Photo © President and Fellows of Harvard College
Unable to open [object Object]: HTTP 0 attempting to load TileSource: https://ids.lib.harvard.edu/ids/iiif/18480997/info.json
Photo © President and Fellows of Harvard College
This object does not yet have a description.

Identification and Creation

Object Number
1932.200
People
Imitator of Adriaen van Ostade, Dutch (Haarlem 1610 - 1685 Haarlem)
Title
Man Swinging a Flail
Classification
Drawings
Work Type
drawing
Date
17th century
Culture
Dutch
Persistent Link
https://hvrd.art/o/298661

Physical Descriptions

Medium
Brown ink and brown wash on blue antique laid paper, framing line in brown ink
Dimensions
actual: 14.6 x 7.1 cm (5 3/4 x 2 13/16 in.)
Inscriptions and Marks
  • collector's mark: verso, lower left, black ink, stamp: L. 2879 (Freiherr Max von Heyl zu Herrnsheim)
  • inscription: verso, lower left, graphite: LW
  • inscription: verso, lower center, graphite: 190
  • inscription: former mount, brown ink: 45//7 / v.G. 344 / A Ostade
  • inscription: former mount, graphite: 4
  • inscription: former mount, graphite: Loesers' [?] colln
  • inscription: former mount, brown ink: JCRobinson / 1873 [L. 2141b, John Charles Robinson]
  • inscription: former mount, graphite: A73751 [triangle] [not Colnaghi]
  • inscription: former mount, graphite: WNO
  • inscription: former mount, graphite: Heseltine Coll
  • collector's mark: former mount, black ink, stamp: L. 1507 (John Postle Heseltine)
  • watermark: none
  • inscription: lower left, graphite: AVO

Provenance

Recorded Ownership History
John Charles Robinson, London (L. 2141b, former mount). John Postle Heseltine, London (L. 1507, former mount). Freiherr Max von Heyl zu Herrnsheim, Darmstadt (L. 2879, verso, lower left), sold; [Gutekunst, Stuttgart, 25-26 May 1903, lot 207]; to [H. G. Gutekunst]. Charles A. Loeser, Florence, Italy, bequest; to Fogg Art Museum, 1932.

Published Text

Catalogue
Drawings from the Age of Bruegel, Rubens, and Rembrandt: The Complete Collection Online
Authors
Multiple authors
Publisher
Harvard Art Museums (Cambridge, MA, 2017–)

Entry by Susan Anderson, completed November 01, 2017:

In his 1981 monograph on the drawings of Adriaen and Isaac van Ostade, Bernhard Schnackenburg identified an anonymous hand, which he called “Ostade Imitator of the Late 17th Century.” He claimed that the artist was responsible for a group of drawings close in style to those by Adriaen van Ostade, recognizable by their small size, compositions with a single figure, and easily imitated motifs. To this convincingly cohesive group of sheets, Schnackenburg included our drawing Man Swinging a Flail with five other versions of this composition, which suggests this anonymous hand drew repeatedly from the same original, now lost.1 In our sheet and the others, the presence of a single figure rendered in bold, slightly sketchy lines implies that Van Ostade’s original dated to the 1660s–70s.

Notes

1 Bernhard Schnackenburg, Adriaen van Ostade, Isack van Ostade, Zeichnungen und Aquarelle, 2 vols. (Hamburg: Dr. Ernst Hauswedell & Co., 1981), 1: 68, 2: 296–98, Figs. 108–16. The five additional drawings are in Berlin, Kupferstichkabinett, as Copy after Adriaen van Ostade, Threshing Peasant, Seen from the Front, ink and wash over graphite, 127 × 71 mm, KdZ 3861 (see Elfried Bock and Jakob Rosenberg, Staatliche Museen zu Berlin, Die Niederländischen Meister, 2 vols. [Berlin: Julius Bard, 1930], 1: 206); Dresden, Staatliche Kunstsammlungen Dresden, Kupferstichkabinett (as After Adriaen van Ostade, Threshing Peasant, brown ink and gray and brown wash, 127 × 72 mm, C 1264; see Schnackenburg, cat. F 87); Leiden, Prentenkabinet (as Isaack van Ostade, Thresher, brown ink and brown and gray wash, 136 × 82 mm, PK-T-AW-674; see Schnackenburg, cat. F 139); Paris, Musée du Louvre (as Adriaen van Ostade, Standing Man, Facing Forward, Swinging a Flail, brown ink, gray wash, and black chalk, 131 × 082 mm, RF 29048; see Schnackenburg, cat. F 212); and Chapel Hill, N.C., Ackland Art Museum (as Dutch, 17th century, Peasant Threshing Corn, pen and brown ink and gray wash, 139 × 89 mm, 80.40.1; see Schnackenburg, cat. F 178).

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Bequest of Charles A. Loeser
Accession Year
1932
Object Number
1932.200
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Publication History

  • Agnes Mongan and Paul J. Sachs, Drawings in the Fogg Museum of Art, Harvard University Press (Cambridge, 1940), vol. 1, cat. no. 519, p. 273 as Adriaen van Ostade (?)
  • Bernhard Schnackenburg, Adriaen van Ostade, Isack van Ostade: Zeichnungen und Aquarelle (Hamburg, Germany, 1981), vol. 1, cat. no. F62, p. 213, as Ostade Imitator of the late 17th century
  • Emmanuel Starcky, Inventaire Générale Des Dessins Du Nord: Supplément aux Inventaires Publiés par Frits Lugt et Louis Demonts, Ministere de la culture... (Paris, France, 1988), under cat. 262
  • Carlo Francini, "L'inventario della collezione Loeser alla Villa Gattaia", Bollettino della Società di Studi Fiorentini (2000), no. 6, p. 119 ("Cartella con due stelle d'oro")

Subjects and Contexts

  • Dutch, Flemish, & Netherlandish Drawings

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu