Introductory Essays on the Study of Ancient Mediterranean and Near Eastern Bronzes, Harvard Art Museum and Yale University Press (Cambridge, MA, 2014), pp. 121-122, fig. 5.4

Exhibition History

Subjects and Contexts

  • Ancient Bronzes

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu