- Gallery Text
No. 2 exemplifies the mature paintings Pollock produced between 1947 and 1950, when he fully developed his signature “poured” technique. Laying raw, unstretched canvas on the floor of his barn studio on Long Island, Pollock worked from above, dripping, pouring, and flinging paint onto the surface. The compositions of looping, tangled lines, alternately forceful and delicate, express his highly physical creative process and serve as a record of his bodily engagement. Close inspection reveals Pollock’s interest in the properties of paint — its weight and viscosity, the way it bubbles and cracks, pools upon or sinks into the canvas — and the control he was able to maintain, despite the appearance of absolute spontaneity.
- Identification and Creation
Level 1, Room 1200, Modern and Contemporary Art, Mid–century Abstraction I
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- Physical Descriptions
- Mixed media on canvas
- 279.4 x 91.76 cm (110 x 36 1/8 in.)
framed: 281.94 x 94.62 x 5.08 cm (111 x 37 1/4 x 2 in.)
- Inscriptions and Marks
- Signed: u.r.: Jackson Pollock
- Lee Krasner, Professor and Mrs. Reginald R. Isaacs, partial gift/partial sale; to Fogg Art Museum, 1965.
- Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Mr. and Mrs. Reginald R. Isaacs and Family and Purchase through the Contemporary Art Fund
- © Pollock-Krasner Foundation / Artists Rights Society (ARS), New York
- Accession Year
- Object Number
- Modern and Contemporary Art
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- Publication History
[Unidentified article], Fogg Art Museum Acquisitions, 1965, Fogg Art Museum (Cambridge, MA, 1965), reproduced p. 104
H. Wade White, "Recent Accessions: A Drip Painting by Jackson Pollock", Fogg Art Museum Newsletter, Fogg Art Museum (Cambridge, MA, April 1966), vol. III, no. 4, ill. p.
Paintings, Drawings, and Sculpture from the Fogg Art Museum, Harvard University, exh. cat., Yale University Art Gallery (New Haven, 1967)
Kenyon Castle Bolton, III, Peter G. Huenink, Earl A. Powell III, Harry Z. Rand, and Nanette C. Sexton, American Art at Harvard, exh. cat., Fogg Art Museum (Cambridge, MA, 1972), cat. 157, ill.
E. A. Carmean, Jr. and Eliza E. Rathbone, American Art at Mid-Century: The Subjects of the Artist, exh. cat., National Gallery of Art (Washington, D.C, 1978), p. 131, reproduced in b/w, p. 126, no. 2 on checklist
Francis Valentine O'Connor and Eugene Victor Thaw, Jackson Pollock: a catalogue raisonné of paintings, drawings, and other works, Yale University Press (New Haven, CT and London, England, 1978), vol. 2, no. 261, ill.
Caroline A. Jones, Modern Art at Harvard: The Formation of the Nineteenth- and Twentieth-Century Collections of the Harvard University Art Museums (New York, NY and Cambridge, MA, Harvard University Art Museums and Abbeville Press, 1985). With an essay by John Coolidge and a preface by John M. Rosenfield. To accompany the inaugural exhibition at the Sackler Museum, Oct 21 1985 - Jan 5 1986, frontispiece
Kristin A. Mortimer and William G. Klingelhofer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums and Abbeville Press (Cambridge and New York, 1986), p. 204, cat. 234, ill.
Christos M. Joachimides and Norman Rosenthal, American Art in the 20th Century: Painting and Sculpture 1913-1993, exh. cat., Royal Academy of Arts and Zeitgeist-Gesellschaft (London, England and Prestel, 1993), no. 89, reproduced in color; checklist, p. 480; text p. 16
Timothy Anglin Burgard, American Art at Harvard: Cultures and Contexts, brochure, Harvard University Art Museums (Cambridge, MA, 1994), pp. 8, 12, cat. 72
James Cuno, Alvin L. Clark, Jr., Ivan Gaskell, and William W. Robinson, Harvard's Art Museums: 100 Years of Collecting, ed. James Cuno, Harvard University Art Museums and Harry N. Abrams, Inc. (Cambridge, MA, 1996), p. 198, ill. p. 199
Masterpieces of world art : Fogg Art Museum, Arthur M. Sackler Museum, Busch-Reisinger Museum, 1997
Stephan Wolohojian and Alvin L. Clark, Jr., Harvard Art Museum/ Handbook, ed. Stephan Wolohojian, Harvard Art Museum (Cambridge, 2008), ill. p. 219
Gavin Delahunty, ed., Jackson Pollock: Blind Spots, exh. cat., Tate Publishing (London, 2015), p. 139, ill. (color)
- Exhibition History
Untitled, School of the Museum of Fine Arts, 12/01/1950 - 02/28/1951
11th Annual Exhibition, The Art Institute of Chicago, 04/11/1951 - 05/06/1951
Paintings, Drawings, Sculpture from the Fogg Art Museum, Harvard University, Yale University Art Gallery, New Haven, 10/12/1967 - 12/03/1967
American Art at Harvard, Fogg Art Museum, Cambridge, 04/19/1972 - 06/18/1972
New York School: From the First Generation, Fogg Art Museum, Cambridge, 12/10/1975 - 01/06/1976
Master Paintings from the Fogg Collection, Fogg Art Museum, Cambridge, 04/13/1977 - 08/31/1977
American Art at Mid-Century: The Subjects of the Artists, National Gallery of Art, Washington, 06/01/1978 - 01/14/1979
Modern Art at Harvard, Harvard University Art Museums, Cambridge, 10/21/1985 - 01/05/1986
American Art in the Twentieth Century: Painting and Sculpture, Zeitgeist-Gesellschaft, Berlin, 05/08/1993 - 07/25/1993; Royal Academy of Arts, London, 09/17/1993 - 12/12/1993
American Art at Harvard: Cultures and Contexts, Harvard University Art Museums, Cambridge, 10/01/1994 - 12/30/1994
Re-View: S118 European & American Art since 1900, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 09/13/2008 - 04/09/2011
Re-View: European and American Art Since 1900, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 05/03/2011 - 06/01/2013
32Q: 1200 Mid-Century Abstraction I (Painterly Abstraction), Harvard Art Museums, Cambridge, 11/16/2014 - 09/30/2015; Harvard Art Museums, Cambridge, 04/06/2016 - 01/01/2050
Jackson Pollock: Blind Spots, Dallas Museum of Art, Dallas, 11/20/2015 - 03/20/2016
- Related Media
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