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Photo © President and Fellows of Harvard College
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Identification and Creation

Object Number
G3277
People
Rembrandt Harmensz. van Rijn, Dutch (Leiden 1606 - 1669 Amsterdam)
Title
Abraham Francen, Apothecary
Other Titles
Alternate Title: Abraham Francen, Art Dealer
Classification
Prints
Work Type
print
Date
c. 1657
Culture
Dutch
Persistent Link
https://hvrd.art/o/299893

Physical Descriptions

Medium
Etching, engraving, and drypoint with plate tone on vellum (the reverse of a mariner's chart)
Technique
Etching, engraving and drypoint
Dimensions
plate: 15.6 × 20 cm (6 1/8 × 7 7/8 in.)
sheet: 15.8 × 20.4 cm (6 1/4 × 8 1/16 in.)
Inscriptions and Marks
  • collector's mark: verso, black stamp: H. W. [Hermann Weber (Lugt 1383)]
  • inscription: verso, graphite: Cl. 270 II
  • collector's mark: verso, purple stamp with black ink numbering within: [Gray Collection accession stamp (Lugt 4836)] 3277
  • design: verso, brown ink: compass headings from the earlier use of this parchment as a mariner's chart

Provenance

Recorded Ownership History
Hermann Weber, Bonn (Lugt 1383), sale [Rudolph Weigel, Leipzig, April 28, 1856, no. 388]. Francis Calley Gray, bequest; to his nephew William Gray, gift; to Harvard University, 1857.

State, Edition, Standard Reference Number

State
iv/xii
Standard Reference Number
New Hollstein 301, Bartsch 273.ii (v), Hind 291.iv (ix), R. 273

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray
Object Number
G3277
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Masterpieces of world art : Fogg Art Museum, Arthur M. Sackler Museum, Busch-Reisinger Museum, 1997
  • Joseph Koerner and Michael Zell, Lifeworld: Portrait and Landscape in Netherlandish Prints, 1550-1650, brochure, Harvard University Art Museums (Cambridge, MA, 1999), checklist (unnumbered), repr. on cover
  • Ivan Gaskell, Rembrandt and the Aesthetics of Technique, brochure, Harvard University Art Museums (Cambridge, MA, 2006), checklist
  • Joanna Sheers Seidenstein and Susan Anderson, ed., Crossroads: Drawing the Dutch Landscape, exh. cat., Harvard Art Museums (Cambridge, 2022), p. 195, repr. p. 194 as fig. 1

Exhibition History

  • Fine Art for Harvard: The Gray Collection of Engravings, Fogg Art Museum, 09/02/1986 - 11/02/1986
  • Lifeworld: Portrait and Landscape in Netherlandish Prints, 1550-1650, Harvard University Art Museums, Cambridge, 10/30/1999 - 01/23/2000
  • Rembrandt and the Aesthetics of Technique, Harvard University Art Museums, Busch-Reisinger Museum, 09/09/2006 - 12/10/2006
  • 32Q: 2300 Dutch & Flemish, Harvard Art Museums, Cambridge, 11/01/2014 - 04/09/2015

Subjects and Contexts

  • Google Art Project

Related Objects

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu