- Identification and Creation
-
- Object Number
- 1932.273
- People
-
Unidentified Artist
Previously attributed to (?) Vincenzo Foppa, Italian (Bagnola, Italy 1427 - 1516 Brescia, Italy)
- Title
- Tabernacle with a Flagellation; verso: Profile of a Woman Facing Left
- Classification
- Drawings
- Work Type
- drawing
- Date
- 15th century
- Places
- Creation Place: Europe, Italy, Veneto, Venice
- Culture
- Italian, Venetian
- Persistent Link
- https://hvrd.art/o/298516
- Physical Descriptions
-
- Medium
- Brown ink and brown wash on cream antique laid paper with traces of black chalk; verso: black chalk
- Dimensions
- 37.5 × 27.5 cm (14 3/4 × 10 13/16 in.)
- Inscriptions and Marks
-
- watermark: non visible
- Provenance
- Charles A. Loeser, Florence, Italy, bequest; to Fogg Art Museum, 1932
- Acquisition and Rights
-
- Credit Line
- Harvard Art Museums/Fogg Museum, Bequest of Charles A. Loeser
- Accession Year
- 1932
- Object Number
- 1932.273
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
- Publication History
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William E. Suida, "Studien zur lombardischen Malerei des XV. Jahrhunderts", Monatschefte fuer Kunstwissenschaft (Leipzig, September 1909), vol. II, no. 9, pp. 470-495, p. 488, repr. fig. 13 (recto ) as Lombard master of 15th century (Mantegazza?)
Francesco Malaguzzi Valeri, La corte di Lodovico il Moro: Bramante e Leonardo da Vinci: volume 2: Bramante e Leonardo da Vinci, Ulrico Hoepli (Milan, Italy, 1915), pp. 29-30, repr. fig. 35 (recto) as Michelozzo (?)
Arthur Schendel, Le dessin en Lombardie jusqu'à la fin du XVe siècle, Editions de la Connaissance (Brussels, Belgium, 1938), p. 90 as "...un artiste lombard de l'entourage de Bramante..."
Agnes Mongan and Paul J. Sachs, Drawings in the Fogg Museum of Art, Harvard University Press (Cambridge, 1940), vol. 1, cat. no. 14, pp. 12-13; vol. 2, repr. figs. 16 (recto) and 17 (verso)...
Ruth Wedgwood Kennedy, Italian Drawings, 1330-1780, exh. cat., Smith College Museum of Art (Northampton, MA, 1941), cat. no. 33, n.p. as attributed to Vincenzo Foppa
Nicholas Snow, Master Drawings of the Italian Renaissance: A Detroit Adventure in the Arts, exh. cat., Detroit Institute of Arts (Detroit, MI, 1960), cat. no. 27, p. 17, repr. recto as frontispiece, as Vincenzo Foppa (?)
Beverly Louise Brown, Prints and Drawings of the Quattrocento, exh. cat., Fogg Art Museum (Cambridge, MA, 1981), cat. no. 10, p. 18, as Vincenzo Foppa (?)
Carlo Francini, "L'inventario della collezione Loeser alla Villa Gattaia", Bollettino della Società di Studi Fiorentini (2000), no. 6, p. 121 ("Cartella I")
Lise Bek, Leon Battista Alberti: Om billedkunsten, Nyt Nordisk Forlag Arnold Busck (Copenhagen, Denmark, 2000), repr. (recto) fig. 53, p. 176 as Unidentified artist
Lise Bek, Reality in the Mirror of Art, Aarhus University Press (Aarhus, Denmark, 2003), p. 218, repr. p. 219, fig. 40 as Vincenzo Foppa
- Exhibition History
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Italian Drawings, 1330-1780, Smith College Museum of Art, Northampton, 12/01/1941 - 12/20/1941
Master Drawings of the Italian Renaissance: A Detroit Adventure in the Arts, Detroit Institute of Arts, Detroit, 04/05/1960 - 05/08/1960
Prints and Drawings of the Quattrocento, Fogg Art Museum, Cambridge, 07/03/1981 - 08/31/1981
HAA 10 Survey Course: The Western Tradition, Art Since the Renaissance, Harvard University Art Museums, Fogg Art Museum, Cambridge, 02/09/2008 - 03/02/2008
HAA 10 Survey Course (S421): The Western Tradition: Art Since the Renaissance (Fall 08 Rotation 1), Harvard Art Museums, Cambridge, 09/13/2008 - 10/19/2008
HAA 10 Survey Course (S421): The Western Tradition: Art Since the Renaissance (Fall 09 Rotation 1), Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 09/02/2009 - 10/12/2009
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This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu