Incorrect Username, Email, or Password
This object does not yet have a description.

Identification and Creation

Object Number
1932.311
People
Amico Aspertini, Italian (Bologna, Italy c. 1474 - 1552 Bologna, Italy)
Previously attributed to Unidentified Artist
Title
Two Candelabra; verso: Slight Sketch of a Horn-Shaped Object
Classification
Drawings
Work Type
drawing
Date
15th-16th century
Places
Creation Place: Europe, Italy, Emilia, Bologna
Culture
Italian
Persistent Link
https://hvrd.art/o/298526

Physical Descriptions

Medium
Brown ink and black chalk on dark cream antique laid paper; verso: brown ink
Dimensions
25.7 x 17.7 cm (10 1/8 x 6 15/16 in.)
Inscriptions and Marks
  • watermark: Possible watermark (mostly cut-off) on upper right edge. Tip of a triangle within part of a circle. Beta required.
  • drawing: verso, center, brown ink: Appears to be a small doodle (?)

Provenance

Recorded Ownership History
Charles A. Loeser, Florence, Italy, bequest; to Fogg Art Museum, 1932

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Bequest of Charles A. Loeser
Accession Year
1932
Object Number
1932.311
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Publication History

  • Agnes Mongan and Paul J. Sachs, Drawings in the Fogg Museum of Art, Harvard University Press (Cambridge, 1940), vol. 1, cat. no. 45, p. 38; vol. 2, repr. fig. 41, as Venetian 15th century
  • Decorative Arts of the Italian Renaissance, 1400-1600, exh. cat., Detroit Institute of Arts (Detroit, MI, 1958), repr., no. 3A
  • Wendy Stedman Sheard, Antiquity in the Renaissance, exh. cat., Smith College Museum of Art (Northampton, MA, 1978), no. 117, n.p., as North Italian artist working in Rome (?), last quarter 15th C.
  • Beverly Louise Brown, Prints and Drawings of the Quattrocento, exh. cat., Fogg Art Museum (Cambridge, MA, 1981), cat. no. 34, p. 21, repr. as Venetian School, last quarter of the 15th century
  • Hans-Ulrich Cain, Römische Marmorkandelaber, Verlag Philipp von Zabern (Mainz am Rhein, Germany, 1985), no. 160, p. 205, pl. 93,1
  • Marzia Faietti and Konrad Oberhuber, ed., Bologna e l'umanesimo 1490-1510, exh. cat., Nuova Alfa Editoriale (Bologna, 1988), p. 280 n.1, repr. p. 280
  • Marzia Faietti and Amico Faietti, "New Drawings by Amico Aspertini", Master Drawings (1991), vol. XXIX, no. 2, pp. 169, under fn. 32
  • H. von Kügelgen, "Aspertini, Amico", K. G. Saur (Munich, Germany, 1992), p. 443
  • Marzia Faietti and Arnold Nesselrath, "'Bizar più che reverso di medaglia.' Un codex avec grotesques, monstres et ornements du jeune Amico Aspertini", Revue de l'Art (1995), no. 107, pp. 44-88, p. 79 and p. 85, n. 140, fig. 82
  • Marzia Faietti and Daniela Scaglietti Kelescian, Amico Aspertini, Artioli Editore (Modena, 1995), no. 12, p. 230, under "Disegni", repr.
  • Carlo Francini, "L'inventario della collezione Loeser alla Villa Gattaia", Bollettino della Società di Studi Fiorentini (2000), no. 6, p. 122 ("Cartella II")

Exhibition History

  • Decorative Arts of the Italian Renaissance, 1400-1600, Detroit Institute of Arts, Detroit, 11/18/1958 - 01/04/1959
  • Antiquity in the Renaissance, Smith College Museum of Art, Northampton, 04/06/1978 - 06/06/1978
  • Prints and Drawings of the Quattrocento, Fogg Art Museum, Cambridge, 07/03/1981 - 08/31/1981

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu