Harvard Art Museums > 1942.51: "A Dark Cave," Design for "MacBeth," Act IV, Scene 1 Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation""A Dark Cave," Design for "MacBeth," Act IV, Scene 1 (Charles Ricketts) , 1942.51,” Harvard Art Museums collections online, Nov 17, 2024, https://hvrd.art/o/298428. This object does not yet have a description. Identification and Creation Object Number 1942.51 People Charles Ricketts, British (Geneva, Switzerland 1866 - 1931 London, England) Title "A Dark Cave," Design for "MacBeth," Act IV, Scene 1 Classification Drawings Work Type drawing Date c. 1926 Culture British Persistent Link https://hvrd.art/o/298428 Physical Descriptions Medium Watercolor, white gouache, red and brown ink, graphite, and black crayon on cream wove paper Dimensions 32 × 33.1 cm (12 5/8 × 13 1/16 in.) Provenance Recorded Ownership History Charles Ricketts; to [Scott & Fowles, New York, New York], sold; to Grenville L. Winthrop, New York, New York, 1924, gift; to Fogg Art Museum, 1942. NOTE: Provenance information from the curatorial files. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Gift of Grenville L. Winthrop, Class of 1886 Accession Year 1942 Object Number 1942.51 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS. The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Blake to Beardsley: A Century of English Illustrators, exh. cat., Fogg Art Museum (Cambridge, MA, 1944), no. 90 Exhibition History Blake to Beardsley: A Century of English Illustrators, Fogg Art Museum, Cambridge, 06/01/1944 - 06/30/1944 Verification Level This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu