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Identification and Creation

Object Number
1932.216
People
Andrea Boscoli, Italian (Florence, Italy c. 1560 - c. 1607 Rome, Italy)
Previously attributed to School of Giovanni Battista di Jacopo called Rosso Fiorentino, Italian (Florence, Italy 1494 - 1540 Fontainebleau, France)
Title
Annunciation; verso: Unidentified Study
Classification
Drawings
Work Type
drawing
Date
16th century
Places
Creation Place: Europe, Italy, Tuscany, Florence
Culture
Italian
Persistent Link
https://hvrd.art/o/298719

Physical Descriptions

Medium
Red chalk on off-white antique laid paper; verso: black chalk
Dimensions
36 × 28.8 cm (14 3/16 × 11 5/16 in.)

Provenance

Recorded Ownership History
Charles A. Loeser, Florence, Italy, bequest; to Fogg Art Museum, 1932

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Bequest of Charles A. Loeser
Accession Year
1932
Object Number
1932.216
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Bernard Berenson, The Drawings of the Florentine Painters, University of Chicago Press (Chicago, IL, 1938), vol. II, no. 2458G, p. 317, as School of Rosso Fiorentino
  • Agnes Mongan and Paul J. Sachs, Drawings in the Fogg Museum of Art, Harvard University Press (Cambridge, 1940), vol. 1, cat. no. 174, p. 94 as School of Il Rosso
  • Konrad Oberhuber, ed., Old Master Drawings: Selections from the Charles A. Loeser Bequest, Fogg Art Museum (Cambridge, MA, 1979), cat. no. 25, pp. 62-62, and p. 9, repr. (recto)
  • Edward J. Olszewski, The Draftsman's Eye: Late Italian Renaissance Schools and Styles, exh. cat., Cleveland Museum of Art/Indiana University Press (Cleveland, OH and Bloomington, IN, 1981), cat. no. 8, p. 33, and p. 26, repr. fig. 8 Recto
  • Debora Mayer, "Technical Examination of Red Chalk" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, 1982), Unpublished, pp. 1-33 passim
  • Agnes Mongan, Konrad Oberhuber, and Jonathan Bober, The Famous Italian Drawings at the Fogg Art Museum in Cambridge, Silvana Editoriale (Milan, Italy, 1988), cat. no. 46, n.p., and p. 51, repr. (recto) color
  • Larry J. Feinberg, From Studio to Studiolo: Florentine Draftsmanship under the First Medici Grand Dukes, exh. cat., University of Washington Press and Allen Memorial Art Museum (Oberlin, OH, and Seattle, WA, 1991), cat. no. 7, pp. 68-69, repr. recto
  • Edward Saywell, "Guide to Drawing Terms and Techniques", Harvard University Art Museums Bulletin, Harvard University Art Museums (Cambridge, MA, 1998), vol. VI, no. 2, pp. 30-39, p. 36 under "Red chalk"
  • Carlo Francini, "L'inventario della collezione Loeser alla Villa Gattaia", Bollettino della Società di Studi Fiorentini (2000), no. 6, p. 120 ("Cartella con una stella rossa")
  • Thomas McGrath, "Florentine Baroque Drawings at the Fogg Museum of Art", Apollo (January 2004), CLIX, no. 503, pp. 14-20, p. 14
  • William A. Berry, Drawing the Human Form: Methods, Sources, Concepts, third edition, 2024, pp. 113, 116, repr. as fig. 4-41

Exhibition History

  • The Draftsman's Eye: Late Italian Renaissance Schools and Styles, Cleveland Museum of Art, Cleveland, 03/06/1979 - 04/22/1979
  • From Studio to Studiolo: Florentine Draftsmanship under the First Medici Grand Dukes, Allen Memorial Art Museum, Oberlin, 10/14/1991 - 12/01/1991; Bowdoin College Museum of Art, Brunswick, 01/27/1992 - 03/15/1992; Hood Museum of Art, Hanover, 04/06/1992 - 05/24/1992

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu