Harvard Art Museums > 1932.263: The Vision of Saint Francis Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"The Vision of Saint Francis (Pietro Faccini) , 1932.263,” Harvard Art Museums collections online, Nov 22, 2024, https://hvrd.art/o/298941. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1932.263 People Pietro Faccini, Italian (Bologna, Italy 1562 - 1602 Bologna, Italy) Title The Vision of Saint Francis Classification Drawings Work Type drawing Date 16th century Places Creation Place: Europe, Italy, Emilia, Bologna Culture Italian Persistent Link https://hvrd.art/o/298941 Physical Descriptions Medium Brown ink over red chalk, squared in graphite for transfer, on cream antique laid paper Dimensions 31.8 x 24.9 cm (12 1/2 x 9 13/16 in.) Inscriptions and Marks inscription: bottom: Pietro Facini inscription: lower right: 39 Provenance Recorded Ownership History Peter Lely (Lugt 2092). Charles A. Loeser, Florence, Italy, bequest; to Fogg Art Museum, 1932 Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Bequest of Charles A. Loeser Accession Year 1932 Object Number 1932.263 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Agnes Mongan and Paul J. Sachs, Drawings in the Fogg Museum of Art, Harvard University Press (Cambridge, 1940), vol. I, cat. no. 84, p. 62, vol. II, fig. 68, repr. Konrad Oberhuber, "Charles Loeser as a Collector of Drawings", Apollo (June 1978), vol. CVII, no. 196, pp. 464-469, p. 468, fig. 7, repr. Konrad Oberhuber, European Master Drawings of Six Centuries from the Collection of the Fogg Art Museum, exh. cat., National Museum of Western Art (Tokyo, 1979), cat. no. 36, n.p., pl. 36, repr. Konrad Oberhuber, ed., Old Master Drawings: Selections from the Charles A. Loeser Bequest, Fogg Art Museum (Cambridge, MA, 1979), cat. no. 28, pp. 68-69, repr. Debora Mayer, "Technical Examination of Red Chalk" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, 1982), Unpublished, pp. 1-33 passim Diane DeGrazia Bohlin and Eugenio Riccomini, Correggio and His Legacy: Sixteenth-Century Emilian Drawings, exh. cat., National Gallery of Art (Washington, D.C., 1984), cat. no. 132, pp. 386-88, repr. Agnes Mongan, Konrad Oberhuber, and Jonathan Bober, The Famous Italian Drawings at the Fogg Art Museum in Cambridge, Silvana Editoriale (Milan, Italy, 1988), cat. no. 53, pp. 54, 57, repr. Carlo Francini, "L'inventario della collezione Loeser alla Villa Gattaia", Bollettino della Società di Studi Fiorentini (2000), no. 6, p. 121 (as "Cartella con quattro stelle rosse") Exhibition History European Master Drawing of Six Centuries from the Collection of the Fogg Art Museum, National Museum of Western Art, Tokyo, 11/03/1979 - 12/16/1979 Correggio and His Legacy: Sixteenth-Century Emilian Drawings, National Gallery of Art, Washington, 03/11/1984 - 05/13/1984; Galleria Nazionale di Parma, Parma, 06/03/1984 - 07/15/1984 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu