Harvard Art Museums > 1934.198: Ploughing Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Ploughing (Anton Mauve) , 1934.198,” Harvard Art Museums collections online, Dec 18, 2024, https://hvrd.art/o/298247. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1934.198 People Anton Mauve, Dutch (Zaandam (Zaanstad), The Netherlands 1838 - 1888 Arnhem, The Netherlands) Title Ploughing Classification Drawings Work Type drawing Date 19th century Culture Dutch Persistent Link https://hvrd.art/o/298247 Physical Descriptions Medium Watercolor on off-white wove paper Dimensions 16.7 x 36.1 cm (6 9/16 x 14 3/16 in.) Inscriptions and Marks Signed: l.r., black watercolor: A. Mauve label: on frame, label Doll & Richards, Fine Art Dealers, 2 Park Street, Boston (printed), inscribed in unknown handwriting with the stock number, graphite: after No. (printed): G/C 5945 label: on back of mount, l.l. corner, white label with black border, in Bartlett sisters hand, brown ink: For the Boston / Museum of Fine Arts / from Mary F. and Fannie Bartlett / Ploughing / Antoine [sic] Mauve [Four other works in our collection (from the Bartletts) have the same black-bordered label with inscription in the same handwriting: Blommers(1934.204), Israëls (1934.201), Mesdag (1934.203), and Weissenbruch (1934.197). The label is probably related to an exhibition at the MFA in 1895. See In-house Notes.] label: on back of frame, l.l., only edge remained: [same edge as the label with the decorative black border the Bartletts put on the works they sent to the MFA 1895, see label on back of mount] label: On back of mount, u.l. and l.c. : 2 labels Fogg Art Museum label: Label, on back of frame, u.c. and l.l.: 2 labels Fogg Art Museum label: On back of frame, l.l.: Label Adair Survey label: on back of frame, left edge, red sticker Adair survey: 350 (written on sticker) inscription: back of frame, l.r., upside down, graphite: C9545 inscription: back of frame, l.r., upside down, graphite: Gold? or Galil? [similar inscription on Weissenbruch frame and on Blommers Frugal Meal frame] inscription: back of frame, l.r., upside down, graphite: Jan 28? or 272? inscription: back of frame, l.r. edge, graphite: [numbers] (illegible) inscription: verso, [?], [graphite?]: G 5854 inscription: verso, [?], [graphite?]: EPI (or EPT?) Provenance Recorded Ownership History Mary F. and Fannie Bartlett, Boston, by 1895, bequest; to the Fogg Art Museum, 1934 Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, The Mary F. and Fannie Bartlett Collection Accession Year 1934 Object Number 1934.198 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Catalogue of a Loan Collection of Watercolors, exh. cat., St. Botolph Club (Boston, 1891), no. 42 Eric M. Rosenberg and Miriam Stewart, The Harvest of 1830: The Barbizon Legacy, exh. cat., Harvard University Art Museums (Cambridge, MA, 1990), p. 17 Exhibition History New Acquisitions, Print Department, Museum of Fine Arts, Boston, Boston, 05/21/1895 - 11/01/1895 Loan Collection of Watercolors, St. Botolph Club, 12/01/1891 - 12/31/1891 Dutch Water Colors of the 19th Century, Fogg Art Museum, Cambridge, 03/19/1935 - 03/31/1935 The Harvest of 1830: the Barbizon Legacy, Harvard University Art Museums, Cambridge, 08/25/1990 - 10/21/1990 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu