Harvard Art Museums > 1956.200: The Pianiste Sculpture Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"The Pianiste (Elie Nadelman) , 1956.200,” Harvard Art Museums collections online, Dec 18, 2024, https://hvrd.art/o/299888. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1956.200 People Elie Nadelman, American (Warsaw, Poland 1882 - 1946 New York, NY) Title The Pianiste Classification Sculpture Work Type sculpture, figure Date c. 1920-1924 Culture American Persistent Link https://hvrd.art/o/299888 Physical Descriptions Medium Stained and painted wood, and iron wire Dimensions 92.7 x 55.9 x 29.8 cm (36 1/2 x 22 x 11 3/4 in.) Provenance Recorded Ownership History [Swetzoff Gallery, Boston, Massachusetts], sold; to Dr. and Mrs. John P. Spiegel, 1956, gift; to the Fogg Art Museum, 1956. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Gift of Dr. and Mrs. John P. Spiegel Accession Year 1956 Object Number 1956.200 Division Modern and Contemporary Art Contact am_moderncontemporary@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Kenyon Castle Bolton, III, Peter G. Huenink, Earl A. Powell III, Harry Z. Rand, and Nanette C. Sexton, American Art at Harvard, exh. cat., Fogg Art Museum (Cambridge, MA, 1972), cat. 132, ill. Lincoln Kirstein, Elie Nadelman, The Eakins Press (New York, NY, 1973), p. 298 Nicholas Roukes, Masters of Wood Sculpture, Watson-Guptill Publications and Pitman House (New York, NY and London, England, 1980), ill. p. 25 Caroline A. Jones, Modern Art at Harvard: The Formation of the Nineteenth- and Twentieth-Century Collections of the Harvard University Art Museums (New York, NY and Cambridge, MA, Harvard University Art Museums and Abbeville Press, 1985). With an essay by John Coolidge and a preface by John M. Rosenfield. To accompany the inaugural exhibition at the Sackler Museum, Oct 21 1985 - Jan 5 1986, p. 71, fig. 66 Kristin A. Mortimer and William G. Klingelhofer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums and Abbeville Press (Cambridge and New York, 1986), p. 132, cat. 150, ill. James Cuno, Alvin L. Clark, Jr., Ivan Gaskell, and William W. Robinson, Harvard's Art Museums: 100 Years of Collecting, ed. James Cuno, Harvard University Art Museums and Harry N. Abrams, Inc. (Cambridge, MA, 1996), p. 194, ill. p. 195 Masterpieces of world art : Fogg Art Museum, Arthur M. Sackler Museum, Busch-Reisinger Museum, 1997 Stephan Wolohojian and Alvin L. Clark, Jr., Harvard Art Museum/ Handbook, ed. Stephan Wolohojian, Harvard Art Museum (Cambridge, 2008), ill. p. 195 Margaret K. Hofer and Roberta J.M. Olson, Making It Modern: The Folk Art Collection of Elie and Viola Nadelman, New York Historical Society and D. Giles (London and New York, 2015), pp. 104, 340-342, cat, IV, ill. (color) Exhibition History Boston Collects Modern Art, Rose Art Museum, Brandeis University, Waltham, 05/24/1964 - 06/14/1964 American Art at Harvard, Fogg Art Museum, Cambridge, 04/19/1972 - 06/18/1972 Modern Art at Harvard, Harvard University Art Museums, Cambridge, 10/21/1985 - 01/05/1986 The Persistence of Memory: Continuity and Change in American Cultures, Harvard University Art Museums, Cambridge, 07/29/1995 - 05/13/2001 Making It Modern: The Folk Art Collection of Elie and Viola Nadelman, New York Historical Society, New York, 05/20/2016 - 08/21/2016 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu