Harvard Art Museums > G3277: Abraham Francen, Apothecary Prints Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Abraham Francen, Apothecary (Rembrandt Harmensz. van Rijn) , G3277,” Harvard Art Museums collections online, Nov 22, 2024, https://hvrd.art/o/299893. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number G3277 People Rembrandt Harmensz. van Rijn, Dutch (Leiden 1606 - 1669 Amsterdam) Title Abraham Francen, Apothecary Other Titles Alternate Title: Abraham Francen, Art Dealer Classification Prints Work Type print Date c. 1657 Culture Dutch Persistent Link https://hvrd.art/o/299893 Physical Descriptions Medium Etching, engraving, and drypoint with plate tone on vellum (the reverse of a mariner's chart) Technique Etching, engraving and drypoint Dimensions plate: 15.6 × 20 cm (6 1/8 × 7 7/8 in.) sheet: 15.8 × 20.4 cm (6 1/4 × 8 1/16 in.) Inscriptions and Marks collector's mark: verso, black stamp: H. W. [Hermann Weber (Lugt 1383)] inscription: verso, graphite: Cl. 270 II collector's mark: verso, purple stamp with black ink numbering within: [Gray Collection accession stamp (Lugt 4836)] 3277 design: verso, brown ink: compass headings from the earlier use of this parchment as a mariner's chart Provenance Recorded Ownership History Hermann Weber, Bonn (Lugt 1383), sale [Rudolph Weigel, Leipzig, April 28, 1856, no. 388]. Francis Calley Gray, bequest; to his nephew William Gray, gift; to Harvard University, 1857. State, Edition, Standard Reference Number State iv/xii Standard Reference Number New Hollstein 301, Bartsch 273.ii (v), Hind 291.iv (ix), R. 273 Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray Object Number G3277 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Masterpieces of world art : Fogg Art Museum, Arthur M. Sackler Museum, Busch-Reisinger Museum, 1997 Joseph Koerner and Michael Zell, Lifeworld: Portrait and Landscape in Netherlandish Prints, 1550-1650, brochure, Harvard University Art Museums (Cambridge, MA, 1999), checklist (unnumbered), repr. on cover Ivan Gaskell, Rembrandt and the Aesthetics of Technique, brochure, Harvard University Art Museums (Cambridge, MA, 2006), checklist Joanna Sheers Seidenstein and Susan Anderson, ed., Crossroads: Drawing the Dutch Landscape, exh. cat., Harvard Art Museums (Cambridge, 2022), p. 195, repr. p. 194 as fig. 1 Exhibition History Fine Art for Harvard: The Gray Collection of Engravings, Fogg Art Museum, 09/02/1986 - 11/02/1986 Lifeworld: Portrait and Landscape in Netherlandish Prints, 1550-1650, Harvard University Art Museums, Cambridge, 10/30/1999 - 01/23/2000 Rembrandt and the Aesthetics of Technique, Harvard University Art Museums, Busch-Reisinger Museum, 09/09/2006 - 12/10/2006 32Q: 2300 Dutch & Flemish, Harvard Art Museums, Cambridge, 11/01/2014 - 04/09/2015 Subjects and Contexts Google Art Project Related Works M13246 Rembrandt Harmensz. van Rijn Abraham Francen, Art Dealer Prints Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu