Harvard Art Museums > 1943.461: Night Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Night (Edward Burne-Jones)(Frame by M. Grieve Co.) , 1943.461,” Harvard Art Museums collections online, Dec 05, 2024, https://hvrd.art/o/298027. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1943.461 People Edward Burne-Jones, British (Birmingham, England 1833 - 1898 London, England) Frame by M. Grieve Co. Title Night Classification Drawings Work Type drawing Date 1870 Culture British Persistent Link https://hvrd.art/o/298027 Physical Descriptions Medium Watercolor and gouache on white paper mounted on very fine canvas, formerly attached to stretcher Dimensions 122.2 x 45.7 cm (48 1/8 x 18 in.) frame: 134.6 x 58.4 x 6.4 cm (53 x 23 x 2 1/2 in.) Inscriptions and Marks label: formerly cardboard back of frame (now in file), printed and inscribed: [cut-out from sale catalogue]: E. BURNE-JONES, A.R.A., 1870. / 43 NIGHT AND MORNING--a pair--in water colours / 47 1/2 in. by 17 1/2 in.; also inscribed in brown ink: Purchased for J. Ruston Esq. by Thomas / Agnew & Sons, at the sale of the Leyland / Collection 28th May, 1892 gallery label: formerly cardboard back of frame (now in file), printed and inscribed: SCOTT & FOWLES / 680 FIFTH AVENUE / NEW YORK / No. 5904 [in black ink] label: formerly cardboard back of frame (now in file), printed and inscribed: This Picture, being painted in WATER / COLOUR, would be injured by the slight- / est moisture. / Great care must be used whenever / it is removed from the Frame. / Inscribed on label in brown ink: Edward Burne-Jones inscription: back of frame, incised: (twice): M. GRIEVE CO. / HAND CARVED / NEW YORK & LONDON inscription: on threshold of doorway, in artist's hand: I AM NIGHT & BRING AGAIN / HOPE OF PLEASURE REST FROM PAIN / THOUGHTS UNSAID TWIXT LIFE AND DEATH / MY FRUITFUL SILENCE QUICKENETH inscription: lower right of threshold, graphite, in artist's hand: HAS IMAGINES PINXIT E BURNE JONES / MDCCCLXX Provenance Recorded Ownership History Commissioned from the artist by Frederick R. Leyland, London; his sale, Christie's London, May 28, 1892, no. 43 (£1,415); purchased at that sale by Tomas Agnew and Sons, London; Joseph Rushton; his sale, Christie's, London, May 21-23, 1898, no. 26 (£1,050); purchased at sale by Thomas Agnew and Sons, London; James Ross, Montreal, by 1901; his sale, Christie's, London, July 8, 1927, no. 1 (£231); purchased at that sale by Leggatt Brothers; Scott and Fowles, New York, 1927; acquired from them by Grenville L. Winthrop, October 18, 1927 ($3,000); his bequest to the Fogg Art Museum, 1943. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop Accession Year 1943 Object Number 1943.461 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS. The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History "Society of Painters in Water-Colours" Sixty-sixth Exhibition, Art Journal (June 1870), pg. 173 "The Grosvenor Gallery", Art Journal (London, July 1878), pg. 155 "The Grosvenor Gallery", The Times (London, May 2, 1878), pg. 7 Paul Leprieur, "Burne-Jones, décorateur et ornemaniste", Gazette des beaux arts (November 1, 1892), ser 3, 8, pg. 386 Lionel Robinson, "The Leyland Collection", Art Journal (May 1892), pg. 138 Malcolm Bell, Edward Burne-Jones: A Record and Review, George Bell and Sons, Ltd. (London, England, 1892), pp. 5, 22, 30, 42, 63, 97, 109 Julia Cartwright, "The Life and Work of Sir Edward Burne-Jones", Art Annual (London, Christmas number of the Art Journal 1894), pg. 17 Claude Phillips, "The Rushton Collection. The Modern Pictures - I, II", Magazine of Art (January 1894), 17, pp. 97-98 Otto von Schleinitz, Burne-Jones, Velhagen und Klassing (Leipzig, Germany, 1901), pg. 26 Lady Georgiana Burne-Jones, Memorials of Edward Burne-Jones (2 vols.) (London, England, 1904), vol. II, pp. 9-10 Fortunée De Lisle, Burne-Jones, Methuen & Co. (London, England, 1906), pp. 105-6, 182 Malcolm Bell, Sir Edward Burne-Jones: A Bibliographical Study, G. Newnes Ltd. (London, 1909), pp. 29-30, pl. XXIV "The Residence of Commander J.K.L. Ross, Peel Street, Montreal", Canadian Homes and Gardens (September 1926), 3, pp. 29-32 A.M. Gianelli, "Montreal Collection is Auctioned at Christie's", Canadian Homes and Gardens (September 1927), pp. 34-35 "Pre-Raphaelites", Bulletin of the Fogg Art Museum, Fogg Art Museum (Cambridge, MA, November 1943), vol. X, pp. 62-63, pg. 26 Paintings and Drawings of the Pre-Raphaelites and their Circle, exh. cat., Fogg Art Museum (Cambridge, MA, 1946), no. 17, repr. John Christian, Burne-Jones: The Paintings, Graphic and Decorative Work of Sir Edward Burne-Jones, exh. cat., Arts Council of Great Britain, London (London, England, 1975), under no. 109, p. 44 Janet M. Brooke, Discerning Tastes: Montreal Collectors 1880-1920, exh. cat., The Montreal Museum of Fine Arts (Montreal, Canada, 1989), pp. 132, 177 Russell Ash, Sir Edward Burne-Jones, Harry N. Abrams, Inc. (New York, NY, 1993), pl. 6 (color) + text opposite Katharine A. Lochnan, ed., The Earthly Paradise: Arts and Crafts by William Morris and His Circle from Canadian Collections, exh. cat., Art Gallery of Ontario (Toronto, Canada, 1993), p. 22; repr. fig. 1 Christopher Newall, The Grosvenor Gallery Exhibitions: Change and Continuity in the Victorian Art World, Cambridge University Press (Cambridge, 1995), p. 57 Andrew Wilton and Robert Upstone, The Age of Rossetti, Burne-Jones and Watts: Symbolism in Britain 1860-1910, exh. cat., Flammarion (Paris, France and New York, NY, 1997), under no. 27 Christopher Wood, Burne-Jones: The Life and Works of Sir Edward Burne-Jones (1833-1898), Weidenfeld & Nicolson (London, England, 1998), pp. 70-71 Stephen Wildman and John Christian, Edward Burne-Jones: Victorian Artist-Dreamer, exh. cat., Metropolitan Museum of Art / Harry N. Abrams, Inc. (New York, NY, 1998), p. 116, under no. 84 Chikashi Kitazaki and Mina Oya, ed., Between Reality and Dreams: Nineteenth Century British and French Art from the Winthrop Collection of the Fogg Art Museum, exh. cat., National Museum of Western Art (Ueno, 2002), cat. no. 52-2, repr. (color) Vincent Pomarède, "La Collection Winthrop: A la recherche de la beauté pure", L'Estampille/L'Objet d'art (April 2003), no. 379, pp. 34-45, p. 44 Stephan Wolohojian, ed., A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, exh. cat., The Metropolitan Museum of Art and Yale University Press (U.S.) (New York, 2003), cat. no. 156, repr. (color) Stephan Wolohojian, Ingres, Burne-Jones, Whistler, Renoir... La Collection Grenville L. Winthrop, exh. cat., Musée des Beaux-Arts de Lyon and Réunion des Musées Nationaux (Paris, France, 2003), no. 156, repr. Stephan Wolohojian and Alvin L. Clark, Jr., Harvard Art Museum/ Handbook, ed. Stephan Wolohojian, Harvard Art Museum (Cambridge, 2008), p. 160, repr. Victorian & British Impressionist Art, auct. cat., Christie's, London (London, July 11, 2013), p. 53 Fiona Mann, "A 'born rebel': Edward Burne-Jones and watercolour painting 1857-80", The Burlington Magazine (October 2014), CLVI, no. 1339, pp. 657-664, p. 660 Exhibition History Sixty-sixth Exhibition, Old Water-Colour Society, Dudley Gallery, London, 01/01/1870 - 12/31/1870 Summer Exhibition, Grosvenor Gallery, London, 05/01/1878 - 08/05/1878 Grand Loan Exhibition of Pictures from Lancashire Collections, and Exhibition of the Liverpool Society of Painters in Water-Colours and Liver Sketching Club, Walker Art Gallery, Liverpool, Liverpool, 01/01/1886 - 07/31/1886 Exhibition of the Works of Edward Burne-Jones, New Gallery, London, 01/01/1892 - 12/31/1893 Paintings and Drawings of the Pre-Raphaelites and their Circle, Fogg Art Museum, Cambridge, 04/08/1946 - 06/01/1946 Between Reality and Dreams: Nineteenth Century British and French Art from the Winthrop Collection of the Fogg Art Museum, National Museum of Western Art, Tokyo, 09/14/2002 - 12/08/2002 A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, Musée des Beaux-Arts de Lyon, Lyon, 03/15/2003 - 05/26/2003; National Gallery, London, 06/25/2003 - 09/14/2003; The Metropolitan Museum of Art, New York, 10/23/2003 - 01/25/2004 32Q: 2130 19th Century, Harvard Art Museums, Cambridge, 04/07/2015 - 11/10/2015 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu