1919.259: Part of a Sketch of the Northwest Porch of St. Mark's
Drawings
This object does not yet have a description.
Identification and Creation
- Object Number
- 1919.259
- People
-
John Ruskin, British (London, England 1819 - 1900 Brantwood, England)
- Title
- Part of a Sketch of the Northwest Porch of St. Mark's
- Classification
- Drawings
- Work Type
- drawing
- Date
- 1879
- Culture
- British
- Persistent Link
- https://hvrd.art/o/298668
Physical Descriptions
- Medium
- Watercolor, white gouache, brown and black ink, and graphite on cream wove paper
- Dimensions
- 51.2 x 38.1 cm (20 3/16 x 15 in.)
- Inscriptions and Marks
-
- inscription: lower right, blue watercolor: J. Ruskin, Part of sketch of / northwest Porch of St. MARK'S / made in 1877/ Copied at / Brantwood 1879
Provenance
- Recorded Ownership History
- Samuel Sachs, gift; to Fogg Art Museum, 1919
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Gift of Samuel Sachs
- Accession Year
- 1919
- Object Number
- 1919.259
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
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Publication History
- John Ruskin and Professor Charles Eliot Norton, Notes on Drawings by Mr. Ruskin, placed on exhibition by Professor Norton..., exh. cat., John Wilson and Son (Cambridge, 1879), no. 69
- John Ruskin and Professor Charles Eliot Norton, Notes on Drawings by Mr. Ruskin, placed on exhibition by Professor Norton..., exh. cat., John Wilson and Son (Boston, 1880), no. 69
- "The Loan Collection of Watercolors at the St. Botolph Club--First Article", Boston Evening Transcript (December 9, 1891), p. 8
- Catalogue of a Loan Collection of Watercolors, exh. cat., St. Botolph Club (Boston, 1891), no. 18
- E. T. Cook and Alexander Wedderburn, The Works of John Ruskin, G. Allen (London, England, 1903 -1912), vol. 38, no. 1938, repr. 10, pl. D
- Arthur Pope, Catalogue of Ruskin Exhibition in Memory of Charles Eliot Norton, exh. cat., Fogg Art Museum (Cambridge, 1909), no. 4
- Adelyn Breeskin, Interpretations of Architecture in Drawings and Prints from the Renaissance through Le Corbusier, exh. cat., Baltimore Museum of Art (Baltimore, 1939), cat. no. 49
- Joan Evans, ed., The Diaries of John Ruskin, The Clarendon Press (Oxford, 1956-1959), vol. 3, pl. 61
- Robert Hewison, Ruskin and Venice, exh. cat., Thames & Hudson and Speed Art Museum (London, 1978), no. 76, repr.
- Gail S. Weinberg, Drawings of John Ruskin (1819 - 1900), exh. cat., Fogg Art Museum (Cambridge, MA, 1979), no. 60
- Theodore E. Stebbins, Jr., William H. Gerdts, Erica E. Hirshler, Fred Licht, and William L. Vance, The Lure of Italy: American Artists and the Italian Experience, 1760-1914, exh. cat., Museum of Fine Arts, Boston / Harry N. Abrams, Inc. (Boston, MA and New York, NY, 1992), p. 121, fig. 7
- Elizabeth Bradford Smith, Medieval Art in America: Patterns of Collecting 1800-1940, exh. cat., Palmer Museum of Art (University Park, PA, 1996), cat. no. 12, repr.
- Theodore E. Stebbins, Jr., Virginia Anderson, Melissa Renn, and Susan C. Ricci, The Last Ruskinians: Charles Eliot Norton, Charles Herbert Moore, and Their Circle, exh. cat., Harvard University Art Museums (Cambridge, MA, 2007), p. 81, 95, pl. 39
- Stephen Wildman, "'Scrawls and rags'? John Ruskin's Venetian Drawings of 1876-77", Master Drawings (Autumn 2009), vol. 47 no. 3, p. 343
- Emma Sdegno, In Venice with Ruskin, Marsilio Editore (Venice, 2023), p. 83, repr.
Exhibition History
- Drawings by Mr. Ruskin, Noyes & Blakeslee, Boston, 10/01/1879 - 10/31/1879
- Drawings by Mr. Ruskin, Museum of Fine Arts, Boston, 02/01/1880 - 02/28/1880
- Loan Collection of Watercolors, St. Botolph Club, 12/01/1891 - 12/31/1891
- Ruskin Exhibition, Fogg Art Museum, Cambridge, 11/01/1909 - 02/28/1910
- Interpretations of Architecture in Drawings and Prints from the Renaissance through Le Corbusier, Baltimore Museum of Art, Baltimore, 12/15/1939 - 01/26/1940
- Ruskin and Venice, Speed Art Museum, 10/16/1978 - 11/19/1978
- Drawings of John Ruskin, 1819 - 1900, Fogg Art Museum, Cambridge, 01/19/1979 - 03/04/1979
- Medieval Art in America: Patterns of Collecting, 1800-1940, Palmer Museum of Art, University Park, 01/09/1996 - 03/03/1996; Frick Art Museum, Pittsburgh, 04/01/1996 - 05/26/1996
- The Last Ruskinians: Charles Eliot Norton, Charles Herbert Moore, and Their Circle, Harvard University Art Museums, Fogg Art Museum, Cambridge, 04/07/2007 - 07/08/2007
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu