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Identification and Creation

Object Number
1978.126
People
Agnes Martin, American (Maklin, Saskatchewan, Canada 1912 - 2004 Taos, NM)
Title
Untitled
Classification
Drawings
Work Type
drawing
Date
1977
Culture
American
Persistent Link
https://hvrd.art/o/299934

Physical Descriptions

Medium
Colored pencil, graphite, and watercolor on thin off-white wove paper
Dimensions
30.3 × 30.3 cm (11 15/16 × 11 15/16 in.)
frame: 39 × 39 × 3.5 cm (15 3/8 × 15 3/8 × 1 3/8 in.)
mat: 38.1 × 38.1 cm (15 × 15 in.)
Inscriptions and Marks
  • Signed: black ball-point pen, l.r.: A. Martin '77
  • inscription: upper center, graphite: TOP
  • inscription: verso, upper center, black ball-point pen: TOP
  • gallery label: removed from backing, now in curatorial file, paper, printed and typed: no. 7273

Provenance

Recorded Ownership History
[Pace Gallery, New York, New York], sold; to the Fogg Art Museum, 1978.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, National Endowment for the Arts and Deknatel Purchase Funds
Copyright
© Estate of Agnes Martin / Artists Rights Society (ARS), New York
Accession Year
1978
Object Number
1978.126
Division
Modern and Contemporary Art
Contact
am_moderncontemporary@harvard.edu
Permissions

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Publication History

  • James Cuno and Lisa Andersen, Minimalism and Post-Minimalism: Drawing Distinctions, exh. cat., Hood Museum of Art (Hanover, NH, 1990), cat. no. 11, pp. 38-39, repr.
  • Barbara Haskell, Agnes Martin, exh. cat., Harry N. Abrams, Inc. (New York, NY, 1992), repr. in color p. 83; checklist, p. 185
  • Mona Schieren, Agnes Martin Transkulturelle Übersetzung zur Konstruktion Asianistischer Ästhetiken in der Amerikanischen Kunst Nach 1945, Verlag Silke Schreiber (Munich, 2016), p. 9, 12, fig. 1, ill. (color)
  • Joachim Homann, Margaret Morgan Grasselli, and Miriam Stewart, ed., American Watercolors, 1880–1990: Into the Light, exh. cat., Harvard Art Museums (Cambridge, 2023), repr. as pl. 69 on p. 140

Exhibition History

  • Agnes Martin: Fifty Small Paintings at Pace, Pace Gallery, New York, 03/25/1978 - 04/22/1978
  • Minimalism and Post-Minimalism: Drawing Distinctions, Hood Museum of Art, Hanover, 10/27/1990 - 12/16/1990
  • Agnes Martin Retrospective, Center for Fine Arts, Miami, Miami, 05/22/1993 - 08/01/1993
  • Modern Art for Harvard: Prints and Drawings Acquired through the Generosity of Frederick B. and Virginia H. Deknatel, Harvard University Art Museums, Cambridge, 05/31/1995 - 08/06/1995
  • American Watercolors, 1880–1990: Into the Light, Harvard Art Museums, Cambridge, 05/20/2023 - 08/13/2023

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu