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A drawing of six figures in an interior.

The drawing in watercolor on tracing paper depicts six figures in an interior. The room is white, with mosaic motifs on the floor. A statue of a nude man with a sword and shield stands on a central pedestal above the six figures, who are lit by a candle on a column to the left of the statue. The leftmost figure, in profile, wears a white robe and holds a scroll out before them, facing right. At the center is a woman wearing a blue and yellow garment, reclining against a seated man’s waist. The man, seated on a bench, is dressed in a blue robe with a red cape, his left hand on the reclining woman’s shoulder and his right hand outstretched. Behind the reclining woman and seated man is a seated woman in blue and lavender robes, her arm over the back of her chair, looking at the leftmost figure’s scroll. On the far right are two robed men, the rightmost with his hand to his chin.

Identification and Creation

Object Number
1943.373
People
Jean-Auguste-Dominique Ingres, French (Montauban 1780 - 1867 Paris)
Title
Virgil Reading the Aeneid to Augustus (Study for "Tu Marcellus Eris")
Classification
Drawings
Work Type
drawing
Date
1850
Culture
French
Persistent Link
https://hvrd.art/o/298017

Physical Descriptions

Medium
Watercolor and white gouache over graphite and black crayon, partially varnished with gum, on tracing paper, patched with tracing paper and reworked, laid down
Dimensions
38.5 x 33 cm (15 3/16 x 13 in.)
Inscriptions and Marks
  • Signed: Signed, graphite, l.l. "J. Ingres inv Del."

Provenance

Recorded Ownership History
Marie-Eugène-Frédèric Reiset; his daughter comtesse Adolphe-Louis-Edgar de Ségur-Lamoignon, Méry-sur-Oise; her daughter marquise Adolphe-Marie de Moy; Reginald David, Paris; acquired through Martin Birnbaum by Grenville L. Winthrop, July 1927; his bequest to the Fogg Art Museum, 1943.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop
Accession Year
1943
Object Number
1943.373
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Edmond Saglio, "Un Nouveau Tableau de M. Ingres, liste complète de ses oeuvres", La Correspondence Litteraire (February 5, 1857), pg. 78
  • Emile Galichon, "[Description des] Dessins de M. Ingres [exposés au Salon des Arts-Unis], deuxième série.", Gazette des Beaux-Arts (Paris, July 1, 1861), 9, pg. 41, n. 1
  • Emile Galichon, "Descriptions des dessins de M. Ingres exposés au Salon des Arts-Unis", Gazette des Beaux-Arts (March 15, 1861), vol. IX, no. 6, pg. 348
  • Henri, Vicomte Delaborde, "Les dessins de M. Ingres au Salon des Arts Unis", Gazette des beaux-arts (Paris, March 1, 1861), 9, pg. 263
  • Charles Blanc, "Ingres, sa vie et ses ouvrages" parts 1-9, Gazette des beaux-arts (Paris, 1867-1868), 22-25, part. 3, pg. 199
  • Emile Bellier de la Chavignerie, "Notes sur l'oeuvre de M. Ingres", La Chronique des Arts et de la Curiosité (1867), vol. V, pg. 51
  • Olivier Merson and Emile Bellier de la Chavignerie, Ingres, sa Vie et ses Oeuvres, J. Hetzel (Paris, France, 1867), pp. 106-7
  • Charles Blanc, Ingres, sa vie et ses ouvrages, Vve. J. Renouard (Paris, France, 1870), pg. 55
  • Charles-Phillippe, Marquis de Chennevières-Pointel, Souvenirs d'un directeur des Beaux-Arts (5 vols.), Bureaux de l'Artiste (Paris, 1883-1889 (1979)), vol. 3 [1886], pg. 94
  • Jean Joseph Seznec, "The Romans of the Decadence and their Historical Significance", Gazette des Beaux-Arts (October 1943), XXIV, pp. 221-232, p. 221, repr. p. 225 as fig. 2
  • Agnes Mongan, "Drawings by Ingres in the Winthrop Collection", Gazette des Beaux-Arts (July-December 1944), ser. 6, 26, pp. 406-7
  • Agnes Mongan, Ingres: 24 Drawings, Pantheon Books (New York, 1947), pp. 9-10, pl. 4a
  • A Loan Exhibition of Paintings and Drawings from the Ingres Museum at Montauban, exh. cat., Knoedler Galleries (New York, NY, 1952), [pg. 3]
  • Ingres, exh. cat., Réunion des Musées Nationaux (Paris, France, 1967), pg. 160, under no. 111
  • Ingres: Centennial Exhibition, 1867-1967. Drawings, Watercolors and Oil Sketches from American Collections, exh. cat., Fogg Art Museum (Cambridge, MA, 1967), no. 93, pp. 246, 248, repr.
  • Emilio Radius and Ettore Camesasca, L'opera completa di Ingres, Rizzoli (Milan, Italy, 1968), pg. 93, under no. 69
  • Robert Mesuret, "'Si Qua Fata Aspera Rumpas,' ou les disgraces du tableau préferé", Colloque Ingres, Dupin (Montauban, France, 1969), pg. 131, no. 35a
  • Daniel Ternois and Ettore Camesasca, Tout l'oeuvre peint d'Ingres (Paris, France, 1971), pg. 93, under no. 70
  • Marjorie B. Cohn, Wash and Gouache: A Study of the Development of the Materials of Watercolor, exh. cat., Fogg Art Museum (Cambridge, 1977), p. 28, p. 76 note 10, cat. no. 27 p. 98
  • Hans Naef, Die Bildniszeichnungen von J.-A.-D. Ingres (Bern, Switzerland, 1978), vol. 3, pg. 357
  • Agnes Mongan, "Ingres et ses jeunes compatriotes à Rome 1806-1820", Bulletin du Musée Ingres, Amis du Musée Ingres (Montauban, France, 1980), 47, pg. 14
  • Richard Newman, "The Microtopography of Pencil Lead in Drawings: A Preliminary Report", Papers Presented at the Art Conservation Training Programs Conference, Henry Francis DuPont Winterthur Museum (Wilmington, DE, 1980), pg. 32, fig. 6
  • Gaetan Picon, Jean-Auguste-Dominique Ingres, Quai des Celestins, 4 (New York, NY, 1980), pg. 61, repr.
  • John Spike, "Ingres at the Fogg Art Museum", The Burlington Magazine (1981), vol. 123, no. 936, p. 190
  • Patricia Condon, In Pursuit of Perfection: The Art of J.-A.-D. Ingres, exh. cat., Speed Art Museum (Louisville, KY, 1983), pp. 54, 56, 59, fig. 16
  • Ingres et Delacroix: Dessins et aquarelles, exh. cat., Snoeck-Ducaju & Zoon (Ghent, 1986), pg. 37
  • Patricia Condon, "Les Dessins Historiques achevés de J.A.D. Ingres" (part one), Bulletin du Musée Ingres, Amis du Musée Ingres (Montauban, France, 1995), no. 67/68, pp. 3-86, cat. 67; repr. fig. 52
  • Patricia Condon, "Les Dessins Historiques achevés de J.A.D. Ingres" (part two), Bulletin du Musée Ingres, Amis du Musée Ingres (Montauban, France, 1996), no. 69, pp. 3-38, pp. 4, 8, 9, 10, 26
  • Agnes Mongan, David to Corot: French Drawings in the Fogg Art Museum, Harvard University Press (Cambridge, MA, 1996), cat. no. 246, repr.
  • Adrian Rifkin, Ingres, Then and Now, Routledge (London and New York, NY, 2000), pp. [30]-34, fig. 15
  • Stephan Wolohojian, ed., A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, exh. cat., The Metropolitan Museum of Art and Yale University Press (U.S.) (New York, 2003), cat. no. 75, repr. (color), p. 25
  • Stephan Wolohojian, Ingres, Burne-Jones, Whistler, Renoir... La Collection Grenville L. Winthrop, exh. cat., Musée des Beaux-Arts de Lyon and Réunion des Musées Nationaux (Paris, France, 2003), no. 75, repr.
  • Louis-Antoine Prat, Le dessin français au XIXe siècle, Somogy Éditions d'Art (Paris, 2011), p. 169
  • Ewa Lajer-Burcharth and Elizabeth M. Rudy, ed., Drawing: The Invention of a Modern Medium, exh. cat., Harvard Art Museums (Cambridge, 2017), pp. 176, 178, 285, repr. p. 177 as fig. 3

Exhibition History

  • Dessins [d'Ingres] tirés de collections d'amateurs (2nd series)., Salon des Arts-Unis, Galerie Martinet, Paris, 01/01/1861 - 01/01/1861
  • Exposition Ingres, Galerie Georges Petit, Paris, 04/26/1911 - 05/14/1911
  • Chinese sculpture, bronzes, jades, paintings and drawings, Egyptian and Persian sculpture, Pre-Columbian art : selected from the collection of Grenville Lindall Winthrop, Fogg Art Museum, Cambridge, 10/01/1943 - 02/28/1944
  • Ingres Centennial Exhibition, 1867-1967, Fogg Art Museum, Cambridge, 02/12/1967 - 04/09/1967
  • Wash and Gouache: A Study of the Development of the Materials of Watercolor, Fogg Art Museum, Cambridge, 05/12/1977 - 06/22/1977
  • Works by J.-A.-D. Ingres in the Collection of the Fogg Art Museum, Fogg Art Museum, Cambridge, 10/17/1980 - 12/07/1980
  • A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, Musée des Beaux-Arts de Lyon, Lyon, 03/15/2003 - 05/26/2003; National Gallery, London, 06/25/2003 - 09/14/2003; The Metropolitan Museum of Art, New York, 10/23/2003 - 01/25/2004
  • HAA 10 Survey Course: The Western Tradition, Art Since the Renaissance, Harvard University Art Museums, Fogg Art Museum, Cambridge, 03/08/2008 - 04/06/2008
  • Drawing: The Invention of a Modern Medium, Harvard Art Museums, Cambridge, 01/21/2017 - 05/07/2017

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu