1979.18: Head of a Man with a Hat
Drawings
This object does not yet have a description.
Identification and Creation
- Object Number
- 1979.18
- People
-
Pablo Ruiz Picasso, Spanish (Malaga, Spain 1881 - 1973 Mougins, France)
- Title
- Head of a Man with a Hat
- Other Titles
- Original Language Title: Tête d'homme
- Classification
- Drawings
- Work Type
- drawing
- Date
- 1912
- Culture
- Spanish
- Persistent Link
- https://hvrd.art/o/299935
Physical Descriptions
- Medium
- Papier collé: charcoal, graphite, gray wash, laid paper and newsprint on white laid paper
- Technique
- Collage
- Dimensions
- 57.3 x 47.9 cm (22 9/16 x 18 7/8 in.)
- Inscriptions and Marks
-
- inscription: verso, upper left, graphite, in artist's hand: Picasso
- stamp: verso, upper left: DOUANES EXPOSITION PARIS
- inscription: bottom, graphite: 65
Provenance
- Recorded Ownership History
-
[Galerie Kahnweiler, Paris]. Tristan Tzara, Paris. [Knoedler Gallery, New York, New York], by 1964. Frederick B. Deknatel, Cambridge, Massachusetts; to Virginia Deknatel, Cambridge, Massachusetts, gift; to Fogg Art Museum, 1979.
NOTE: Provenance from "Master Drawings by Picasso;" Gary Tinterow, Cambridge, Massachusetts, 1981.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Gift of Virginia Deknatel in memory of Frederick B. Deknatel
- Copyright
- © Estate of Pablo Picasso / Artists Rights Society (ARS), New York
- Accession Year
- 1979
- Object Number
- 1979.18
- Division
- Modern and Contemporary Art
- Contact
- am_moderncontemporary@harvard.edu
- Permissions
-
The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Publication History
- Christian Zervos, Pablo Picasso, Editions Cahiers d'art (Paris, 1932-1978), vol. 2, no. 400, pl. 190
- Gary Tinterow, Master Drawings by Picasso, exh. cat., Fogg Art Museum (Cambridge, Mass., 1981), cat.no. 40, repr.
- Kristin A. Mortimer and William G. Klingelhofer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums and Abbeville Press (Cambridge and New York, 1986), no. 299, p. 256, repr.
- Christine Poggi, "Mallarmé, Picasso, and the Newspaper as Commodity", Collage: Critical Views, ed. Katherine Hoffman (Ann Arbor, 1989), repr. p.180
- Christine Poggi, In Defiance of Painting: Cubism, Futurism, and the Invention of Collage, Yale University Press (U.S.) (New Haven, 1992), repr. p. 149
- Masterpieces of world art : Fogg Art Museum, Arthur M. Sackler Museum, Busch-Reisinger Museum, 1997
- Jennifer Roberts and Jennifer Quick, Jasper Johns / In Press: The Crosshatch Works and the Logic of Print, exh. cat., Harvard Art Museums (Cambridge, MA, 2012), p. 75, fig. 13
Exhibition History
- Master Drawings by Picasso, Fogg Art Museum, Cambridge, 02/20/1981 - 04/05/1981; The Art Institute of Chicago, Chicago, 04/29/1981 - 06/14/1981; Philadelphia Museum of Art, Philadelphia, 07/11/1981 - 08/23/1981
- Cubism: Explorations and Adaptations, Fogg Art Museum, Cambridge, 09/18/1982 - 10/26/1982
- Modern Art for Harvard: Prints and Drawings Acquired through the Generosity of Frederick B. and Virginia H. Deknatel, Harvard University Art Museums, Cambridge, 05/31/1995 - 08/06/1995
- HAA 1 Survey Course: Survey of World Art: Modern Art, Harvard University Art Museums, Fogg Art Museum, Cambridge, 04/23/2005 - 07/31/2005
- HAA 10 Survey Course (S421): The Western Tradition: Art Since the Renaissance (Fall 08 Rotation 3), Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 11/20/2008 - 02/08/2009
- HAA 10 Survey Course (S421): The Western Tradition: Art Since the Renaissance (Fall 09 Rotation 3), Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 11/13/2009 - 01/17/2010
- Jasper Johns / In Press: The Crosshatch Works and the Logic of Print, Harvard Art Museums, Cambridge, 05/22/2012 - 08/18/2012
- 32Q: 3620 University Study Gallery, Harvard Art Museums, Cambridge, 10/27/2016 - 11/01/2016
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Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu