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A drawing of a standing man in formalwear.

The drawing in graphite and white chalk on cream paper depicts a man standing for a portrait in formalwear. His dark hair is combed back, covering his ears. He has a square beard and pointed, waxed mustache. He faces three quarters toward the left of the page, his eyes looking right. He wears white shirt under a dark double-breasted suit, with star-shaped badges hung from his collar and affixed to his left breast. Over his suit he wears a dark robe with light lining, which falls off his left shoulder. He holds a white glove in his right hand. In the bottom right of the page is a top hat resting on its crown, and a block of written script above it.

Identification and Creation

Object Number
1943.855
People
Jean-Auguste-Dominique Ingres, French (Montauban 1780 - 1867 Paris)
Title
Portrait of Alfred-Emilien O'Hara, Comte de Nieuwerkerke
Classification
Drawings
Work Type
drawing
Date
1856
Culture
French
Persistent Link
https://hvrd.art/o/297944

Physical Descriptions

Medium
Graphite and white chalk, with stumping around beard and left hand, on cream wove paper, darkened
Dimensions
actual: 33 x 24.3 cm (13 x 9 9/16 in.)

Provenance

Recorded Ownership History
Comte Émilien de Nieuwerkerke, 1856, presumably his sole heir, Countess Lorenzo Altieri, Count Alessandro Contini Bonacossi, Rome; Jacques Seligmann and Co., New York, June 1928; acquired by Grenville L. Winthrop, November 1928 ($6,000); his bequest to the Fogg Art Museum, 1943.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop
Accession Year
1943
Object Number
1943.855
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Arnould de Vienne, "Galerie de M. Marcotte", L'Artiste (August 24, 1856), ser. 6, 2, p. 102, pg. 70 (Adolph-Pierre Riffaut, reproductive lithograph [1856] after the portrait drawing of Nieuwerkerke by Ingres)
  • [Reproduction only], Lithographic reproduction of Émilien Nieuwerkerke by Ingres, (1856-1857)., reproduction produced in 1856 or 1857
  • Edmond Saglio, "Un Nouveau Tableau de M. Ingres, liste complète de ses oeuvres", La Correspondence Litteraire (February 5, 1857), pg. 70
  • Theophile Gautier, "Les soirées du Louvre", L'artiste (Paris, January 31, 1858), ser. 7, 3, pg. 69
  • Emile Galichon, "[Description des] Dessins de M. Ingres [exposés au Salon des Arts-Unis], deuxième série.", Gazette des Beaux-Arts (Paris, July 1, 1861), 9, pg. 47
  • Olivier Merson and Emile Bellier de la Chavignerie, Ingres, sa Vie et ses Oeuvres, J. Hetzel (Paris, France, 1867), pg. 120
  • Charles Blanc, Ingres, sa vie et ses ouvrages, Vve. J. Renouard (Paris, France, 1870), pg. 239
  • Henri, Vicomte Delaborde, Ingres, sa vie, ses travaux, sa doctrine, d'apres les notices manuscrites et les lettres du maitre, H. Plon (Paris, France, 1870), pg. 308, no. 384
  • Charles-Phillippe, Marquis de Chennevières-Pointel, Souvenirs d'un directeur des Beaux-Arts (5 vols.), Bureaux de l'Artiste (Paris, 1883-1889 (1979)), vol 2, pp. 84-85
  • Frédèric Henriet, "Le Comte de Nieuwerkerke", Le journal des arts (Paris, January 21, 1893), pg. 1
  • [Reproduction Only], Le journal des arts, (Paris, January 25, 1893)., pg. 2
  • Frédèric Henriet, "Le Comte de Nieuwerkerke", L'art (Paris, 1894), 18, pp. 227, 235 (detail illustration)
  • Henry Lapauze, Les dessins de J.-A.-D. Ingres du Musée de Montauban, J. E. Bulloz (Paris, France, 1901), pp. 250, 267
  • Paul André Lemoisne, "Les Soirées du Louvre: Aquarelles d'Eugène Giraud conservées au cabinet des Estampes", Bulletin de la Société de l'Histoire de l'Art Français (Paris, 1920), 2, pg. 293
  • Alexandrine Miller, "Ingres' Three Methods of Drawing as Revealed by his Crayon Portraits", Art in America (January 1938), vol. XXVI, pg. 14
  • Agnes Mongan, "Drawings by Ingres in the Winthrop Collection", Gazette des Beaux-Arts (July-December 1944), ser. 6, 26, pp. 400-401
  • John Rewald, The History of Impressionism [revised ed.], The Museum of Modern Art (New York, NY, 1961), pg. 142, repr.
  • Ingres: Centennial Exhibition, 1867-1967. Drawings, Watercolors and Oil Sketches from American Collections, exh. cat., Fogg Art Museum (Cambridge, MA, 1967), no. 108, repr.
  • Pierre Angrand, Monsieur Ingres et son époque, La Bibliothèque des Arts (Lausanne, Switzerland, 1968), pp. 248-49 n. 2
  • Evelyne Pansu, Ingres Dessins, Chene (Paris, France, 1977), no. 79, repr.
  • Hans Naef, Die Bildniszeichnungen von J.-A.-D. Ingres (Bern, Switzerland, 1978), vol. 3, pp. 514, 516, 543-44; vol. 5, pp. 360-61, no. 439, repr.
  • Daniel Ternois, Ingres, Editions Nathan (Paris, France, 1980), pp. 104, 157, repr.
  • Gaetan Picon, Jean-Auguste-Dominique Ingres, Quai des Celestins, 4 (New York, NY, 1980), repr. pg. 87
  • Daniel Ternois, "Une amitié romaine: les lettres d'Ingres à Édouard Gatteaux", Actes du Colloque: Ingres et Rome, Montauban (Montauban, 1986), pp. 17-61, pg. 60 n. 1
  • Ingres et Delacroix: Dessins et aquarelles, exh. cat., Snoeck-Ducaju & Zoon (Ghent, 1986), pp. 35-36, repr.
  • Régis Michel, Madeleine Pinault, and Arlette Sérullaz, Les mots dans le dessin, exh. cat., Réunion des Musées Nationaux (Paris, 1986), pg. 29, under no. 25
  • Edmond de Goncourt and Jules de Goncourt, Journal: Mémoires de la vie littéraire, R. Laffont (Paris, 1989), vol. 1, pg. 917, under entry for January 3, 1863
  • Helen Osterman Borowitz and Albert Borowitz, Pawnshop and palaces: the fall and rise of the Campana art museum, Smithsonian Institution Press (Washington, D.C, 1991), pp. 92-93; repr. fig. 23
  • Georges Vigne, Ingres, Citadelles & Mazenod and Abbeville Press (Paris, France; New York, NY, 1995), pp. 309-10, fig. 267
  • John House, Landscapes of France: Impressionism and its rivals, exh. cat., Hayward Gallery (London, England, 1995), pp. 43-44; repr. fig. 25
  • Agnes Mongan, David to Corot: French Drawings in the Fogg Art Museum, Harvard University Press (Cambridge, MA, 1996), cat. no. 253, repr.
  • Jane Mayo Roos, Early impressionism and the French state (1866-1874), Cambridge University Press (Cambridge, England and New York, NY, 1996), pp. 3-4; repr. fig. 4
  • Georges Vigne, "Monsieur Ingres, dessine-moi un portrait", L'Estampille/L'Objet d'Art (March 1999), no. 334, color repr. p. 47
  • Valérie Bajou, Monsieur Ingres, Editions Adam Biro (Paris, France, 1999), p. 328; repr. fig. 218
  • Gary Tinterow and Philip Conisbee, Portraits by Ingres: Image of an Epoch, exh. cat., The Metropolitan Museum of Art (New York, NY, 1999), p. 371 and repr. fig. 218
  • Pierre Rosenberg, From Drawing to Painting: Poussin, Watteau, Fragonard, David & Ingres, Princeton University Press (Princeton, NJ, 2000), p. 144, fig. 188, repr.
  • Fernande Goldschmidt, Le comte de Nieuwerkerke : art et pouvoir sous Napoléon III, exh. cat., Réunion des Musées Nationaux; Château de Compiègne (Compiègne, France, 2000), pp. 15-81, under no. 23
  • Daniel Ternois, Lettres d’Ingres à Marcotte d’Argenteuil: dictionnaire, Librairie des Arts et Métiers-Ed. Jacques Laget (Nogent-le-Roi, France, 2001), pg. 158
  • Stephan Wolohojian, ed., A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, exh. cat., The Metropolitan Museum of Art and Yale University Press (U.S.) (New York, 2003), cat. no. 78, repr. (color)
  • Stephan Wolohojian, Ingres, Burne-Jones, Whistler, Renoir... La Collection Grenville L. Winthrop, exh. cat., Musée des Beaux-Arts de Lyon and Réunion des Musées Nationaux (Paris, France, 2003), no. 78, repr.
  • Pascale Picard-Cajan, Ingres et l'antique: l'illusion grecque, exh. cat., Actes Sud (Arles, 2006), p. 96 and note 14
  • Ross King, The Judgment of Paris: The Revolutionary Decade That Gave the World Impressionism, Walker and Company (New York, 2006), ill. p. 33
  • Ross King, Zum Frühstück ins Freie: Manet, Monet und die Ursprünge der Modernen Malerei [translation of "The Judgment of Paris: The Revolutionary Decade That Gave the World Impressionism", Albrecht Knaus Verlag (Munich, 2006), ill. p. 48
  • Louis-Antoine Prat, Le dessin français au XIXe siècle, Somogy Éditions d'Art (Paris, 2011), p. 162

Exhibition History

  • Dessins [d'Ingres] tirés de collections d'amateurs (2nd series)., Salon des Arts-Unis, Galerie Martinet, Paris, 01/01/1861 - 01/01/1861
  • International Exhibition, Royal Horticultural Society, London, 05/01/1862 - 11/01/1862
  • Tableaux, etudes peintes, dessins et croquis de J.-A.-D. Ingres peintre d'histoire, sénateur, membre de l'Institut, École Impériale des Beaux-Arts, Paris, 04/10/1867 - 12/31/1867
  • Ingres Centennial Exhibition, 1867-1967, Fogg Art Museum, Cambridge, 02/12/1967 - 04/09/1967
  • Works by J.-A.-D. Ingres in the Collection of the Fogg Art Museum, Fogg Art Museum, Cambridge, 10/17/1980 - 12/07/1980
  • A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, Musée des Beaux-Arts de Lyon, Lyon, 03/15/2003 - 05/26/2003; National Gallery, London, 06/25/2003 - 09/14/2003; The Metropolitan Museum of Art, New York, 10/23/2003 - 01/25/2004

Related Works

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu