1932.259: Fragment of an Ornamented Roman Pedestal
Drawings
This object does not yet have a description.
Identification and Creation
- Object Number
- 1932.259
- People
-
Amico Aspertini, Italian (Bologna, Italy c. 1474 - 1552 Bologna, Italy)
Previously attributed to Unidentified Artist
- Title
- Fragment of an Ornamented Roman Pedestal
- Other Titles
- Former Title: Fragment of a Pedestal
- Classification
- Drawings
- Work Type
- drawing
- Date
- 15th-16th century
- Places
- Creation Place: Europe, Italy, Emilia, Bologna
- Culture
- Italian
- Persistent Link
- https://hvrd.art/o/298556
Physical Descriptions
- Medium
- Brown ink over black chalk on cream antique laid paper
- Dimensions
- 22 x 11.2 cm (8 11/16 x 4 7/16 in.)
- Inscriptions and Marks
-
- collector's mark: Verso, l.l., Black ink: L. 2879
- inscription: verso, lower center, graphite: 36 [undecipherable] 15 July [?]
- watermark: No watermark was observed when examined by Craigen Bowen, 2/12/2002
Provenance
- Recorded Ownership History
-
Freiherr Max von Heyl zu Herrnsheim, Darmstadt, Germany (Lugt 2879). Charles A. Loeser, Florence, Italy, bequest; to Fogg Art Museum, 1932
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Bequest of Charles A. Loeser
- Accession Year
- 1932
- Object Number
- 1932.259
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
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Publication History
- Agnes Mongan and Paul J. Sachs, Drawings in the Fogg Museum of Art, Harvard University Press (Cambridge, 1940), vol. 1, cat. no. 46, p. 39; vol. 2, fig. 40 as Venetian, 15th century
- Decorative Arts of the Italian Renaissance, 1400-1600, exh. cat., Detroit Institute of Arts (Detroit, MI, 1958), no. 3B
- Beverly Louise Brown, Prints and Drawings of the Quattrocento, exh. cat., Fogg Art Museum (Cambridge, MA, 1981), cat. no. 33, p. 21, as Venetian School, last quarter of the 15th century
- Gunter Schweikhart, Der Codex Wolfegg: Zeichnungen nach der Antike von Amico Aspertini (London, 1986), p. 105
- Marzia Faietti and Konrad Oberhuber, ed., Bologna e l'umanesimo 1490-1510, exh. cat., Nuova Alfa Editoriale (Bologna, 1988), p. 280 n.1, repr. p. 280
- Anna Stanzani, Il restauro: intelligenza e progetto, Nuova Alfa (Bologna, Italy, 1990), p. 71
- Marzia Faietti and Amico Faietti, "New Drawings by Amico Aspertini", Master Drawings (1991), vol. XXIX, no. 2, p. 169, under fn. 32
- H. von Kügelgen, "Aspertini, Amico", K. G. Saur (Munich, Germany, 1992), p. 443 with title as "Helmet"
- Marzia Faietti and Arnold Nesselrath, "'Bizar più che reverso di medaglia.' Un codex avec grotesques, monstres et ornements du jeune Amico Aspertini", Revue de l'Art (1995), no. 107, pp. 44-88, p. 79 and p. 85, n. 141
- Marzia Faietti and Daniela Scaglietti Kelescian, Amico Aspertini, Artioli Editore (Modena, 1995), no. 13, pp. 230-1, under "Disegni", repr.
- Carlo Francini, "L'inventario della collezione Loeser alla Villa Gattaia", Bollettino della Società di Studi Fiorentini (2000), no. 6, p. 120 ("Cartella con quattro stelle rosse")
Exhibition History
- Decorative Arts of the Italian Renaissance, 1400-1600, Detroit Institute of Arts, Detroit, 11/18/1958 - 01/04/1959
- Prints and Drawings of the Quattrocento, Fogg Art Museum, Cambridge, 07/03/1981 - 08/31/1981
- 32Q: 2540 Renaissance, Harvard Art Museums, Cambridge, 04/20/2017 - 08/31/2017
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu