Harvard Art Museums > 1955.174.A-C: Actors Paintings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Actors (Max Beckmann) , 1955.174.A-C,” Harvard Art Museums collections online, Oct 13, 2024, https://hvrd.art/o/300054. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1955.174.A-C People Max Beckmann, German (Leipzig, Germany 1884 - 1950 New York, N.Y., USA) Title Actors Other Titles Original Language Title: Schauspieler Former Title: The Actors Classification Paintings Work Type painting Date 1941-1942 Culture German Persistent Link https://hvrd.art/o/300054 Physical Descriptions Medium Oil on canvas Dimensions left panel: 199.4 x 83.7 cm (78 1/2 x 32 15/16 in.) center panel: 199.4 × 150 cm (78 1/2 × 59 1/16 in.) right panel: 199.4 × 83.7 cm (78 1/2 × 32 15/16 in.) overall framed: 207.3 × 341.9 × 6.4 cm (81 5/8 × 134 5/8 × 2 1/2 in.) Inscriptions and Marks Signed: Beckmann A 42 Provenance Recorded Ownership History The artist (until 1946,) sold; [through Buchholz Gallery, New York, New York (1946-47)], to Lois Orswell, Pomfret Center, Connecticut, (1947-1955), gift; to Fogg Art Museum, 1955. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Gift of Lois Orswell Accession Year 1955 Object Number 1955.174.A-C Division Modern and Contemporary Art Contact am_moderncontemporary@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History The Actors by Beckmann, exh. cat., Buchholz Gallery (New York, NY, 1946), Cat. No. 3, ill. Max Beckmann Retrospective Exhibition, exh. cat., City Art Museum of St. Louis (St. Louis, MO, 1948), no. 30, repr. pp. 68-69; checklist p. 96 Max Beckmann, Tagebücher 1940-1950, A. Langen-G. Müller (Munich, Germany, 1955), see May 1941-July 1942 Charles Scott Chetham, [Unidentified article], Fogg Art Museum Annual Report 1955-1956, Fogg Art Museum (Cambridge, MA, 1956), pps. 54, 62-64, reproduced in b/w p. 55 Stephan Lackner, Max Beckmann 1884-1950 Die Neun Triptychen, Im Safari-Verlag (Berlin, Germany, 1965), pps. 16-19, reproduced in color p. 17 Paintings, Drawings, and Sculpture from the Fogg Art Museum, Harvard University, exh. cat., Yale University Art Gallery (New Haven, 1967), n.p. Paintings, Sculpture and Drawings from the Fogg Art Museum, exh. cat., Albright-Knox Art Gallery (Buffalo, NY, 1967), cat.. 41 Charles S. Kessler, Max Beckmann's Triptychs, Belknap Press of Harvard University Press (Cambridge, MA, 1970), pps. 51-62, 99, 106; reproduced in color facing p. 51 Charles Werner Haxthausen, "The Busch-Reisinger Museum, Harvard: the Germanic Tradition", Apollo (May 1978), vol. 107, no. 195, pp. 403-413, p. 410, repr. p. 409 as fig. 6 [all three parts of triptych] Charles Werner Haxthausen, The Busch-Reisinger Museum, Harvard University, Abbeville Press (New York, NY, 1980), p. 20, repr. William Feaver, "Max Beckmann's Theatre of Disguises and Burlesques", Art News (March 1981), reproduced in b/w, p. 147 Max Beckmann: The Triptychs, exh. cat., Whitechapel Art Gallery (London, England, 1981), reproduced in color opposite p. 46 and color detail p. 17; text, p. 17-18 Laszlo Glozer, Westkunst: Zeitgenössische Kunst seit 1939, exh. cat., DuMont (Cologne, Germany, 1981), reproduced in b/w no. 36, p. 343 Charles Werner Haxthausen, ed., Deutsche Kunst des 20. jahrhunderts aus dem Busch-Reisinger Museum, Harvard University (Cambridge, MA, 1983), reproduced in b/w XI 8, p. 219 Carla Hoffmann-Schulz and Judith C. Weitz, ed., Max Beckmann: Retrospective, exh. cat., St. Louis Art Museum and Prestel-Verlag (St. Louis, MO and Munich, Germany, 1984), pp. 43, 125, 463, fig. 20, detail, fig. 8, ill. (b/w) Caroline A. Jones, Modern Art at Harvard: The Formation of the Nineteenth- and Twentieth-Century Collections of the Harvard University Art Museums (New York, NY and Cambridge, MA, Harvard University Art Museums and Abbeville Press, 1985). With an essay by John Coolidge and a preface by John M. Rosenfield. To accompany the inaugural exhibition at the Sackler Museum, Oct 21 1985 - Jan 5 1986, reproduced in color fig. 97, p. 102 Kristin A. Mortimer and William G. Klingelhofer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums and Abbeville Press (Cambridge and New York, 1986), no. 382, p. 319, repr. in b/w Von Heinz Jatho, Max Beckmann: Schauspieler-Triptychon, Insel Verlag (Baden-Baden, 1989), Fold-out color ill. in back Max Beckmann in Exile, exh. cat., Guggenheim Museum Publications (New York, NY, 1996), detail on cover; central panel p. 63; full repro. cat. no. 11; credits, p. 143. Masterpieces of world art : Fogg Art Museum, Arthur M. Sackler Museum, Busch-Reisinger Museum, 1997 Reinhard Spieler, Max Beckmann: Bildwelt und Weltbilt in den Triptychen, DuMont Buchverlag (Cologne, Germany, 1998), pp. 26-27, ill. (color) Pia Gottschaller, "Max Beckmann: His Painting Materials and Technique" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, 1998), Unpublished, pp. 1-33 passim Marjorie B. Cohn and Sarah Kianovsky, Lois Orswell, David Smith, and Modern Art, exh. cat., Harvard University Art Museums (Cambridge, MA, 2002), cat. no. 5, fig. 20; pp. 48-49 (repr. color), 306, 374 Sean Rainbird, ed., Max Beckmann, exh. cat., The Museum of Modern Art (New York, 2003), pp. 142, 200-201, cat. no. 107, ill. (color) Stephen Diederich and Paola Malavassi, ed., Max Beckmann, Fernand Léger: Unerwartete Begegnungen, Museum Ludwig and DuMont Literatur und Kunst Verlag (Cologne, 2005), p. 113 Beatrice von Bormann, Max Beckmann in Amsterdam 1937-1947, exh. cat., Van Gogh Museum (Amsterdam, 2007), pp. 53, 56 Pinakothek der Moderne, ed., Max Beckmann: Exile in Amsterdam, exh. cat., Hatje Cantz Verlag (Munich, 2007), pp. 48, 51-52, 95, 100, 186-189, fig. 12, ill. (color) Deborah Schultz and Edward Timms, Politics and Pictorial Narrative in the Nazi Period: Autobiographical motifs in the paintings of Felix Nussbaum, Taylor and Francis Group (2008), p. 245, fig. 21 Peter Chametzky, Objects as History in Twentieth Century German Art: Beckmann to Beuys, University of California Press (Berkeley, Los Angeles, London, 2010), pp. 26-27, ill. (black and white) Susanne Petri and Hans-Werner Schmidt, Max Beckmann: Von Angesicht zu Angesicht, exh. cat., Hatje Cantz and Museum der bildenden Kunste Leipzig (Leipzig, Germany, 2011), pp. 38-41, 43, 45-46, 48, 53, ill. (color) "Für Max Beckmann war die Welt ein Theater", website, 2017, lead image, ill. (color) Lynette Roth, Max Beckmann: The World as a Stage, exh. cat., ed. Kunsthalle Bremen and Museum Barberini, Prestel (Munich, London, New York, 2017), pp. 74-75, 109, 122-123, 211, fig. 8 (cat. 31), ill. (color) Universum Max Beckmann, exh. cat., Waanders Uitgevers and Kunstmuseum Den Haag (Zwolle, The Hague, 2024), Cover, pp. 108-109, 128, 167, ill. (color) Exhibition History The Actors by Beckmann, Buchholz Gallery, 11/19/1946 - 12/07/1946 20th Century Abstract Painting and Sculpture, Rhode Island School of Design Museum, Providence, 04/16/1947 - 05/18/1947 Max Beckmann Retrospective Exhibition, City Art Museum of St. Louis, St. Louis, 05/01/1948 - 05/31/1948; Busch-Reisinger Museum, 12/06/1948 - 01/07/1949 Max Beckmann Exhibition, Fogg Art Museum, Cambridge, 02/23/1956 - 05/19/1956 Max Beckmann, Museum of Fine Arts, Boston, Boston, 10/01/1964 - 11/15/1964; The Museum of Modern Art, New York, 12/14/1964 - 01/31/1965; The Art Institute of Chicago, Chicago, 03/12/1965 - 04/11/1965; Kunstverein Hamburg, Hamburg, 05/10/1965 - 07/04/1965; Kunstverein Frankfurt, Frankfurt, 07/15/1965 - 09/09/1965; Tate Britain, London, 09/25/1965 - 11/08/1965 Paintings, Sculpture and Drawings from the Fogg Art Museum, Albright-Knox Art Gallery, Buffalo, 05/08/1967 - 06/11/1967 Paintings, Drawings, Sculpture from the Fogg Art Museum, Harvard University, Yale University Art Gallery, New Haven, 10/12/1967 - 12/03/1967 Max Beckmann 1884-1950: The Triptychs, Whitechapel Art Gallery, London, 11/11/1980 - 12/31/1980; Stedelijk Museum, Amsterdam, 01/01/1981 - 02/28/1981; Städelsches Kunstinstitut, Frankfurt, 04/15/1981 - 06/21/1981 Beckmann Triptych, Whitechapel Art Gallery, London, 11/11/1980 - 12/31/1980 Contemporary Art since 1939, Museum of the City of Cologne, Cologne, 05/30/1981 - 08/16/1981 Modern Art at Harvard, Harvard University Art Museums, Cambridge, 10/21/1985 - 01/05/1986 Hinter der Buhne (Backstage): Max Beckmann 1950, Museum der bildenden Künste, Leipzig, 07/20/1990 - 09/19/1990; Stadtische Galerie im Stadelschen Kunstinstitut, Frankfurt, 10/10/1990 - 01/13/1991 Max Beckmann in Exile, Solomon R. Guggenheim Museum, New York, 10/09/1996 - 01/15/1997 Max Beckmann, The Museum of Modern Art, New York, 06/25/2003 - 09/30/2003 Lois Orswell, David Smith, and Modern Art, Harvard University Art Museums, Cambridge, 09/21/2002 - 02/16/2003 Max Beckmann in Amsterdam, Van Gogh Museum, Amsterdam, 04/06/2007 - 08/19/2007; Pinakothek der Moderne, Munchen, 09/13/2007 - 01/27/2008 32Q: 1330 Mid-Century Figurative, Harvard Art Museums, Cambridge, 11/16/2014 - 08/11/2017; Harvard Art Museums, Cambridge, 07/26/2018 - 07/13/2021 Max Beckmann: The World as a Stage, Kunsthalle Bremen, Bremen, 09/30/2017 - 02/04/2018; Museum Barberini, Potsdam, 02/23/2018 - 06/10/2018 Max Beckmann: Spaces, Kunstmuseum Den Haag, 01/27/2024 - 05/20/2024 Subjects and Contexts Collection Highlights Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu